The Gleaners

下面为大家整理一篇优秀的assignment代写范文- The Gleaners，供大家参考学习，这篇论文讨论了油画《拾穗者》。《拾穗者》这幅画作创作于1857年，它展现了一个农村中最普通的情景。秋天，收获的季节，金黄色的田野看上去一望无际，画面最前方是三个农妇，她们在田地里弯腰捡拾遗留在地上的麦穗，三个农妇在画面上斜向排开，姿态各异，动作不同。米勒的这幅作品采用了现实主义创作方法，一切从现实中出发，从现实中取材，真实的反映了农民秋收的场景，也深刻的揭示了现象背后的阶级矛盾，在十九世纪的法国，它直接艺术的时代特点，直接描写当时的时代特征。

Oil painting The Gleaners is one of the representative works of French realist painter miller. This painting shows the real rural life and simple peasant complex through The realistic depiction of The ordinary picking of ear in The autumn harvest scene. At the same time, through showing the poverty and sufferings of peasants, it conveys an implicit sense of social criticism, truly shows the hardships of people's life, and deeply reveals the class contradiction behind it. Similarly, the Chinese revolution came into being under such circumstances. The Chinese peasants rose up against the oppression of the landlord class, which was the strength of the people and ultimately won the victory.

The Gleaners The painting creation in 1857, it shows a rural one of The most common scenario: autumn, The harvest season, golden fields look far, picture is The front three ladies, they bent down to pick up left on The ground in The fields of grain, three ladies oblique lined in The picture, different attitude, different action. The woman at the far right of the picture, with her face half bent, holding a sheaf of wheat in her hand, was making a careful inspection of the wheat field, which had already been gathered; In the middle of the farmer is to quickly pick up the red scarf, another hand holding the bulging bags, blue turban women, left hand holding the right hand to pick up the grain, to put them behind agile, their background is a harvest field, vast, up-hill mountain, a slice of the scene of a busy harvest a loaded with wheat carriage was about to drive away the top right and one on horseback pointing to those farmers at the same time, there are many farmers are working.

This work of miller adopts the realistic creation method. Everything starts from the reality and draws materials from the reality. It truly reflects the scene of farmers' autumn harvest. What it expresses is the relationship between people and the land. It reflects a deep religious sense from the peasant woman. In the face of survival, human beings are not superior, but need to lower their heads in order to make a living, reflecting the pressure of survival at that time. This painting also profoundly reveals the class contradictions behind the phenomenon. In 19th century France, it directly describes the characteristics of the era of art and describes the characteristics of the era at that time. It affirms the significance of ordinary people in art. It expresses not only the praise of faith, but also the rise to the level of capitalist social phenomenon, which is closely related to people.

Although picking is a very common action, it is sublimated under the painter's brush. In the picture, they are not angry or complain, but just pick up the wheat with piety, which is like a silent cry, shaking the ruling class. Looking back at the course of Chinese revolution, class contradictions exist all the time, and the problem of peasants is the central problem of Chinese revolution, which runs through the whole revolution. China is a large agricultural country, and most of the peasants are oppressed by the three big mountains. It can be seen that art is the perception of life, which is not produced out of thin air, but based on the discovery of life, to express the author's inner feelings.

Art comes from life and is a reflection of social life. It shows that the objective source of art is in line with the principle of materialism and the actual situation of artistic creation. As MAO zedong said in his speech at the yan 'an symposium on literature and art, "where on earth do all kinds of literature and art come from? As ideological art works, they are the products of certain social life reflected in human mind. ... In life, there was a mine of raw materials for literature and art. This is something in its natural form, something crude, but also the most vivid, abundant and basic... Is the inexhaustible source of all literature and art. The only source, because there can be only such a source, and there can be no second source." This shows that only by drawing inspiration from the source of life, truly reflecting social life and expressing real feelings, can artists make their works full of vitality. His works in this period expressed the desire of the people at the bottom of the society to turn over and become the master, which made the literary works more and more popular and civilian. Realistic works appeared to express the life situation of the people.

In the 21st century, great changes have taken place in the whole social situation. In terms of domestic artistic creation, the scope of its pioneering, the variety of styles, the strong sense of The Times, and the unprecedented new expression, the whole art presents a pattern of diversified development, which fully shows that contemporary Chinese art has entered into modern times from tradition. Some of these works are gratifying masterpieces, and there are many representative painters of their own. However, few works like The Gleaners are so appealing, shocking and truly representative of The milestone of The era. To feel their artistic spirit and understand the inner meaning of the works may have practical guiding significance for the current art creation. The specific analysis is as follows:

Art comes from life, real life gives painter material infinite space, into the thick of life, experience life, use your eyes to see the world, understand the ever-changing world, on the basis of repeated refined processing, pursuit, can't go with the flow, only in this way can create excellent works of fine art. In this regard, miller cong's artistic practice is the best example. In the direction of artistic creation, I chose the path of realism, paid attention to the current real life, and created a series of excellent works reflecting the theme of The Times from the real feelings, which has exerted a great influence on later generations.

Innovation is to express new feelings, images, states and create corresponding new words and methods. The key to a work's landmark historical significance lies in its innovation. Real life is rich and colorful, the way of expression should not be the same, copying others' artistic language, mystifying, sensationalism, it is a dead end. The most appropriate artistic language will always serve the thought content to be expressed. It takes a lot of time and energy to search for such an appropriate language. Only with a strong will and the courage to innovate, can we go beyond tradition, beyond modernity and beyond ourselves.

A classic painting should not only convey the shape and spirit of things to the audience, but also convey the thoughts and feelings of the creative subject to the audience. Any touching works of art are the emotional expression and spiritual portrayal of the creator. Although miller's images of peasant women are far away from each other and far away from each other, the inner feelings they convey seem so natural and intimate to Chinese audiences. This is the result of the author's artistic representation from the inner feelings. Zhou sicong once said, "art is the crystallization of human nature and human feelings. It touches the heartstrings of human feelings. An indifferent person cannot be an artist."

China is a big agricultural country. In the 21st century, oil paintings with peasant themes are still indispensable in the development of art today. Miller was the first great artist to depict the life of farmers with the status of a master, and to depict farmers all his life. He used his brush to praise the hardworking and simple farmers, so that the audience could feel the feelings of hard work. All these are in line with the traditional virtues of diligence and thrift in China. Both the form and the content of miller's paintings are of great significance for today's peasants' paintings.

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