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The color language of decorative painting

2019-09-18 来源: 51Due教员组 类别: Paper范文

下面为大家整理一篇优秀的paper代写范文- The color language of decorative painting,供大家参考学习,这篇论文讨论了装饰绘画的色彩语言。装饰绘画的色彩语言强调概括性,主观的整理颜色关系,将本来复杂的固有色归纳概括为更直接更纯粹的色彩,强化了物象特有的色彩美感,突出了色彩的典型性,使画面更具装饰效果。装饰绘画色彩的概括就是在色彩上使用减法,省略了色彩明度以及纯度的变化,运用有限的色彩表达无限的可能。装饰绘画的色彩是以创作者的主观思想为主导的,在设置色彩时,改变自然物象的原色,这种主观的变色是为了达到整体画面的和谐,或为了配合创作者的创作目的。

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The color of decorative painting is not restricted by the inherent color of objective things. It emphasizes the aesthetic feeling of subjective color design and has creative expression charm. The colors of decorative paintings are usually laid out in a flat way, and the colors of objective things are generalized or changed by subjective thinking. Even the color language is extracted from the object modeling, independent of the image, and the picture is constructed with pure colors and emotions are expressed.

The interpretation of "decorative painting" combined with the understanding of "decoration" refers to the painting art with the purpose of beautification, which is more decorative than the general realistic painting. From the point of view of the purpose, decorative painting is to create decorative beauty, so as to achieve aesthetic pleasure of the painting works of art; From the perspective of expression form, decorative painting does not directly reproduce the objective image, but through subjective design in line with the theme, the re-creation of the painting art. In a word, decorative painting is a general term for paintings with decorative features.

Color is the human visual phenomena of nature, through the light feel sense of color is human born special abilities, in observing the outside things, attention to colorific accounted for 80%, and for the attention of form only accounted for 20%, there is a saying in called "far see color, almost see flowers", visible color is the most important visual object.

Decoration painting color language refers to the decoration painting color to express the unique way, it is not restricted by the natural color, not constrained by imitations of objective things, but the pursuit of color emotional reflection and psychology to allude to the person, is the color of the creative performance, compared with the traditional painting color more form aesthetic feeling, has its specific performance rule, emphasizes the process of the composer's subjective consciousness, usually the color things complanation, subjective generalization or change its inherent color, even will pull away from color, independent of the image outside, from the bondage of objective things, in the form of more pure elicits emotions.

Decorative painting color language is one of the most obvious characteristics of complanation, decorative paintings often ignore the image object with the surrounding space between the relationship between ring and the color of the original object three-dimensional space language processing two-dimensional type, emphasizes the combination between color piece and color piece, get rid of the color shade turn the modelling of relationships, and the influence of the environment color, mainly adopt the technique of expression, complanation after processing the image of the lost volume, like a flat specimen. Complanation processed image lose perspective changes, all objects using flat perspective composition, in this kind of color structure, complicated spatial relation is simplified, only pure and eye-catching colors, such as Matisse paintings, using simple tile color building pictures, show the rich and profound feeling of life. Matisse has been pursuing the quiet and elegant idealist painting style all his life. He created a harmonious and pure beautiful world with decorative and simplified forms of expression. Matisse to the late years through color paper-cut to experiment with color relations, so from the perspective of color presentation, the more direct use of tiled form, canceled the possibility of color transition change.

The color language of decorative painting emphasizes generality, and the subjective arrangement of color relations can summarize the original complex inherent color into a more direct and pure color, which strengthens the unique color aesthetic feeling of the image, highlights the typicality of color, and makes the picture more decorative. The generalization that decorates painting color is to use subtraction on color namely, omitted color lightness and the change of purity, use finite color expression infinite possibility. For example, Matisse's famous work "dance" summarizes the sky as a large area of blue, which makes people feel like a piece of universe. The grass is a whole piece of green, without any change of color in the space, no nearby lush, no distant hazy, directly tiled a piece of green, pure and powerful; There are also red and brown figures symbolizing health and strength, dancing freely in the picture. The whole picture only USES red, green and blue, which simply expresses the sense of life and pleasant atmosphere.

Decorative painting color is as the leading factor of the creator's subjective thought, when set the color, change the natural object of primary colors, the subjective color change is in order to achieve the overall picture of harmony, or purpose, in order to cooperate with the creation of the creator will be the day of the "red" "blue in the face", its creators abandoned object color personality to match the whole picture is tonal, make pictures about sex is stronger, more reveal the creation of artistic charm. Picasso's works often see "purple, blue face" and even "half green and half purple face"; Hokushi mountain, ukiyoshi painter, Japan; The blue plants in ding shaoguang's works. These colors that contradict natural logic emphasize subjective aesthetic feeling of form and make the color expression of decorative painting more unique.

Color is the visual perception of light by human eyes and brain. Color stimulates people's vision and causes people's psychological response. This psychological response comes from people's accumulated experience perception of color in the brain. Through this kind of feeling, the creator actively designs the color, and even extracts the color from the image, making it above the form and supporting the whole picture alone. Traditionally, the emotional expression paintings require objective things as the carrier, also attached to the image color, however, with the rapid development of material civilization of human culture, especially photography technology mature, must break through the bondage of traditional painting art through innovation and transformation, as mark rothko said has already been a head "traditional" symbolic art is no longer able to let us feel human tragedy visceral. People's aesthetic is more and more rigid, artists are constantly trying to break through, looking for the real situation of human beings, trying to awaken the spiritual perception of human beings with more powerful language. Mark rothko's works just like he said abandon things as creative subject, instead of specific shape to illustrate object meaning, but to strive for a more pure expression of emotional appeal, his later works directly to the abstract color, picture there is no specific object shape language, these color blend mutually permeate each other, sometimes like a piece of clouds, gorgeous, free and beautiful, sometimes depression heavy thought-provoking, a few color pure blunt, bold color piece, expresses the idea of invisible, revealed a hint of melancholy and plain poetic, so that work brings a dramatic effect and atmosphere. It can be seen that color does not have to depend on the form. In the expression of artistic emotion, color has its own independent discourse power.

To sum up, the color language of decorative painting is the emotional expression of artists' understanding of the world, a blend of sensibility and rationality. It emphasizes more on the characteristics of formal sense and subjectivity, which makes decorative painting unique from other painting art.

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