A montage of artistic devices

下面为大家整理一篇优秀的paper代写范文- A montage of artistic devices，供大家参考学习，这篇论文讨论了蒙太奇艺术手段。蒙太奇是电影的基本造型手段，也是电影反应现实生活的艺术方法和重要表现手段，在影视作品中起得的重要作用。蒙太奇是电影叙事的语法和语言，也是电影艺术的结构方法，它可以把经过拍摄的看似没有关联的镜头经过符合逻辑的剪接，构成完整的影视艺术形象，从而表达创作者的目的。

As an audio-visual art, film editing plays a very important role in it. Montage is the main artistic means in editing. Since the extensive and flexible use of montage in films, film talents can use different montage techniques to express different film connotations. Montage plays a decisive role in TV and film production. The application of montage is closely related to the success or failure of a film and television production. In this paper, wa+ mainly introduces several main roles of montage in film and television production and makes a more detailed elaboration.

Film is a visual and auditory modern art, as well as a combination of modern technology and art that can accommodate drama, photography, painting, music, dance, writing, sculpture, architecture and other arts. With the development of The Times, movies affect our lives. The new era of ideas and new digital media technology provides a broader creative space for the creation of films, brings a new feeling to the audience, but also creates more new means of film creation, and brings a new creative revolution to the montage.

From French, it's also called Montage. It is used in architecture to mean composition or assembly. In film art, it refers to the editing and combination of lens and lens, scenes and scenes, thus constituting a qualitative leap. From the earliest films made by the lumiere brothers at the end of the 19th century, to the great train robbery screened by the American Edwin baut in 1903, to the widely recognized Griffith's combination of different scenes, the film broke away from the dramatic method of expression and became a real discipline. Since then, montage has developed considerably. With its appearance, the film language is no longer cumbersome, but can express the central idea of a film with the most concise and orderly picture. In the more than one hundred years of the development of montage, it has been constantly updated and improved with time. In different stages, different audio-visual feast of the film has appeared for us. Here is a brief analysis of the role of montage in the current film:

Constitutive function, that is, after several lenses are combined, a complete meaning can be expressed, resulting in richer meaning than each lens alone

Montage is the grammar and language of film narration and the structural method of film art. It can make a complete artistic image of film and television through the logical editing of seemingly unrelated shots shot, so as to express the purpose of creators. In the arrangement and combination of multiple shots, it not only forms a complete picture information, but also can reflect the subjective intention of the creator more clearly. Because each lens and its upper and lower two lenses are related, not isolated, they constitute the picture. Different arrangements can produce different artistic effects, such as contrast, metonymy, strengthening, weakening, parallelism, coherence, jumping and other different art forms. On the other hand, the combination of multiple lenses can not only describe the contents of the lens in a more vivid and delicate way, but also generate new meanings that cannot be expressed by the isolated lenses themselves.

For example, the following three shots: Lens B -- men give flowers; Scene C -- the woman's lost mood.

The camera is assembled in the sequence of C -- B -- A, which reminds people of the original lost mood of the woman, which was made happy by the man who sent flowers

For example, the following three lenses: lens A -- flowers; Camera B -- beautiful toys; Lens C -- the smiling face of children reminds people of the happy childhood of children, which improves the artistic association and artistic image.

Of course, not any lens editing together is meaningful, so you can not randomly assemble the lens.

For example: lens A -- baby; Lens B -- battery; Lens C - gate, the combination of these three lenses can easily confuse the audience. The three are not necessarily related to each other in life experience, which means that people's experience cannot connect them together to form a complete meaning.

So the montage lens of different time and space can be link together according to certain relations, through the lens of internal links in contrast, a variety of literary rhetoric metaphor, analogy, etc, make the lens showed a new meaning, unusual, concise profound expressed within the lens and lens outside all sorts of hidden relationships, so as to reveal the deeper meaning of life.

Montage's creation of space-time is mainly manifested in two aspects: the compression of space-time and the extension of space-time. Time and space in film and television works are different from that in real life.

It breaks the laws of real space and time and reconstructs and combines time and space. According to the idea of the creator, some unnecessary intermediate processes will be deleted.

For example: we want to show a shopping scene of a student leaving home for the mall. We knew he had to walk out of his bedroom, down the hallway, down the stairs and through the hustle and bustle of the street to get to the mall. The montage does not need to record every process. It only needs one shot to show the student leaving home, and the next shot to show him walking through the crowd to the mall. It only needs two shots to complete the process, and the space and time in the middle can be omitted. If we film the whole process truthfully, the audience will feel bored, we will use a few representative shots, the audience can also understand.

To highlight a certain period of time, we can extend the screen time to achieve, especially a film's climax and highlights, both need to be highlighted.

The use of side-by-side shots -- a large accumulation of shots with different scenes and different angles makes the screen time exceed the story time. Juxtaposition: a group of shots that have certain similarities to one another under the same theme and that have no logical presentation or causal relationship to one another.

For example, in a restaurant, a waiter breaks a glass of wine and the guests present react to it, but people of different ages and in different situations will react differently. Film creators hope the audience can see the reaction of many people present, not only present the overall or someone's reaction, then he will use the method of parallel lens, according to certain order replacement site condition, make the audience understand what happened in the same moment, which tied for the lens is not arranged according to time order.

Tied for lens can cut points: in addition, in the "house of flying daggers" in zhang yimou's film, the hero and heroine was trapped in the bamboo forest, the body can't move, as was to be the rulers being killed, by this time, suddenly out of the depths of the bamboo forest flew many knives, lie prone on the bamboo government catch fast was hit by a knife to fall on the ground. The method used by the director is a set of shots of the hunters falling from the bamboo, followed by a set of shots of them falling to the ground and dying. The director did not use the traditional editing techniques to present a complete event, and then juxtaposed the sequence. The process of the middle knife and landing is divided into two parts. Although there is no essential logical relationship between the two sets of juxtaposed shots, there is an obvious logical relationship between the two sets of juxtaposed shots. This kind of practice not only can better carry on the ellipsis to the time, but also can carry on the ellipsis to the action process, let the picture effect express succinctly and neatly.

Slow motion, such as the 100-meter run by athletes, is often used to extend the time by means of rapid shooting and slow motion projection. When the moment arrives at the end point, the creator can show this important moment in slow motion.

For example, in the latest idol drama, the contradiction between two people intensifies in the same picture. The shot can be suddenly pushed forward, and then the shot freezes for a few seconds to render the tense atmosphere.

The camera rotates 360 degrees around the protagonist. In shrek 1, there is a jungle fight scene in which the heroine jumps to the top and the camera rotates 360 degrees around the heroine. This shot is a classic shot created by the matrix, which creates an extended shooting mode of time and space.

Can make the sound and the picture organic constitution, the interaction constitutes the special sound picture union image, produces the new meaning, thus vivid, the profound description and reveals the character's innermost feelings activity.

Sound and picture synchronization refers to the consistency between music and the picture in terms of atmosphere, content and emotion, including their close and accurate cooperation in terms of length and time. For example, the sound of a shell exploding simultaneously enhances the sense of reality. For example, horror and thriller, it is because of the real scene sound, more into the sense, so that the audience more immersive feeling.

Immediately, music has no direct connection with the picture on the surface. The silent source or sound from the picture is separated from the picture, creating an associative scene. This kind of usage is often used in the transition, the screen of the previous scene is not finished, and the sound of the later scene is imported in advance, so that the audience can get ready for the next scene in advance, when the scene is switched, it will not be so abrupt

The contrast of sound and painting means that the emotion between the picture and the sound is completely opposite. In the actual shooting and production, we can use the opposites of joy and sorrow, good and evil, life and death, etc., to guide the film to have a profound meaning, and make people think deeply to achieve good artistic effect. For example, the picture shows beggars begging for food on the roadside, while the sound is the sound of restaurants guessing and executing orders, which forms a strong contrast with the picture. This kind of practice is equivalent to the metonymy effect in literature, which brings powerful spiritual shock to the audio-visual senses and the mind of the audience.

The relationship between the length of the lens and the conversion speed is reflected in the change of editing, with high editing rate and fast pace. Low clip rate and slow tempo. The way of lens structure is reflected in the way of lens connection, such as overlapping, zoom, stroke, etc., all contain rhythm factors. It is through the control of the form and motion of the lens as well as the length of the film that the montage makes the form and content of the film and television works closely cooperate, thus creating a deep impression on the audience emotionally and psychologically. Different editing speed shows different emotional colors, uniform editing, appear calm and stable; Slow editing, mostly used for emotional expression, slow rhythm; Fast editing can trigger strong emotions.

To sum up, montage is the basic modeling method of film, as well as the artistic method and important means of expression to reflect real life, and plays an important role in film and television works. The creator needs to deeply grasp the role of montage and apply it in film and television creation, so that the work can meet the basic requirements of a qualified film. Only by mastering the basic knowledge of the role of montage, can the creator go further and further on the road of film and television art.

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