French art song

下面为大家整理一篇优秀的paper代写范文- French art song，供大家参考学习，这篇论文讨论了法国艺术歌曲。法国艺术歌曲虽然因各个时期的作曲家的创作手法，内心情感，和对社会现实的理解看法不同，而存在着不同的差异，但是在整体上与其他国家的艺术歌曲相比，还是有着很明显的法国特征。在法国艺术歌曲的创作中，诗歌受到了极大的重视。法国诗人用特有的含蓄和象征的手法来反映内心，揭示现实。

In the early 19th century, European artists were no longer satisfied with and limited to the artistic creation of light as a religious theme, but rather to pursue their own ideals and express their inner feelings. In the civil society, the creation of materials, more focused on the national character, for the whole world and society in a variety of phenomena, through their own subjective feelings with their own fantasy theme and image to express their wishes and ideals. No longer tied to traditional creative techniques, many innovative techniques were used, which made music form rapidly enriched and developed. "This new trend, the new style, is the so-called 'romantic music'" in this premise and background, produced "art songs.

As an important music form, "art song" belongs to the category of art song in terms of type attribute. Although art songs in different countries have different names and styles, it is a more refined and perfect concert solo song.

In the early days of Germany and Austria, there were many short lyric songs, most of which were religious or secular. Although they went through a long time, they never reached the perfect combination of music and poetry.

"King of songs" schubert combined poetry and solo singing in 1814's Margaret by the spinning wheel. On the other hand, piano accompaniment plays a more obvious role in artistic songs. "The relationship between art songs and piano accompaniment has always been inseparable. Accompaniment plays an indispensable role in the overall structure of the music. Since then, schubert wrote more than 600 romantic songs, which established and matured the genre and style of artistic songs.

From the mid-19th century to the early 20th century, French art songs began to emerge, develop and flourish. This was the period when romanticism music flourished and the French bourgeois revolution was successful. The bourgeoisie gained the dominant position in politics, which caused great changes in the politics, economy and culture of the whole society. On the one hand, music reflects the democratic thought of opposing feudalism and advocating nationalism. It is expected to arouse and inspire the struggling spirit of the people through music. On the one hand, it reflects the yearning for a new life, the love for nature, and the expectation to pursue romanticism with the greatest enthusiasm. It is under this background that French art songs came into being.

In Europe at that time, Italian and German operas were all the rage. "people gradually became dissatisfied with the situation of music monopoly of Italy and Germany on music stage in France, especially the" Wagner craze "that was all the rage at that time, and felt that it was incompatible with the music tradition of the French nation".

Under this circumstance, French musicians established the "national music association" in Paris to pursue the best efforts to express and revitalize French art.

Berlioz should be said to be the beginning of French art songs. He was the first to use the word "Melodie" to call his songs melodies. Different from the early romantic music in France, he often composed music based on the connotation and process of poetry. Combining the rhythm fluctuation of poetry with music, he made the poetry very consistent with music. In terms of structure, he also broke through the symmetry and segmental mode of traditional romantic music and made piano accompaniment more independent.

The secondary column is a composer who is very important in the development of French art songs. He pushed French art songs to prosperity. Although his works span two centuries, his works still belong to the romantic style of the 19th century. In the later period of his works, the impressionism was gradually developing, but at this time, his works still maintained their romantic feelings. Deputy listed in the vocal music works of brilliant achievements, a lifetime of more than 100 songs. His early creation style was influenced by guano, but he soon showed his unique techniques. The secondary works were simple in structure, beautiful in tune and lyric, and subtle in emotion. Masterpieces include moonlight, mandolin, after a dream and song of songs. French art songs reached maturity during this period.

Debussy, known as the father of modern music, is another important composer in the development of French art songs. His songs were mostly poems of symbolist poets of the time, and he himself was an essayist. Some of his songs may be less melodic and passionate than those of his predecessors, but he is good at making music better combine the stress and rhythm of language, pay attention to the artistic conception and taste of poetry, integrate the idea of poetry with his own musical thoughts, and write melody in the form of highly singing. Piano accompaniment is no longer a simple foil, but a more independent subject, and can even become a solo concert. In Debussy's works, the color of harmony is more abundant, dissonance is often used, functional harmony system is weakened, special chords are added and so on. In tonality, we get rid of the traditional system of major and minor keys, and often use the old church mode, the Oriental pentatonic scale, and the chromatic scale. But Debussy's early works such as "mandolin", "forgotten little arias", "baudelaire five poems" and so on. As he is still exploring new creative techniques, in his early works, in addition to the impressionist music style, he also reveals his nostalgia for traditional romanticism.

Although there are differences in the creation techniques, inner feelings and understandings of social reality of composers in different periods, French art songs still have obvious French characteristics compared with those of other countries on the whole.

The national character of France expresses its subtle and delicate feelings in a concise and fluent form. Elegance is its characteristic and it is not exaggerated. There are few dramatic conflicts, ups and downs, ups and downs of great sadness and joy in the works of artists and poets. Some of them are vague and implicit expressions of inner feelings, which mainly reflect a kind of artistic conception, impressiveness and symbolic melancholy.

In the creation of French art songs, poetry has received great attention. The French poet USES the special implication, the implication, the symbol technique to reflect the innermost feelings, reveals the reality. Musicians use music to represent the artistic conception of a poem. In fact, French art songs are very meaningful music literary works. All the artistic songs of Debussy are lyric of French poetry. He melodic processing of poetry language, trying to turn his songs into poetry recitation, pay attention to grasp the rhythm of poetry, make music thinking, poetry integration and unity. Therefore, in teaching, students should understand the meaning of lyrics and grasp the rhythm and rhythm of poetry. On this basis to understand music, so as to better show the artistic conception of the whole song.

Compared with German art songs which were closely related to folk songs in creation, French art songs were basically unrelated to folk songs and popular songs at that time. The creation of composers is not directly from life, but mostly use poetry, which reflects the romantic atmosphere of the bourgeoisie, therefore, works often reveal elegant artistic temperament, it is not popular entertainment works, but works of high art.

French has always been regarded as the most beautiful language, with music. French has more vowels than any other language, and the melodies of French art songs are often combined with intonation without obvious tonic or stress. Germany and Italy have strong tonic and stress, which should be paid attention to when composing music, while French is not significant in this respect. Therefore, it can be relatively less restrained in creation and more free in singing. In teaching, we should read aloud repeatedly, pay attention to the fluctuation of language, and better combine music.

First of all, students should have a clear understanding of the nationality of French art songs. Elegant is its characteristic, do not exaggerate too much. Therefore, special attention should be paid to the control of sound when singing, so as to make it different from other countries' singing style of art songs. In the aspect of emotion, avoid too laissez-faire exaggeration, and have a smooth sense of lines to experience the subtle, delicate and even some melancholy feelings in the works. In the aspect of rhythm, we must deal with it strictly according to the composer's instructions, so as to be faithful to the original work to the greatest extent. French art songs need to be relatively rigorous in rhythm processing. You can't slow it down or speed it up, you can't lengthen it. For some coherent phrases, keep them clear and don't sing them in a glide or just slip by. To accurately grasp the whole song paragraph structure, clear sense of hierarchy. For example, Debussy's "mandolin" presents the characteristics of music lyricism. The vocal music is mainly composed of broken chord and half-tone lines, and the lyrical melody is not lack of lively personality under the promotion of the three-beat rhythm. Although the melody interval beat the maximum range of no more than six degrees, but because of the changes in the tone of the whole song, the singer still has a certain challenge. In the whole song, the factors of medieval mode are added to make the phenomenon of diatonic deviation more frequent, which requires full grasp of the singer's emotions and sense of music. When we sing, we need to pay attention to the German and Austrian art songs exposed distinction, do not need to open a large, do not use strong, solid sound performance. More need elegant, light spirit voice will deduce.

Second, when learning French songs, language must be solved. Most French art songs adopt the recitation style of rhyme, which requires repeated recitation of the lyrics, word by word to understand the rhythm of the lyrics. Since there is no obvious stress in French, there is no need to create some effect when reciting or singing. In particular, grasp the nasal sounds in French. These need to be repeated repeatedly recitation, until proficient.

The 3rd, because French art song wen ya, delicate, beautiful style and connotation, this asks when singing cannot resemble the song of romantic period so, with intense contrast, show affection will express, contrary, should notice to control a voice when singing, avoid too exaggerated, already immanent implicative, enthusiastic.

The difficulty in the interpretation of French art songs lies not only in the technique of singing, but also in the deep understanding of the works, including music style, symbolic meaning of lyrics, mastery of phonetic rhythm and so on. To sing French art songs well, we should understand the characteristics of French art songs and make a detailed study of the works, so as to have an appropriate performance.

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