The illusion of strategy of modern drama

下面为大家整理一篇优秀的paper代写范文- The illusion of strategy of modern drama，供大家参考学习，这篇论文讨论了现代戏剧的反幻觉策略。在现代派戏剧中，反幻觉已经成为这个戏剧流派区别其他戏剧流派的主要特征之一。在现代派戏剧的发展过程中，“反幻觉”运动既体现在导演艺术中，也体现在戏剧文学中。现代派的多数戏剧中，许多的编剧和导演都反对戏剧的幻觉，他们主张破除幻觉。在他们看来，不应该在剧场为观众欣赏戏剧提供一种真实感，因为戏剧本身就是不怎么真实的，所以西方许多编剧和导演都力图通过各种方式来打破幻觉。

The original meaning of "illusion" means without stimulus is prepared for abnormal perception produced by sense organs, such as no one to talk and hear the sound of the speech, see nothing and see all kinds of illusion, etc. "Illusion of drama" refers to the use of various means, on the stage to make a similar to the real life space, let the audience think it is life itself. This let the audience to the stage to present all the "believe", is the assumption drama. In audiences. masks, moved the audience drama is whether good or bad, it depends, in certain procedural drama performance both on the degree of trust illusion or identification of the illusion of drama. Therefore, the establishment of impenetrable "fourth wall" became the traditional drama stage win illusion, impress the audience appreciation of a magic weapon to win.

Into the 20th century, however, the modern drama is to see a "fourth wall" this transparent attacked, they all tried to through a variety of ways to break the illusion, the audience from the illusion of drama. At that time, the illusion has become a trend of modern drama. Based on modern dramatist in the illusion to take different strategies and reasons to make preliminary analysis.

History of the 20th century, is a human one of the biggest influence on the later centuries, history has happened here in turn. The two world wars, so that people begin to realize/be aware of the terrible war and the fragility of life of themselves, people begin to know their own living environment, rationally reflect on oneself, unprecedented sex military confrontation of the cold war, deepened the people awareness of the problem. 19th century colonial expansion has reached an extreme, but suddenly rapid collapse in the 1960 s, nationalist sentiment in Europe and America in the 20th century spread rapidly to Asia and Africa and Oceania, and lopsided development become the rapid spread of terrorism and popular. The development of science and technology as well as the regularity of the economic crisis began to collapse the traditional way of life, people find themselves no longer is the master of all things, but surprised to stare at the world of rapid change, at a loss. The social environment deeply affects the drama art, directly led to the modern theatre different ideas and forms.

In modern drama, the illusion has become the one of the major features of drama genre difference between other drama schools. In fact, the world's first "illusion" prototype produced in the ancient Greek drama, as the choir of the ancient Greek drama, the role of the choir is to act as the role of narrative and lyrical. However, when the ancient Greek drama continues to develop, people gradually reduce the number of the choir, reduced the choir lyrical ingredients, finally until the choir in the drama entirely and directly to complete the pure drama. This kind of symbol of pure is represented by imitation completely replace the dramatic narrative composition of the establishment of the "fourth wall" theory.

"Fourth wall" is put forward, from the strict sense, was as early as the late 19th century France realism theatre "freedom theatre", the founder of antu ong of. He argues that the actors in an airtight room "true", waiting for him to think about, the actors played by his decision to remove one of the wall again. So you can make the audience through a transparent wall "peeping" actors "real life". But this transparent, false wall, both actors, the audience can break, who all can not be in violation of the rules of the game. But the concept of "fourth wall", in Ann figure the enlightenment, diderot also put forward before, just a relatively broad concept, not as extreme, Ann figure of development also does not have a clear concept to define it. In diderot believed "whether you are writing or acting, play all don't think the audience, just as they do not exist. Imagine the edge of the stage, there was a huge wall separates you and the audience, write plays, and acting are only unfolds haven't rise ". We can learn from this sentence in the audience and actors of the isolated transparent, unreal "fourth wall" has always been a drama survival conditions.

After the rise of the 20th century modernist drama, "illusion" and "illusion" has always been a focus of the debate, criticism as "illusion".

Most modern plays, many written and directed against the illusion of the drama, they advocate breaking illusion. In their view, should not be in the theater for the audience to provide a sense of reality, because the drama itself is not very true. So many western writers and directors are trying to through a variety of ways to break the illusion. They try to break through a variety of ways of traditional drama two magic weapon - the "fourth wall", to destroy the audience the illusion produced during the theater, the audience in the theater at the same time can take a rational to judge all the time, to judge the drama. In the process of the development of the modern drama, the "illusion" movement reflected in directing art, but also in drama literature, we mainly investigate the illusion of movement in the field of drama literature, the main choice here in France, polly nair, Wilder, American, Italian leather rand Lou brecht, Germany and France, nai, as a representative of the highlight their handling of the "fourth wall" means not only became the later generations have method to follow, also for the development of modern drama played an indelible role.

Deepened the first world war in Europe most of the educated youth heart depressed mood, many people believe that the end of the world is coming, many people began to live a swoon and lead a life. They talk about in the bar, treat life attitude and culture to take extreme negative nihilism, for social reality, most of them are an escape attitude, the attitude embodied in "dada" represented by the French literary movement. In the 1920 s, headed by Mr Tung to dadaism launched a group of French famous writer, dadaism began to fall apart from now on, instead of the returns in east, headed by the rise of French surreal drama genre of socialism. Surrealism XiJuZhe distinctive drama concept is expressionist drama "irrational" side pushed to the acme, advocate completely upset in the creation of conventional ways of thinking, adopt a similar to the method of "automatic writing".

In traditional drama, the characters on the stage play often has a dual identity. The first was his own, a except what he plays the role of the people. The second identity is played by people in the play. In traditional drama, often require the character's dual identity to each other on certain level fusion, sometimes-complex mix-and-match I have you in. Like a man in traditional drama on the stage as a "Yang Bailao" this role, he is himself, but at the same time Yang Bailao the characters. But in the day of the drama, this condition is greatly changed. He set up the third heavy on his characters attributes, a beyond himself in the real, and the traditional stage according to the definition of the character "own". This weight on the properties and characters with other drama stage characteristics of the figures. Such as with properties of triple play characters on others, he can by other people to see their own shadow, but also because of his "third" attributes can also make him get himself in the "ideal". As the chief of police in the balcony. Is the chief of police in the police station that is "false" the epitome of saw his long body, at the same time he got rid of, live in an "illusion" in the vocational spirit. The "fake police" and vice versa. In the day of another masterpiece "the maid," also is such. Claire and sonam, both to the owner of the house "wife", Mrs Right now if Claire played, sonam day becomes "Claire", and the true Claire from sonam both saw a true self, and play a "hypothetical and their goals are similar". So, this kind of drama structure, way by later generations called "mirror" drama. He plays the biggest characteristic is in the stage characters relations undermines the traditional drama in the sense of "fourth wall" and "assumption".

To sum up, these modern drama in the illusion of movement, all roads lead to Rome, the same, will be directed at the traditional drama as a classical illusion stage. The uniqueness of their writers on the way, enrich the modern drama performance measures, constitute the modern drama stage a beautiful scenery line.

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