留学生作业代写：The structure and mechanism of aesthetic perception

下面为大家整理一篇优秀的essay代写范文- The structure and mechanism of aesthetic perception，供大家参考学习，这篇论文讨论了美感的结构与机制。美感活动中人们对事物作出的审美判断从结构上看有分立判断与综合判断之分。事物形式或意蕴的分立审美判断虽然可以有很多，但总体上可分为关于形式的审美判断与关于内涵的审美判断两类。美感活动是一种建立在直觉与理解、反映与生成基础上的情感反应活动。从美感的心理机制上看，这种情感反应的兴奋程度是与审美刺激的频率密切相关的。

In the current trend of aesthetic research, "beauty" and "beauty" have been replaced by the "aesthetic experience" of subjective and objective integration, and people have seldom studied "beauty" independently and have rarely studied "beauty" independently. In fact, people's exploration of the Mystery of beauty is not too much, but not enough. For example, the structure of aesthetic judgment, the new and old interaction of aesthetic mechanism is a weak point of study. Judging from the structure, aesthetic judgment is divided into "separate judgment" and "comprehensive judgment", which plays a dominant and decisive role in the comprehensive aesthetic judgment of the whole property of things. From the psychological mechanism of aesthetic perception, the degree of excitement of aesthetic reaction is closely related to the frequency of aesthetic stimulation. When aesthetic subjects repeatedly accept the same stimulating information as the intensity and capacity of aesthetic objects, aesthetic reaction will weaken gradually, and finally produce aesthetic fatigue and promote the pursuit of novelty aesthetic fashion. The psychological mechanism and activity course of aesthetic feeling is the process of "aesthetic fatigue" and "aesthetic fashion" in the premise of guaranteeing the resonance of aesthetic object and aesthetic subject life.

In the current trend of aesthetic research, "beauty" and "beauty" have been replaced by the "aesthetic experience" of subjective and objective integration, and people have seldom studied "beauty" independently and have rarely studied "beauty" independently. In fact, the popular may not be absolutely correct. When the subject of "aesthetics" was introduced to Chinese academia, "aesthetics" was unanimous as "study of the Beauty", so the study of beauty and beauty was a momentary bloom. Cai Yuanpei pointed out: "Usually the study of aesthetics, the object is no more than ' art ', ' Beauty ' and ' beauty ' three kinds." Taking art as the object of study, most of them focus on the question of "What is Beauty": With the object of aesthetic perception, the problem of "How to feel Beauty" is mostly devoted to the study of beauty, but the question of ' beauty is what '. Zhu Guangqian's "Ameri" and "Literary psychology", Fu first "aesthetic outline", Wang Zisheng's "Aesthetic introduction" are the important monographs of aesthetics from the aesthetic perspective. In the practical aesthetic experience, we are accustomed to cause pleasant objective object called "Beauty", the pleasure of this object is called "aesthetic feeling." The object of ' beauty ' includes not just things that are in front of us, such as works of art and natural phenomena, but all of our feelings about the current thing. Because we feel very beautiful at the bottom of our mind, we say that things are very beautiful at present. The actual present thing is the reason, the psychological feeling is the fruit. But we do not say that psychological feelings for the United States. The current thing is beautiful. "We are not too much, but not enough, to explore and understand the mysteries of beauty." For example, the structure of aesthetic judgment, the new and old interaction of aesthetic mechanism is a weak point of study. This article tries to discuss, hoped to deepen the understanding of the question to have the gain.

The so-called "discrete judgment" refers to the judgment of the aesthetic attribute or the aesthetic attribute of the thing form, which is made by the appearance factor or implication factor of the aesthetic object respectively. The so-called "comprehensive judgment" refers to the judgment of the overall aesthetic attribute of the whole aesthetic object form and connotation. The aesthetic attribute of things is manifold, it is often used in various forms for the corresponding organs of human beings. A flower, it is not only with its own color acting on the human visual organs, but also with their own breath acting on human olfactory organs, but also with their own sense of the role of human tactile organs, as well as their symbolic significance for the human mind Center, thus forming a separate aesthetic feeling and judgment. The positive or negative nature of the general feeling and judgment of this flower is the result of the above-mentioned kinds of feeling and judgment. "Among the many attributes of the same thing, some will make people happy and others unpleasant." However, the total effect of these attributes in the sense of human is not ambiguous, but there will be a clear affirmation or negative feeling of emotion attitude. "If the various individual senses are judged in the same direction, then the comprehensive aesthetic judgment is more simple, the aesthetic effect will be more intense: if all the individual feeling judgment direction is opposite, contradictory, this form of the overall aesthetic feeling, will be mingled with sadness, love and hate complex taste, thus made the comprehensive aesthetic judgment, There will be "beauty and ugliness Coexist" or "ugly in the United States", "Beauty in the ugly" situation.

Although there can be many separate aesthetic judgments about the form or implication of things, they can be divided into two categories: aesthetic judgment on form and aesthetic judgment about connotation. Which kind of aesthetic judgment is the dominant and decisive factor in the comprehensive aesthetic judgment of the whole attribute of things? The practice shows that the aesthetic judgment of connotation plays a leading and decisive role. Jewelry streamer Overflow color, antique calligraphy and painting beautiful, once you know they are fakes, fake, will be eclipsed. Thailand is beautiful, because you know that the body that makes you move is man-made, so feel strange uncomfortable. The applicable Manure basket is beautiful, but the not applicable shield is ugly. Why? "Manure basket for the vision of no pleasure, smell and bad feelings, people for it from its light, easy to pick up dung labor, people need to the basic feeling of food and clothing have a role." Although the Golden Shield is beautiful, makes the human visual pleasure, but when need not use it to fight self-defense, also cannot use it to exchange food to solve the hunger, its advantage is too insignificant, even will make a person willing to use it to change a Manure basket. "This is because the aesthetic attributes of the form of things can only impress people's senses, to arouse people's superficial level of feeling reaction, can not cause the spiritual level of profound move, the aesthetic subject of life is also irrelevant; the aesthetic attribute of the connotation of the object to the inner mind of the subject of aesthetics will cause profound touching and long aftertaste, and the life existence of the esthetic subject has great interest relation. Weigh the two. The aesthetic feeling caused by the connotation of things is more important to the aesthetic subject than the aesthetic feeling caused by the form of things, so the comprehensive aesthetic attribute of things is decided by the aesthetic judgment about the connotation of things.

Pure music can produce pleasant aural pleasure, but because there is no lyrics, a lack of profound meaning, "only to impress our senses", can not cause the depths of the heart moved, so "such works must be superficial, one-sided, imperfect": The songs containing meaning can be "fully close to our emotional rhythm, Thus deeply touched our hearts. " Visible: "Pure music on the effect of human strength is actually quite limited." Music in the people have the greatest motivation is often the song, and the lyrics of this song more describing the most urgent things people yearn for magic, such as the Magic of love Songs is an example. ”

The Han Dynasty's "seven-hair" description said: Wu Ke to the critically ill of the Prince of Chu vividly depict diet, horse, estate, field hunting and so appeal to sensual beauty, but can not mobilize the spirit of the Prince of Chu, but finally recommended to him "alchemy". "On the world's subtle, the reason everything is right and wrong", explained "your wonderful Way" when the Chu Prince "according to the case", sweating, "quickly disease has", the spirit of great vibration. It is typical to prove that the spiritual music caused by the beauty of connotation is very powerful, which is much better than the feeling of beauty caused by form. According to a survey conducted by Wang Zisheng, Zhang Yimou's film "Ten-Face ambush" is nearly one-fold higher than Tsui Hark's film "The New Dragon Gate Inn", even though the content of the picture is more satisfactory than that of the writer and producer. But because of "New Dragon Inn" thought connotation and the suspense manufacture far than "The Ten faces ambush" to be taller, therefore in "the total effect after the ornamental" Most of the people in the statistics found "the New Longmen Inn" "Very good", and no one thought "ten sides ambush" "Very good". According to the results of the survey, Wang Zisheng said: "Only the thought of organ activities can cause the ideological and emotional content of the picture, can give people a more profound impression." It is not enough to impress a person with a superficial attention to the physiology of the visual organs only by composition and color. ”

This shows that, just as in philosophy, the content attribute of things determines the essential attributes of things. In the aesthetic reaction, it is also the object's connotation attribute and not the formal attribute that determines the whole aesthetic attribute of things, and it is the powerful aesthetic reaction of the object that determines the comprehensive aesthetic effect of the whole thing. "A crippled person, a deformed face, immediately makes one feel unhappy, even terrifying." However, when you know that the crippled person is a Rong and that the deformed face is a Cassimodo character, your feelings change. ...... This is a spirit of beauty, moral beauty, the beauty of society. Their sense of certainty creates an overall advantage and changes your general feeling about the crippled person. "So people to the Hugo" miserable World "shape ugly, the heart of the kind Bell people Cassimodo image of the comprehensive aesthetic judgment is still" beautiful ", or" ugly in the United States. "

If further analysis. It will be found that the aesthetic reaction of the spirit caused by the inner quality of things plays a leading role in the comprehensive aesthetic reaction of things, because the aesthetic reaction of the spirit is in the basis of the life existence of human organism security.

The author thinks of the views of the other two aesthetic researchers. One is a filial piety. He suggested that the essence of beauty is to meet the needs of human life, this life need is not functional needs, but spiritual needs. So "the essence of Beauty" or "the intrinsic stipulation that the object becomes beauty" is "the spiritual realization of the pursuit of human life". The other is Zhang Libin. He thinks that human beings are different from other animals ' "Class attributes" is consciousness, rationality, so beauty is the object of spiritual happiness, not the object of feeling happy. The aesthetic principle that he constructs by this basic point is called "the class Esthetics principle". The conclusion that the two researchers have long thought proves once again that the aesthetic judgment of human beings about the beauty of objects is the decisive position in the comprehensive aesthetic judgment of the aesthetic attribute of the object, which I agree with. However, the two scholars have invariably abandoned the realization of the functional needs and satisfaction in the form of beauty in the object of the place, ignoring the comprehensive aesthetic activities of things to feel satisfied with the complex relationship of spiritual satisfaction, in fact, things are not so simple.

Aesthetic activity is an emotional response activity based on intuition and understanding, reflection and generation. From the psychological mechanism of aesthetic perception, the degree of excitement of this emotional response is closely related to the frequency of aesthetic stimulation. When aesthetic subjects repeatedly accept the same stimulation information as the intensity and capacity of the aesthetic object, the aesthetic reaction becomes weaker, which produces "aesthetic fatigue" and drives people to pursue aesthetic change. The new aesthetic change produces "aesthetic fashion", and after the normalization of fashion, it will produce aesthetic numbness and become "aesthetic fatigue". Therefore, the relationship between aesthetic subject and aesthetic object in aesthetic activity is the dynamic process of "aesthetic fatigue" and "aesthetic fashion".

"Aesthetic fatigue" is a weary mentality of the repeated contact of an aesthetic object. If an aesthetic object for a long time in the eyes of the present, so that people in the psychological loss of freshness, then the aesthetic fatigue will appear, you will turn to find something that can refresh the new feeling. 1987. Wang Zisheng in the "system of evolutionary Aesthetics," a book earlier contact with this problem: "Outside the stimulus is rich and colorful." But if there is no change, it can be tedious. So you see kaleidoscope, even if there is a very colorful and complex color lighting, but also to have the possibility of extreme change, in order to keep the child lasting charm. In 1997, the Wersch anthology of German Aesthetics, "reconstructing Aesthetics", was published by Sage Press, in the sixth paper, "Contemporary Art in public space: a dazzling array or trouble", Webster pointed out that in the wave of daily life aesthetic, the art of contemporary public space is everywhere, appears superfluous, because of the commonplace, These art is no longer attractive to the eye of the beautiful landscape, but to make people produce "aesthetic numbness" or "aesthetic fatigue" of the object of annoyance. Although the book earlier put forward the concept of "aesthetic fatigue", it was not translated and published in China until 2002.

In Chinese aesthetics, "aesthetic fatigue" is the first time in the book "Aesthetics of Human Life System" published in 1999 by Xiao Lun. His definition of "aesthetic fatigue" is: "The excitement of the object of aesthetic weakening, no longer produce a strong sense of beauty, or even to the object of expression of aversion." "Aesthetic fatigue" is the aesthetic fatigue of natural beauty, aesthetic fatigue of social beauty and aesthetic fatigue of artistic beauty, according to the objective aesthetic object. From the perspective of aesthetic subject. "Aesthetic fatigue" is divided into aesthetic feeling fatigue and aesthetic mental fatigue.

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