The aesthetic features of 3D movies-essay代写

留学生essay代写精选范文：“The aesthetic features of 3D movies”，这篇论文讨论了3D电影的美学特征。与传统电影相比，3D电影最突出的美学特征就是模拟现实了，它追求的是与现实的相似性。3D电影中的立体影像，满足了人们的感官系统，把一个个栩栩如生的影像展示在我们面前。另外通过“运动”形成画面纵深度，赋予了其生命力，也一定程度上营造了电影世界的真实感。

3D movies has inherited the traditional 2D film feature, it's still included in literature, music, theatre and other artistic features integrated audio-visual art, time and space integrated picture narrative art of time and space activities in order to truly reproduce life, let the audience get present and realistic aesthetic experience ... ... Of course there are differences in aesthetic features of 2D movie.

Imitating reality, pursuing and reality principle of similarity is the aesthetics of Western art, realistic drawing, portrait sculpture, photography and film, photography, theatre, are in imitation of reality, Visual authenticity, when the camera can most faithfully reflect the original appearance of the object, the "movement" has become a new more realistic art tools. 3D films on the one hand, through consistent with principles of human Visual stereo image to create figures, landscape of the icing, so that it looks lifelike, on the other hand by "movement" form screen depth and gives the film closer to the ongoing vitality of the real world, to create a world of realism. 3D movie is according to people of around eye Imaging principle, used double machine shooting or computer making out two site has must level Visual poor of picture, again through special equipment let audience left eye see left views, right eye see right views, by brain integrated produced icing, this icing get of process and people eye watch life in the of stereo objects of principle is as of, make up has II dimension picture missing of depth degrees, is not need conversion of directly watch to of stereo effect.

France movie theorist Edgar Morin's think, and photography photography compared, movie has more high-level of reality, because reality world of life constantly in movement, movement itself can with to objects a species form and makes of since into a world, and these is not moving of objects by cannot get of, movement let objects from limited of flat surface jumped out of to, seems characters from background in the out of to as, then, objects into has real of entity, full life. Our hearts are used to divide the world into objects and copies, Roland Barthes: "never confused and reality of exquisite photography, however, objects and reproductions in the action threshold has become unclear because never belong to ' material ', but under the vision, recreating it looks tantamount to reconstruct reality. "

And 2D movie instead, 3D movie often used positive angle shooting, composition design Shang also not deliberately avoided characters positive perspective of a Qian a Hou, in ahead of portrait oriented Qian protruding, let people feel on in front, in rear of characters backward protruding, seems to on in screen rear of a a points Shang, it often makes two a people or real a Qian a Hou forward or backward walking, and run, through movement strengthened both of distance, produced depth sense, Image sense and movement give the vividness of the film world together constitute the whole movie realism. Psychology think, Visual is human awareness world of main senses, 3D movie while through stereo image meet human visual imaging principle of real icing let people more believes picture by show of content of authenticity, while and through movement from Visual Shang gives movie world to vitality, let people more believes movie spatio-temporal real exists, this two aspects by constitute of Visual real sense will movie imitation reality of authenticity advance a step, than 2D movie more senior.

Since 19th century, the human race has entered emphasized emotional, instinctive, animal impulse era of irrational, psychoanalyst Freud's personality into the ID, ego, superego, and I am completely genetic and desires, follow the pleasure principle, the Superego is the social norm domestication, ego stands for reason and caution. He wants the ego to coordinate the relationship between the ID and the superego, establishing civilized and satisfy the desire of the culture. Dreams are subconscious activity, people can be eliminated through dreaming of subconscious fear, people often used dreams to escape the reality of pain and sorrow, seems to be only when human misfortune which can take charge of things.

Film is often compared to a dream audience peering in a dark enclosed space image in the world, as if dreaming and characters through joys and sorrows, unconscious desires a hypothetical satisfaction, true or not is not important here, is important to happiness, meet my requirements. In this psychology, based on breakthrough recycling becomes more and more dependent on nature of reality. With the development of digital technology, especially computer CG, movies can not just as the real-life role, scenes made in front of an audience. In 2D movies, characters, special effects and spectacle began using virtual reality technologies, like the Titanic, in the sinking of the Titanic, Star Wars spaceships, aliens, the wizarding world of Harry Potter, virtual reality technology to film aesthetics opens up new space for development.

While virtual reality technology of development makes more objects, and landscape was virtual out, also makes picture effect more perfect, more close to reality; on the, 3D movie meet people eye Imaging principle of stereo image enhanced has picture of real sense, immediately enhanced has virtual reality of real sense, audience not only can immersed in imitation reality of image world in the, also can immersed in virtual reality of image world in the, became image of slave, achieved this I of happy. British postmodern consumer culture theorist Mike Featherstone said: "consumer culture image, in a unique and direct physical stimulation and consumption in place of aesthetic pleasure, emotional happiness and dreams of desire are always popular. "If the traditional image is to simulate reality, virtual reality is a production reality, trying to overwrite and replace reality it represents human emotions of joy and dreams of desire, is a planning for the future of mankind, in the end it" no longer can just imagine a reality, because it is the reality. Images are no longer can make a fantasy of something real, because it is virtual reality. ”

Benjamin believes that solidified the image of the painting does not move and follow the principle of single people to enjoy, "like ornamental statues of the principles embodied by the priest in the Temple in the same way," viewers standing in front of it, jujing contemplation of thought, realized that their authenticity and immutability of the flavor, get a "wait and see" aesthetic pleasure. Movie screen change, incoming, the audience can't focus on a single image, and can only accept images like a shot of impact, get a "shock" of aesthetic experience. Now the aesthetic experience of 3D movies is a visual effect on the "shock" still exists, but was upgraded to "immerse".

Early film follows the painting frame space is divided into two, audiences to movies like appreciation of the painting, this frame could always remind the audience, warning they were watching rather than going through everything in the movie world. Later, the film played down and cancelled the "picture frame" using full screen mode, the screen just like the front into "four walls" section, create an illusion of reality. But despite obviously of painting box disappeared has, screen of border remains Queen of painting box, outside spatio-temporal of audience from this window peep within spatio-temporal of movie world, within and outside of diaphragm still exists, again plus in II dimension plane Shang create three dimensional space sense need according to human visual experience using focus perspective principle, to composition design, icing of get need experience a psychological conversion of process, real sense further disappeared.

3D film follows the large screen, full screen and broke through the screen border branches, rocks, highlighted in a corner in front of the audience, completely broke, "four walls", pulled the audience into the movie space, which create an illusion. Secondly, the 3D film rendering of figures and objects, making them true stereo display in front of an audience. Scene design also increased the use of close-up, close-up, the composition is more positive, before and after, to highlight the depth the icing. Furthermore, the sudden body impact is the idiomatic technique of 3D movies, sports give vitality to everything in the world of film. When the bullet-bullet splash, and stereo image and stereo sound from vision, hearing extends to touch, smell, integrated sensory stimulation, reinforce the stereo so that they willingly immersed in watching the stereo image. In biochemical crisis 4: Ares regeneration in the, has a group lens is love Li silk into underground laboratory and all shootout, dang soldiers are with gun fire she Shi, bullet head-on and to, film on bullet for has rendering, other part is virtual of fuzzy of, no voice, bullet stop movement, to this extended audience feel of time, audience in here has enough of time watch are to himself shot to of stereo realistic of bullet and imagine hit himself Shi of feel.

James Cameron has said when they produced the fatal abyss 3D technology better suited to close small spaces, when the lens is designed to slow down and give the audience enough time stereo camera conversions not too fast. It's shikeluofusi put forward by theorists of Russian Formalism "defamiliarization", using special imaging modalities and voices extended time to get a new aesthetic experience. Film is also designed so that, immediately after the bullets stop the high-speed movement, in it out of the screen and hit the audience cut to Alice, and she easily dodged a bullet and a counterattack. Also a rude awakening, knows that it is only a short "alternative" stereo and secretly pleased to bring viewing pleasure. 3D movie using stereoscopic images, stereo sound and related skills create a full audio-visual shocking image in the world, so that people get a "wet sinking" aesthetic experience, believes his own "was there" through it all.

Benjamin compared has traditional art and modern art of different accept way, think movie audience cannot like tours and who as concentrated focused, also not need concentrated focused – – "in history transition period, human perception mechanism by faced of task to simple of Visual way, that to simple of meditation meditation is fundamental cannot completed of, it gradually to according to touch accept of guide, that through adapted to completed. Certain tasks for consumers left to complete, showed that accomplish these tasks has become a way of life for someone. "The acceptance of modern art are distractions from a concentrated focus on steering-type, he considers distractions-accepted way of easy to make people passive negligence, controlled by ideology. 2D movies of two-dimensional images of the audience watching the film mainly through passive picture of Visual impact, distraction, 3D stereo effect for the immersion of the film, this spirit of immersion is not completely passive and not scattered. Stereo image and stereo sound and audio sensory stimulation that they believe that the picture is real in the world, believe they're wonders, reach will be able to seize things, run and figure fighting and shelter for him.

In 3D stereo cartoon animal story in the, bile HW of cat aiming than Lee in death Valley suffered Jaguar of attacks, was forced to has Valley corner, Jaguar stretch majestic of body demonstrations and in Billy of front show sharp of teeth, Jaguar opened of big mouth was processing for stereo effect, realistic stereo to rendering in audience before, seems to to will all all are swallow, many audience see with was shaking of Billy can't help but punched, hope playing go Jaguar, rescue timid fooling of Billy Yu distress in the. In o where up in the, night of dense rainforest in the has voice of tree and bright of fern class plant, also has glow of umbrella-like real in air floating to floating to, audience seems to a reaches on can caught, many audience in views shadow Shi does out hand to caught, seemed himself are in Pandora planet of rainforest in the, these are is 2D movie views shadow in the no appeared had of scene, in here, stereo image and sound has mobilization has audience of Visual, and hearing raised integrated senses of active participation, reality spatio-temporal and movie spatio-temporal full closely to unified up, Accept the distractions from the passive steering active participation, also responded to Benjamin distractions of traditional film-type aesthetic concerns.

Add that, and 3D animated film characters, landscapes is realistic, exaggerated design fiction, will this affect their real perception? As pioneer kelisidian·meici in film semiotics talked about in the meaning of the film, the movie mode is achieved through the rendering mode is absolutely convinced of their purpose, "the theme of the film can be roughly divided into two kinds, one is ' realistic ', the other is ' not realistic '. But for film imaging operation, everything seems to be true, so this theme and essentially no difference, as the former is concerned, we are experiencing now is a familiar real-life experience, our emotions take this infection, which was borrowed by the strange impression.

Realistic and non-realistic and whether has real sense no absolute of relationship, full imagination of non-realistic characters role, and landscape does not lack real sense, and 3D stereo animation movie using 3D animation technology abandoned has II dimension cartoon of plane design, in characters role making Shang spent large time rendering hair, subtle to each a action in each frame of changes, seeks to achieved its icing, and real sense to reached natural realistic of effect; second, virtual technology, and effects technology this on first using Yu animation movie, Before extending to real people really making a movie. 3D animation movie screen brighter, clearer, reduce the viewing of Visual stress and tiredness, makes it easier for people to accept the third, real people really making 3D movies 3D animated film started late, wonderful development of it, in turn, cultivate audiences for the 3D animated movie character and psychology of the virtual landscape. Therefore, the 3D animated movie likewise have the same aesthetic characteristics.

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