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Documentary Film

2019-09-23 来源: 51Due教员组 类别: Paper范文

下面为大家整理一篇优秀的paper代写范文- Documentary Film,供大家参考学习,这篇论文讨论了记录电影。纪录电影,是为了迎合电影市场,根据商业电影的制作流程以及宣发等过程进入院线的一种纪录片的“新形势”,是纪录片市场化的表现。20世纪20年代,格里尔逊定义纪录电影是“对现实的创造性处理”,这种处理既可以是对现实的“搬演”,也可以是对现实的“重构”。

Documentary film is a kind of "new situation" of documentary, which is to cater to the film market and enter the cinema according to the production process, publicity and distribution of commercial films. It is the manifestation of documentary marketization. In the 1920s, grylson defined documentary film as "creative treatment of reality", which could be either a "reproduction" of reality or a "reconstruction" of reality. Documentary film is a combination of documentary and feature film. In the documentary nanouk in the north shot by flaherty, the director adopted the technique of "intervention", which was presented in the form of partial rehearsals when recording the hunting of walruses. In recent years, the style of domestic documentary films is "silent treatment of drama". "Four springs" tells the story of four years of changes in the director's family. Viva viva life is the director's selection of "typical" life, according to different family conditions to observe the type of record, and through its different story lines for the story processing. Among them, the selection of materials is inevitable. The gap between materials and art is technique, and narrative technique is a direct skill that art creators can use.

There are many different styles of family documentary in 2018. Viva la vie belongs to the spectator family documentary, while four springs belongs to the witness family documentary. There are differences in story processing rhythm between the two films. The author chooses these two documentary films to explore the formal representation of family documentary films. Lu qingyi, director of the live-action family documentary "four springs", takes his parents as subjects and tells the daily story of his family during the four spring festivals. The artistic quality of this documentary film is higher than its commercial value. The author believes that it is the form of this documentary film that determines the trend of its artistic quality and commercial value. Facing this documentary film, the author would like to use the word "independent" to describe, a simple family record, but this documentary film is the key to impress the audience. This movie contains endless poetry and power. It is not simply the emotional expression of this family, but the current situation of thousands of families in China. It makes those who are confused in life, complain people stop to look at the beauty of life, do not complain about life, put down endless desire, return to the true nature of life. This documentary film does not let us see too much modern hustle and complexity. It conveys the true feelings through natural recording of daily life and normal narrative logic, so its artistic expression is incisively and vividly. Watching type record film long live life is to choose the different characters of family, each family is like a symbol characters, with a record of the experience type movie, it's five Chen miscellaneous needs under the combination of different symbols can be reflected, while witnessing type under the environment of a large family. In comparison, viva viva is more commercialized. The film pays more attention to the independent stories of the selected protagonists, thus packaging and promoting these characters.

The commerciality of the film is the foundation, while the artistry of the film is the foundation. In the current film market environment, commerciality is the creator's creation in accordance with the principle that the audience is king and the user is supreme. The public is the guarantee of box office and interests, and the most important purpose is to gain profits. The integration of commerciality and artistry has always been an urgent problem for Chinese contemporary films. With the development of commercial value, more and more domestic films cater to the taste of the public. However, the following problem is that the artistic creation of many films is not satisfactory. Film is a mass art style supported by art, which realizes its artistic value through commerciality. If the artistic scale is abandoned, commerciality is just an empty box office. Similarly, regardless of the commercial value of the film, the art will only fall into a low level. Documentary films should grasp the relationship between commerciality and artistry, even if they cannot achieve "fame and fortune", they should also take art as the ontological support.

Director ren changzhen's realistic subject matter documentary film "long live" records the story of 14 groups of ordinary people, in which 14 groups of characters can feel moved, life is not easy, but 14 groups of symbols interweave together, but the lack of plot relevance. If these character relationships can be interwoven and related, they will also play a key role in the narrative of the film. "Vive vive life" presented in front of the audience's vision, brought more about people struggling to live in the plight of the film, not designed to turn, suspense and conflict, all the development is the logic of life, but in the process of expression, but revealed a director of an absolutely idealized emotion. The director presents it in front of the screen in a non-fictional way and USES the third-person perspective to maximize the reality of life and the difficulty of life. No matter what the situation is, it has its sense of ceremony in the face of life. The plot treatment of static observation is a major technique of this film. It does not make active in-depth study, but puts a distance between the subject and the subject. Depending on the background knowledge of the audience, it can independently experience the meaning of the image itself.

Director lu qingyi's documentary film "four springs" is a family movie presented on the screen that sees himself, his parents and his family's daily life. Four springs is a documentary film presented from the perspective of the first person, in which the sense of ritual of life is felt everywhere. The film shows the parents singing, cooking, digging wild vegetables, playing the erhu, watching the swallow around the beam and other family daily life, the film brings a sense of relaxation and pleasure to the audience. Director lu qingyi goes deep into the life, through the family story, the active transmission of family thoughts, care and awe of life to the audience. It is easier for the audience to get involved in the story and develop their own story, which is an initiative of narration. In modern society, specific and daily activities with symbolic significance are also incorporated into the ceremony. Such significance can be conveyed to the audience's behavior construction of daily life, so that they can know themselves and construct the normal order of life. His sister, qing wei, died of lung cancer. Although the director's choking behind the camera was faintly visible, he did not use it to ignite the audience's sadness or turn his parents' pain into cheap consumption.

The shooting objects of documentary films are people and objects in the real world, and the possible realistic effects of documentary films are one of the focuses of documentary film viewing and discussion. Since documentary film shooting involves viewpoints, it involves the selection of values, as well as the ethics and responsibilities involved in the process of spreading values. The shooting of documentary film is not only the pursuit of "knowledge" or "reality", but also an ethical relationship. Four springs is a real family drama. But behind the family drama, there is the issue of family privacy. Director lu qingyi moderately controlled the "exposure" of family privacy in the process of creating this documentary film. Director lu qingyi left his hometown early and was only allowed to visit his parents during the Spring Festival. In terms of strategy, the span of the film compresses the order of time and space. The incomplete time description and smooth editing make the audience ignore the triviality and length of the family documentary film. The audience does not delve into the details of each story, but realizes the story they have experienced reflected from the film. When dealing with the scene of elder sister's illness and leaving the family, the director's camera language reveals prudence and elegance, and follows the ethics of "happiness is public and pain is private" in traditional Chinese family culture, which brings huge imagination space to the audience. "Four springs" is a good example of the ethics of documentary films that expose privacy, open up scars, and make selling difficult.

Long live, a documentary film, was shot with relative objectivity. In the process of organizing the story, the director's second creation compacted these flat character symbols in the same space and time, so that the audience could eliminate the gap between time and space and feel the emotional changes in the same plane. Record movies always wandering in between the "real" and "fiction" and "real" director is naturally produced in the process of mining of the footage, and "fiction" is the director of life narrative clue, the people in the face of life in different time and space constantly struggle, do not bow to fate, the content of the different dimensions of fuses in together, enhances the documentary film narrative conflict. Director ren changzhen said, long live is about love, self-esteem, faith, memory, dreams, internal injuries and trauma, "this is life", "this is the life everyone must face". In the process of the bystander documentary film shooting, it is more to avoid the subjectivity of the creators and keep the relative objectivity to record the materials needed.

Family documentary film is a major theme emerging in China's documentary film market in recent years. While the creators focus on family themes, the audience also pays attention to the family and the stories around us. There are also many new forms of documentary techniques for family documentary films. No matter which form, it is to express life. Thousands of forms, subject matter will never change, the boundary is the scale, the rules into a radius.

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