British films have a unique culture and ideology

下面为大家整理一篇优秀的assignment代写范文- British films have a unique culture and ideology，供大家参考学习，这篇论文讨论了英国电影。文学著作的创造，为英国电影产业的发展奠定了坚实的文学基础。英国电影带有的现实主义色彩比较浓重。与美国电影所追求的画面感、刺激性与娱乐性相比，英国电影则更注重人文现实的表现，对于教导特色与人文气息的表现更为突出。但是与欧洲电影作品相比，英国电影的宗教气息、超现实效果与哲学色彩恰恰又单薄了一些。

Britain and the United States have always been like brothers, after a hundred years of development, the British film occupies a pivotal position in Hollywood. However, Hollywood film culture does not affect the unique cultural connotation of British films, which is reflected in many aspects of British films. As an ideological film, we can see that the values and national sense shown by the director in the performance of his works tend to be free, equal and fair.

The century-old British film and Hollywood have always had an interdependent relationship. Influenced by Hollywood, the existence of British films seems extremely weak, which is the reason why British films care so much about identity verification. In addition, British films are mostly from the United States in terms of directors, actors, production and funding, which will make many fans have a very weak impression on British films. This paper, through a detailed description of British film culture, allows readers to have a deeper understanding of the charm of British film culture.

The following is a review of the development of British films through five important time points in terms of genres, and a description of the overall situation of the development of British films.

Between the 19th century and the 20th century, the first film school with genre characteristics was born -- the Brighton school. Recently, the world film circle has a very high opinion of the first British film genre, which is not only known as the doyenne in the history of world film development, but also classifies the montage technique as the Brighton school. Then came the film practice of Griffith and baut, which was also deeply influenced by the Brighton school.

The main characters of the Brighton school, which originated from the English seaside city, are Wilson, Smith and so on. James Wilson and Smith's research on film technology had a profound impact on the development of film work. In their work wedding in a car created in 1903, they fully inherited the documentary aesthetics of lumiere and absorbed merier's ability to explore art in depth. Their works are basically from life, but they are not limited to life, but contain some deep exploration of the nature of society. To put it simply, the artistic expression techniques involved in these films largely foreshadowed the development of British films. In 1903, Smith used very complicated editing methods in his comedy the disaster of Mary Jane, such as moving photography, secondary exposure, stop shooting, close-up shot, montage technique and panoramic shot, etc., which made the works very humanistic.

For American films, the influence of the Brighton school cannot be underestimated. In the early stage of the creation of Griffith and baut, many imitation points can be seen. His book the world film history had such a paragraph, roughly meaning is as follows: filmmakers is generally believed that the film creation conception of before 1908 is the biggest contributor thibaut, including feature films of the tuples in 1903 film "fireman's life", in fact, Mr Boulter adopted by a lot of technology from Smith, Williamson and merry leaf to borrow. So it can be said bluntly that the Brighton school is the link between the cultural and artistic exchanges between America and Europe.

In the 1920s and 1930s, British films had entered the boom, and after solving the problem of sound effects in films, the first sound film blackmail appeared in Britain in 1929.

Before 1920s, the shooting of documentary films was mainly limited to landscape and news film and television works. In that era, there would be a small number of documentaries with lyrical colors, but such films were not valued by the whole film industry. Therefore, in this period, it cannot be said that documentaries have been able to exist independently. However, in the 1920s, the artistic value of documentary films could not be denied. In the process of the development of British films, the documentary film movement in Britain played an important role.

Jane grierson was a central figure in the British documentary film movement. From this work you can see a very strong montage of performance. The director used fast editing to show different parts of the fishing boat, and used backhand shooting to show the fishermen's tall and strong bodies. Jane grierson built a permanent film team to lead the British documentary film movement forward. The team has produced films including nightmail, Ceylon song and documentary film. The British documentary film wave set off by grierson created a new kind of documentary film, which mainly tells the ordinary life of the laboring masses. By describing the life of the laboring masses, documentary film can give full play to its real role and enable the public to devote themselves to the cause of service.

In 1938, the ealing film studio was run by the famous British director mon barkan. He through the comparison democratic management idea, has endowed the general to devote to the film profession profession independent individuality, thus has produced the very rich work style. The works of this period are mostly about presenting various funny and outdated things in reality in a gentle way. The works of that period are called "ealing comedies" in the history of film development.

The film the good heart and the crown, which was translated into the good heart in 1949, was made famous by the famous British comedian yani giannis in eight different roles. While Hollywood comedies often create a comedic atmosphere with playful smiley faces and banter, the punchlines of ealing's comedies are generally inserted into the movie's life scenes to make humor more everyday. As the film "the road to PingLi's passport", the film through bold assumptions become the ordinary life scenes, humorous, the plot in the film there are mass foundation, through the research in some parts of France at that time, the British discrepancy must check passports, still more harsh living conditions in the region, which also reflects the British people desperately hope out of the hardships of life.

"The ravenpoe bandits", directed by a famous director in 1915, is also a classic of eilin's comedies. This work shows the realism incisively and vividly. At the beginning of the film, the real documentary effect is used to show the life habits of the protagonist. In 1989 Clayton's "a fish called wanda" gained attention. This work is full of British unique alternative black humor, absolutely can be regarded as the sublimation of ealing comedy.

The British traditional documentary film mixed with realistic tradition gave birth to the British "free film movement". It has an interesting nickname: "kitchen sink movie." The main reason is that the film material comes from the trivial and poor life. But on one level it is equivalent to a new age of British culture. The main characters of this era are the famous directors Carlisle reitz, lindsay Anderson, walter lasalli and so on. In the mid-1950s, the British novel and drama mainly focused on the rebellious working class, which set off a wave of "angry youth", and the film industry was not immune. After a series of documentaries were produced and released by lindsay, the group grew and formed what became known as the free film council. The movement grew and grew in the years to come, enough to influence the field of film creation. Since then, the series has been called the new movie. His major representative works include the film Saturday night and Sunday morning by carell reitz, the taste of honey by Tony Richardson, a review of anger, the loneliness of a long distance runner and so on. Like other "angry youth" films, "the loneliness of a long-distance runner" borrows a lot of French new wave technology, such as a quick-acting demonstration of the protagonist's anxiety. For the jogging movement through the swinging lens to express the protagonist's mental state.

His experience is similar to that of many French new wave directors. He used to be a film critic who was dissatisfied with the description of life in British films at that time. Although the film describes the story of four rebellious students fighting against the school, it is actually an abbreviation of the "left-leaning" phenomenon in Europe at that time. From the perspective of art, if USES brechtian alienation technique to show a new film effect on the screen. There is no denying that if is an excellent work that perfectly combines French new wave artistic innovation with English realism.

In the 1970s, British films reached a stage of decline. Film production and box office have a clear downward trend. The decline in British film production has turned the British film market into a place where American films are made and shown. It was not until the 1980s that British cinema took a turn for the better. The 1982 film "train of fire," written by colin whelan, received the Oscar for original screenplay. Colin whelan said at the time: "the British film age has finally arrived." A younger team of directors attested to the revival of British cinema in the 1980s. These film directors are called the representative figures of "youth film". The works created by them have injected new vitality into the British film industry. As Steven chillol once said, "British films in the 1980s are no longer limited to the aesthetic vision of traditional audiences, but develop in a new direction, seeking a larger audience and creating a new market value.

According to the famous British scholar lez cook, "the film is a reflection of society, class, region, identity and race." The United Kingdom is a great nation of literature, dickens, Shakespeare, Thomas hardy, ai fujitai and other literary masters star-studded. The strong literary atmosphere provides a strong artistic foundation for the British film, and also influences the artistic image of the British film.

The creation of literary works laid a solid literary foundation for the development of the British film industry. British film works have a strong sense of realism. Compared with American films, which seek for the sense of painting, stimulation and entertainment, British films pay more attention to the expression of humanistic reality and highlight the teaching characteristics and humanistic atmosphere. However, compared with European films, the religious atmosphere, surrealistic effect and philosophical color of British films are just a little thinner. Or it can be said that it is the realism of Britain that makes it the third interval apart from European films and American films.

English films adapted from literary works have strong literary flavor. As some scholars have said: "the characters in the literary works themselves endows the British films with a very strong literary flavor. Even if the film is adapted from the literary works, the characters in the film works are more or less infected with the literary flavor by the works. Such a rule also affects original films. In the author's opinion, these are the reasons why British films are always practical, calm and full of documentary color. The deep-rooted western classical color in British films is beyond any country.

From an objective point of view, the early years of the British film expresses ethnic differences are not outstanding, ignore the existing situation, the other parts of the UK only emphasize blindly unrealistic ethnocentrism, due to environmental deterioration in the nation, have always is famous for its realism British film also began its for ethnic problems. In Michael Collins, Jordan's film works, the Irish independence movement is described. The film vividly depicts the hero's courage, wisdom and integrity, showing the great image of a patriotic hero.

In the movie the crying game, I wrote about politics, nationality and sex. From the analysis of the structure of the work, this work USES special techniques to combine the two situations, making the protagonist caught in a dilemma at the same time: one is the confusion about identity and gender; The second is confusion over political ideology and ethnic identity. On the one hand, he finds the love affair with her after he finds her. He never thinks that she is a male with psychological defects. On the other hand, his Irish identity led him to enter the independence movement, but after he saw too many bloody scenes in the battlefield, he was driven by the heart of the soft face to betray the organization, to achieve the hostage in life. The two dilemmas are essentially an expression of mutual metaphor. What the work actually expresses is one kind of universal ideology, elaborates the deconstruction and the confused thought which two kinds of antagonism dispute displays.

After the 1990s, the new ruling communist party government in Britain paid great attention to the British film industry and provided various schemes to promote the development of the film industry. At the same time, British film has also received great help and encouragement from government agencies, and its development momentum is increasingly strong. Speaking at the 50th cannes film festival in France, Britain's culture minister confidently said: "I am personally very optimistic about the films produced in our country, and I believe that in the near future the label 'made in Britain' will become a synonym for success all over the world."

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