The humorous culture of American animated films

下面为大家整理一篇优秀的assignment代写范文- The humorous culture of American animated films，供大家参考学习，这篇论文讨论了美国动漫电影的诙谐文化。美国动漫电影的诙谐文化具有中世纪欧洲的诙谐文化基因。在这种诙谐文化的影响下，美国动漫电影的创作者创作出了一类爱唠叨的角色。这些插科打诨、喋喋不休的动画角色不仅能够作为故事情节的引线和笑料的制造者，还能游离出故事情节引导观众和代表观众，达到了令人叹服的审美效果。

The humorous culture of American animation films has the humorous meme of Europe in the middle ages. Under the influence of this humorous culture, the creators of American animation films created chatty characters like "chatterbox". The gag, chattering, nonsense "talk" can not only as a story fuses and joke maker, also can free the story to guide the audience and on behalf of the audience, the marvelous aesthetic effect, show the charm of American comic book movie humorous culture, for the world has a positive impact on the development of animation film.

American animation film plot twists and turns, strange shape, music sound, humorous, unique in the world of animation art, by the vast number of animation lovers. In American animated films, humorous scenes abound. For example, in the 2001 American animated film shrek, the three little pigs, Pinocchio and Peter pan made cameo appearances in the movie and became the targets of the guards. In order to give full play to the humorous effect of American animation works, the creators often set the identity of "chatterbox" to play the role of entertaining the audience and guiding the plot development. One of the earliest chatterboxes was probably jiminy the cricket in the 1940 American comic film Pinocchio. "Chatterbox" has become the spokesman of the humorous culture of American animation films. They can always easily win the audience's welcome. Their humorous words bring the audience relaxed and joyful enjoyment, and bring fun to the audience's watching process. At present, "chatterbox" and the humorous culture of American animation films expressed by it have not received enough attention from the art theory circle, and the value they embody has not been fully recognized and explored.

American animation films are influenced by European folk humor culture, which is clearly reflected in Disney's animation works. For example, Mickey Mouse, Pluto and Donald Duck are all famous comedians in the field of animation. In addition, American animation is never short of vivid and lively artistic images. These artistic images have children's thinking and psychology, and are always talkative. Unlike annoying characters in movies, they've always been beloved anime stars. These chatterboxes were created not just for the stars, but also for the need for drama and the cultural influence of humor. Art theorists divide the narrative process into 31 elements, six stages, and five roles, with chatterbox playing the role of supporting and supporting characters, such as the talkative donkey next to shrek. This kind of supporting role can always form a sharp contrast with the main character, tall and short, silent and talkative, serious and lively. In this series of strong contrast, the characters in animation films become more vivid, and at the same time make animation more humorous.

The audience of animation films is mainly children, so the thinking and psychological characteristics of "chatterbox" should conform to children's thinking. However, there are some mythical and mysterious elements in children's thinking, and they are full of strong feelings for everything in the world. This is also the reason that the talkative, living and spiritual image of "chatterbox" can be loved by children. Agamity the owl, mushu the dragon naughty cute, emperor fish dori silly are very consistent with children's thinking patterns. On the other hand, rich in specific details and vivid experience is also a psychological characteristics of children. Archie is just a teapot in beauty and the beast, but he's a thoughtful, adventurous soul who takes a close look at the mirror's function and makes the film's plot even fuller.

In order to show the witty character of the chatterbox, exaggerated artistic modeling is the only way. The modeling design of American animation films inherits the gene of European humor culture and takes exaggerated mouth as the symbol of American animation films' humorous characterization. Exaggerated mouth used to be the most traditional and main expression method in European society. With such expression method, it skillfully blurred the boundary between the human body and the world, and conveyed humor and entertained the audience through the grotesque body parts on the human body. As for the cheats, thieves, fools and other medieval European classic humorous image is also no exception in the United States animation film. In films such as shrek, mulan and Madagascar, there are donkeys, muwhiskers and zebras with big mouths, but the words in these big mouths weaken the mainstream consciousness of language. Their humorous words are also characterized by catharsis, subversion and tolerance. The words of the sloth in "ice age" have such characteristics. In the fear of death and loneliness, the sloth will suddenly change the topic into feces. In the strong contrast, the lofty recognition of death and the feces with extremely rich life atmosphere mix together, diluting the seriousness of the topic. In mulan, the debased expression method is used to realize the dialogue between mushu and the ancestors of the flower family, turning the solemnity into humor. From the perspective of the positioning of artistic roles, "chatterbox" belongs to clowns. Ugliness and beauty are relative, but ugliness also exists in reality. Clowns correspond to negation, destruction and death, but they also symbolize later affirmation and rebirth. Clowns are more populist than protagonists, and as a representative of vitality and renewal, they have the core spirit of humorous culture.

"Chatterbox" is undoubtedly the maker of comedy atmosphere and democratic atmosphere in American animation films, and is also the most vivid character in the film. They surround the protagonist, with their own unique language advantages, to convey the voice of the film creators. Film artists place their hopes on them for artistic expression and creative talent. The setting of "chatterbox" highlights the importance of sound for the shaping of artistic images. Sound became the artistic expression form of films as early as 1927's jazz singer king. For animation films, as animation images have no language, the use of characteristic sounds of volume and timbre is very important to create differentiated images. The audience's perception of the film also largely depends on the image, thought and emotion conveyed by the sound. Disney animation films attach great importance to the voice characteristics of dubbing actors, and will select dubbing actors according to the expression requirements of artistic effects and the cultural cognition characteristics of the countries to be screened. In the Chinese version of mulan, Chen paisi's dubbing of mu shu shows his loyalty, wit, impatience and enthusiasm. Xu fan dubbing "finding nemo" in the more than also incisively and vividly shows the cute, silly silly, generous, kind characteristics. A large number of animation images of the language can be the character's occupation, schools and a variety of breath transmission, so that the character's artistic image more expressive.

"Chatterbox" is not the only voice in animation films, there are monologues, narration and other forms. However, the audience's attention is more easily attracted by the rich "chatterbox" dialogue. Undoubtedly, dialogue is an important way to depict characters and express thoughts, and it can reflect the living state of characters. The dialogue between shrek and donkey not only depicts the characters in the cartoon, but also follows the whole journey and pushes the whole story forward. The journey is long, but these conversations about the stars, hobbies, friendships, food and ideals and the future are always with them, and there is a conscious fight and compromise. The animation directors of American animation films do not limit the values of the animation characters by controlling the authority themselves. In American animation films, the characters of various value systems can have the opportunity to express themselves easily and freely. The democratic atmosphere turns the fights among various values into lively and humorous comedy scenes. Compared with the relatively serious "China doctrine", American animation films are less serious and rigid, and more relaxed and pleasant. It's a delightfully comic style. Just think, if there is no "chatterbox" next to the protagonist chattering, the hero's life will become lonely and boring. "Chatterbox" not only makes the film more witty, but it also makes it possible to narrate multiple plot lines. For example, in mulan, in addition to drawing on the traditional story structure in the book of songs of China, the story shows mulan's fine character of serving the army for her father and serving the country with loyalty, and praises her excellent character of correcting herself and having the courage to realize herself through muxulong. The optimism and loyalty to friendship shown by the donkey in shrek also give the film a deeper humanistic spirit apart from the tortuous love description of shrek and fiona. In short, American animation films always allow the intervention of some voices outside the main plot, with a sense of hierarchy, so that the film works have "carnival color". The multi-level structure design and the struggle and compromise of different values enrich the background of the main story, enhance the appreciation of animation films, enrich and enrich the content of animation films, and diversify the culture of the films. In this process, the dialogue spirit and free democratic spirit advocated by American animation films are also expressed through rich narrative information and multiple plots.

From the perspective of narrative aesthetics, "chatterbox", as the representative of humorous culture, can be used as the link plot of the main plot to promote the development of the story, or as a free plot to create comic effect by means of gags. Because of this, "chatterbox" has become the best form of artistic and dramatic expression, giving American animation film creators wide scope in triggering plots and making jokes. Shrek's creators didn't just let the chatty donkey thread the thread of the story, they also added further intrigue to the film's follow-up. The donkey discovers fiona's secret, but shrek mistakenly hears fiona's emotion, a scene caused by a misunderstanding out of context continues to the end of the film, and finally the donkey confide the truth to make the plot become perfect. It can be found that the chatterbox donkey is not chatty all the time, once he is silent, it indicates that there will be more complex dramatic situation. The contrast between the usual gag and chatter and the sudden "silence" pushes the plot to a climax and adds much comic effect to the contrast.

From the perspective of the aesthetic efficacy of American animation films, both related details and self-owned details have their own aesthetic values. For example, in the movie shrek, shrek fights against the fiery dragon, and holds the fiery dragon by the sword and cage, which are related details. These plots are related to the development of the whole story and cannot be cut down. In the movie ice age, the sloth takes a wrong turn while skating, and the lost sloth discovers some prehistoric animals trapped in the ice. This seemingly unrelated plot is a simple and straightforward criticism of the idea of human domination. When humans want to dominate nature, do they think they are part of nature? When the sloth says "humans are the most disgusting," the audience should be able to take advantage of the witty banter. In the author's opinion, these sometimes nonsensical free plots are the best way to express the humorous culture of American films, and it is precisely because of these plots that American animation movies are full of expectations.

Lu xun, a Chinese literary giant, put forward the "art of the two ugly" when analyzing the art of the erhua-face opera in eastern zhejiang province. "His manner was not always that way, and he generally turned round and pointed out the defects of his son to the audience, shook his head and made a face, and said," look at that fellow! This last trick is characteristic of the two uglies. In a sense, "chatterbox" also has two ugly personalities. "Chatterbox" can not only put on AIRS, but also communicate with the audience to express the feelings of the audience. "Chatterbox" in American animation films can often stand in the audience's point of view to evaluate the characters in the film, often can resonate with the audience, causing "instant" comic effect. Take shrek as an example. The chatterbox sees the ugly shrek dressed in noble clothes and starts the chatterbox mode, saying that shrek is like a robot. And it was timely, because that's what the audience was thinking. The dialogue is exquisitely designed and works well with the audience's response. In the cartoon film mulan, mulan makes a mess of the army camp and reminds mulan to pay attention to interpersonal relationship. This is basically synchronous with the inner reaction of the audience. Muxuelong immediately voiced the concerns of the audience to hua mulan, as if the words in the audience were overheard by muxuelong. This potentially humorous culture of American animated films is also subtly manifested. The "mulan" is the most humorous scenes, but also is a projectile when mulan ran out the end after the bombardment snow mountain, mushu dragon testily that mulan aiming error, accused mulan began overwhelming, when snow mountain collapse, mushu reported 180 ° dragon attitude shift, said play well, the scene is actually in the process of viewing audience has the same feelings, for mulan launch heart, cheering for the successful launch. In the development of the plot, the audience became the moo shu dragon in the movie when laughing. In a word, gag, chatterbox can not only serve as the lead of the story and the maker of laughingstock, but also lead the audience and represent the audience without the story, achieving an impressive aesthetic effect.

The humorous culture in American animation films has contributed to its free spirit, romantic characteristics, dialogue style, lively and vivid aesthetic characteristics, and this form of audio-visual artistic expression has made American animation films a success. American animation films have a wide range of materials. The artistic features and historical figures of many countries and nations have been turned into excellent animation films that are popular all over the world in the hands of the American creative team, and become the ideal carrier of American humorous culture. In recent years, China's animation film also began to notice a witty culture to build, such as "lotus lantern" increased the naughty cute and mischievous monkey, although the monkeys did not achieve "talk" chatter, but also build a good comedy, this has to do with "the heaven" nezha conquers make the sea "" gourd doll" compared with the classic "Chinese school" animation has made great progress. No matter in the image design, or in the plot of the Chinese animation film, as long as actively learn foreign experience, and fully combined with the characteristics of the nation, will be able to achieve greater development in the field of animation film.

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