The narrative strategy of the king's speech

下面为大家整理一篇优秀的assignment代写范文- The narrative strategy of the king's speech，供大家参考学习，这篇论文讨论了《国王的演讲》的叙事策略。电影《国王的演讲》的成功，在很大程度上仰仗于电影创作者独具匠心的叙事策略。从总体内容上看，影片选取了一个大的时代背景，但讲述的却是普通人的故事。电影的叙事正是在这一背景下得以展开的。但影片自始至终却并未出现任何残酷的战争场面，而是从小处着手，向观众讲述了英国国王乔治六世克服困难，在语言治疗师莱的帮助下战胜口吃的事情。因此，影片实际上展现的是普通人的故事，是一种日常化叙事。

"The king's speech," released in 2010, grossed $15 million and grossed hundreds of millions of dollars. Not only did the film earn a considerable commercial return, its artistic value was also recognized by the film art industry. In 2011, "the king's speech" beat its rivals "the social network" and "inception" to win the 83rd Academy Awards for best picture, best director, best actor and best original screenplay. Film picture wen wan is plain, calm and slow. This for the audience accustomed to see the strange plot, moving spectacle blockbuster, it is nothing less than a ray of cool breeze, bring people with a different aesthetic charm. Like most biopic films, the narrative is smooth, straightforward and well-structured, but it has its own peculiarity. It can be said that the success of the film largely depends on the creative narrative strategy of the creators.

From the general content, first of all, the film chose a big historical background, but tells the story of ordinary people. The background of this era is World War II, which is a historical memory Shared by all mankind. The common historical pain and emotion also become the common psychological foundation for the audience to accept the narrative background. It is against this background that the narrative of the film is unfolded. But there are no brutal battle scenes throughout the film, which starts small and tells the story of king George vi's struggle to overcome his stammer with the help of speech therapist Lionel logue. Therefore, the film actually shows the story of ordinary people, is a kind of daily narrative.

Although king George vi was a monarch, he was above all a man of flesh and blood. He has his own confusion and persistence, pain and joy, cowardice and courage. In this way, the film once again gains an emotional connection with the ordinary audience. Moreover, as Bertie's father, king George v, said, "in the old days a king had to sit down on his horse with all the dignity of respectability. Now we must go into the homes of the common people and ingratiate ourselves with them. The family is now reduced to the level of the lowest common people... We have become... Player!" In the age of George vi, Britain's national strength gradually declined, and the development of democratic politics removed the mysterious and elusive aura of the royal family. Therefore, the king no longer represents the supreme authority, but more as a political public figure. So, in fact, the success of king George vi's pre-war speech had no direct bearing on the overall state of the war. So the war between king George vi and the microphone is more about the individual fighting for his own dignity, for his own realization and his own transcendence. It can be seen that the daily narration under the big historical background makes the film full of the tension of artistic expression and arouses the appreciation interest of the audience.

Secondly, the dual identity of George VI, the protagonist of the film, has great attraction to the audience. King George VI lived in a time when the royal family was no longer as isolated from the common people as it once was. But they are different. In English history, there has been a long struggle between imperial power and civil rights. Constitutional monarchy is the product of the balance of power between the two. The British dignity as a cultural tradition is preserved and continued. British dignity, as one of the core of British gentlemen culture in the Victorian era, was formed by the integration of values of various social classes based on the noble spirit in the process of the British social classes keeping up with the upper class. Therefore, although the royal power has been democratized, the royal family still holds its unique dignity and its identity is still respected by the common people. This can be seen in the countless tributes to king George v when he died. In the film, people look grave and salute as the king's coffin passes the peace monument. The king's special status still holds special appeal for the average viewer. As Bertie says, "Sometimes, when I drive through the streets, I see... When ordinary people stare at me, it touches me because I know nothing about their lives and they know very little about mine. Therefore, the film shows the daily life of the king's family and to a large extent satisfies the audience's curiosity and prying desire for the private lives of the royal family. It even allows the audience to see the pain and vulnerability in the heart of the king who is shining on the outside and far away. Bertie, who was given short notice as a child, had less parental and family love than the average child. After coming of age, he lived under the shadow of his father and elder brother. All of which brings us to the other side of a king. The most striking thing about the film's original and appealing material is that it allows the audience to cast an understanding and sympathetic look at a king.

In addition, the relationship between king George vi and Roger, a commoner's speech therapist, is a topic of concern. For a long time, the development of social democratic rights in Britain has formed the personality connotation based on freedom and equality. In the film, the speech therapist Lionel logue is the embodiment of this personality content. In front of the king, he insisted on calling people by their first names, on the complete equality between people, and never gave in. At the same time, he was as respectful as he could be of king George vi, and his words and actions remained characteristically discreet and modest. Generally speaking, it is difficult for Kings and common people to establish a friendship of equality, mutual understanding and trust. Because the preservation of traditional British dignity determines the distance between the two identities. From the identity point of view, the relationship between the two belongs to the king and the people. But the film deliberately highlights the titular status of Bertie. For example, in the lens, king George vi is often placed in the remote part of the picture or viewed from a bird's eye Angle. He became anxious, irritable and even cried because his stammer was difficult to overcome. This shows that in real life, the king is actually in a weak position. While the civilian rogge cannot realize the theatrical stage dream in life, lacks the temperament to play a king, but in front of Bertie, he is a strong man. The dislocation and contradiction of the relationship itself have a subtle dramatic effect. Therefore, the construction and interpretation of the relationship between the two people in the film not only show how they share the intersection of life, but also become another focus and highlight of its narrative.

The narrative of the film is made up of a series of events. An event is a transition from one situation to another caused or experienced by an actor. It can be seen that the events that make up the narrative of a film are both a process and a result. While different events have certain independence, there are certain inevitable connections between different events, thus forming a clear narrative line. Therefore, from the perspective of content, the king's speech obviously has a lot of interesting points, but how to skillfully connect the events in the film and form its unique logic, style and rhythm is also the key issue to be solved by the film's narrative strategy. "The king's speech" opens the film with a dramatic wish that all the action centers on. On October 31, 1925, at the old wembley stadium in London, George vi, as the duke of york, will address the closing ceremony of the imperial exposition. However, these brief minutes may be the longest period of his life. In front of an audience of 27 million, his stuttering was hellish. With this as the introduction, the film constructs George vi's dramatic desire to overcome stuttering through twists and turns. It not only provides the beginning and power for the development of the whole plot, but also provides a clear direction for the behavior and purpose of the characters. Throughout the film's narrative, this desire is consistent and becomes more urgent as time goes on, leading directly to the climax. In this way, the film will form a condensation core, so that the audience's line of sight, emotion and psychology always focus, follow this dramatic desire.

In addition, in the film's plot development, the realization of this dramatic desire is always twists and turns, affecting people's hearts. For example, before rogge's appearance, a set of footage of king George vi being treated by a doctor showed that he had had many hopes and disappointments. The old doctor put five marbles in Bertie's mouth and made him try to read. Bertie struggled and struggled and finally stormed off. After meeting rogge, the two also went through several exchanges, twists and turns before gradually building trust and friendship. Therefore, from the perspective of the overall narrative context, the king's speech has a distinct dramatic desire, which provides the direction and power for the sequence of events in the whole film. From the perspective of specific events, in each paragraph of plot development, there are relatively complete beginning, ending, transformation and combination, which are not only independent of each other, but also consistent with the whole narrative logic.

The main narrative arc of the film is George VI's treatment of his stuttering with the help of Dr. Rogge. In fact, the film is not a simple one - line narrative. Instead, three narrative clues are intertwined, making the whole film present a multi-level and three-dimensional narrative structure. The relationship between king George vi and Dr. Rogge and the spiritual growth of king George vi are the other two lines of the film. Their occurrence and development are closely related to the main line of narration. It is the existence of these two narrative clues that makes the film go beyond the content and representation of its narration, and obtain richer and deeper theme connotation.

The incredible friendship between king George vi and the man who treated his stammer, speech therapist Lionel logue, was an important foundation for the show. The incredible friendship between the two men is due to the dislocation of their relationship. The film does focus on the confrontations, disagreements and contradictions that surrounded the relationship between king George vi and rogge. Unlike the old doctors who had been deferential to the king, Bertie's dukedom did not affect Roger's style or attitude. Not only did he insist on full equality with Bertie, but he was blunt, outspoken and even forceful on many issues. This was a great challenge for Bertie, who also had a strong character. The two broke up several times.

Bertie, for all his stubbornness and irascibility, was sensible. He was well aware of the kindness and sincerity of rogge's intentions, which worked for him. Therefore, from the heart, he respected rogge, even a sense of dependence. Rogge had the same respect for Bertie. "You are so indomitable and persevering, Bertie, you are the bravest man I know. You're going to be a great king. In addition, the film also from the side of life to the audience to show the love of family, sense of responsibility, frankness and tenacity of character and many other common characteristics of the two people. Accordingly, although the amlposition of two people existence identity, produce all sorts of dispute and contradiction, but actually it is heart however heart is interlinked. In fact, by the time the two men forged a deep friendship, the dislocated relationship between the king and the common people had ceased to exist. Because the essence of rogge's therapy was to help Bertie to be herself, to be human. After shed all external things, there are only two sincere hearts.

So rogge was more Bertie's spiritual mentor than his speech therapist. In Bertie's life, Roger inadvertently played the role of a growth guide. Rogge gave Bertie sincere care, persistent patience, and the right moment to make him realize his confusion with wise and powerful words, which not only made up for his missing fatherly love, but also made him find his true self and courage to face the reality.

To sum up, the king's speech can earn people's heart with its plain, delicate and sophisticated production and the film points to the deep connotation of the heart. But in the final analysis, these excellent aesthetic characteristics must be expressed and conveyed through the film narrative. Narration is the premise for the audience to understand the film and form the aesthetic value of the film. A good idea must have a good story, but also need a good storytelling method. The success of the king's speech is, of course, inseparable from these two conditions.

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