A hero in an American animated film

下面为大家整理一篇优秀的assignment代写范文- A hero in an American animated film，供大家参考学习，这篇论文讨论了美国动画电影中的英雄形象。英雄，是人类理想的化身，他们具有明显的人类共性文化和特定历史时期的独特文化特征。美国动画电影通过英雄的主题和形象创造出了一种大众英雄的文化价值观。随着后现代文化的崛起，美国社会进入了消费时代，消费主义、经济全球化、现代科技的发展使美国动画电影在价值观上进入了一个转型期。在21世纪的美国动画电影中明显地具有后现代文化的印迹，在英雄形象的塑造上也呈现出个人主义、享乐主义、物质至上等明显的后现代特征。

In the early American animated films, the hero images of animation were mainly classical heroes. Classical heroes refer to people with noble blood and extraordinary ability. They are the embodiment of human ideals. In them, we can see the spirit and noble quality of perseverance, sacrifice one's life for righteousness and courage. In the early American animated films, aristocrats with noble blood lines were the main group being shaped into heroes. Take the 1959 Disney animated film sleeping beauty, which tells the story of a prince who awakens a princess imprisoned by a spell with his true love. The prince in the film is a classic hero image created by the film. He has noble blood, perseverance and courage, is the hope to save the princess and a country, and is the only hero who can fight against the witch. The prince in the film is approachable. When he first met the princess like a country girl living in seclusion in the countryside, his noble identity did not become an obstacle for the two to love each other. He even gave up his previous engagement with the royal princess for this love. This view of love and marriage at the cost of love adds a modern touch to the heroic image of the prince. Prince went on a journey to save the princess for love, fighting the witch is the most important way for prince shows heroic, under the arrangement of the filmmakers, the prince got protect the princess of the strong support of the three fairies, get a prince from the fairy magic shield and sharp sword of truth, use them to defeat the evil witch. The film takes the love between the prince and the princess as the main line, and creates a typical hero image for the audience. He pursues true love with the spirit of adventure and self-sacrifice, and bravely breaks through numerous obstacles to pursue his own happiness. In the film, the sword of truth transforms the heroic image of the prince into a universal truth, and combines his heroic behavior with the group ideology. Such a heroic image has a kind of charisma and convincing power.

In the early American animated films, people with extraordinary abilities were also the focus of the shaping of hero images in animated films. They realized the ideals of human beings and protected the people around them with their extraordinary abilities. Such as Disney launched in 1953, another film "Peter pan", tells the story of a hero with extraordinary abilities? Peter pan with his magical mana guarded the story of a group of children don't want to grow up. In the film Peter pan's neverland an elf never grow up. He Wendy doesn't want to grow up in order to meet the little girl wishes to her and her two younger brother together to neverland, sinister captain hook to kill Peter? Pan Zhanling neverland and rule, finally Peter pan and captain hook in the form of a hero of the battle won the victory, to protect the children of the island. Peter pan is a human guardians keep their childhood dreams, his own magic ability and extraordinary wisdom protects all the children and the island of Indians. He was greatly loved by the people and was rewarded by the chief. He gave up his super power in the battle with captain hook and met the challenge of captain hook with one hand, winning the victory in a fair way. The film shows us a classic hero image with magic and noble status.

From the 1960s to the 1980s, American culture was changing, and American social culture developed from a mainstream social idea to a diversified one. Under the influence of the multi-culture conflict, the hero images in American animated films gradually turn from the original classical heroes to the humanized heroes. In American animated film, a mere mortals hero to remove the body of the divine, abandoned the past the spirit of sacrifice for others and save others, pay more attention to self-centered, maximizing personal interest and value concept, they are born, character and the motives of encouraging people to overthrow the traditional way of "tall" hero image, reflects some imperfect and the secular, presents a sense of the elite. For example, Aladdin, the hero of the film Aladdin, is a street scoundrel. He and the monkey ABU stole things everywhere and were hunted down. But there is good dream in his heart all the time, he got the divine lamp in odd cave by right of the ability that enters miracle cave magical, help king success subdue the jia fa that tries to seek authority to usurp the throne, let lamp god obtain free identity, also captured the heart of princess at the same time. The hero in the film has changed from the classical hero image with noble birth and extraordinary ability to a special title of realizing his life value through hard work. It emphasizes Aladdin's mortal identity and conveys the idea of equality that ordinary people can achieve great things through a kind heart and heroic actions.

With the development of multiculturalism in the United States, the American society began to accept the differences between different cultures and gave equal treatment to the cultures of different RACES, classes and religions. This diversified ideology is also reflected in the animated films. The mortal heroes in the American animations from the 1980s to the early 21st century also show the trend of diversification, with the emergence of diverse heroic images such as female heroes, minority heroes and humble heroes. With the development of the women's liberation movement, the status of women and men in society has achieved equality. In animated films, women have changed the image that they needed to be rescued in the past and started to replace the role of traditional male heroes, bravely pursuing happiness and saving the world. For example, the film mulan created a legendary female hero who joined the army for her father. In the legend of hua mulan, we can see the self-identity of a hero in western culture. In addition to female heroes, the American animated films of this period also featured some alternative mortal heroes, such as Tarzan in the film Tarzan and pocahontas in pocahontas. Tarzan is the story of Tarzan's rescue of the chimpanzee family. Tarzan in the film is an idealized hero who defends the interests of animals rather than human beings. In him permeated with ordinary people's self-identity and full of democratic and free spirit of choice. Pocahontas, on the other hand, features an ethnic heroine who takes action to resolve conflicts between the tribes and the colonists. Pocahontas, the heroine of the film, is a sincere, kind, brave and nature-loving girl. As the daughter of a native American chief, she saved the white captive chong mai regardless of her own life for love, and successfully defused the hatred between the native americans and the white people with the power of love. The creator transformed pocahontas into a figure who had direct contact with the gods, transformed the divine power of traditional heroes into the spiritual power of mortal heroes, and guided the hero to make the right choice.

With the rise of postmodern culture, American society has entered the era of consumption. Consumerism, economic globalization and the development of modern science and technology have made American animated films enter a transitional period in terms of values. In the 21st century, American animated films are obviously imprinted with postmodern culture, and the shaping of hero images also presents obvious postmodern characteristics such as individualism, hedonism and materialism.

Under the influence of post-modern culture, people begin to lose their heroic dimension and pursue a kind of self-centered, narcissistic and vulgar happiness. They no longer advocate the spirit of sacrifice and sacrifice for others, but care about the power contained in themselves, which leads to serious consequences such as alienation from others, separation from society and damage to public morality. Most of the American animated films in this period are the hero images of personal supremacy, including the heroes who give up their duties and the "pseudo-heroes". Paramount pictures released a 2010 animated movie called "megamut," featuring two alien babies who come to earth after their planet is swallowed by a black hole. One becomes a superhero, the city superman, and the other a supervillain. In the battle of two people in the super villain McMai defeated city superman and use the city superman DNA to create a new hero helios justice. However, this hero USES his super power to do nothing but evil. In order to prevent the evil deeds of the sun god, the super villain McMai becomes the new guardian of the city. However, as the hero in people's eyes, city superman exchanges his personal freedom with feign death and realizes the ideal of becoming "music superman".

In addition, under the influence of post-modern culture, some "pseudo-hero" images with moral defects that unexpectedly become heroes have also become the hot spots of American animated films. In drag racer, reg is a pet chameleon living in a fish tank, unsatisfied with the status quo and dreaming of becoming a great hero one day. A travel accident lets his sweet dream be broken, fell in the desert of the nowhere to be visited in the person, for survival he crosses desert hard came to a small border town of American west, began him to have the life journey of another paragraph of legend color. In order to survive in the town, he bragged that he was the legendary hero who killed countless enemies with three bullets. When the fierce eagle hit, escape from the reg but accidentally ended the eagle's life, the accident made reg realize his dream for many years, become the town people's true hero. Oscar, in "shark business," is a vain undersea unknown who dreams of becoming a famous celebrity when he is thrown into shark-infested waters by creditors for gambling debts. A coincidence has made Oscar the accidental "shark killer", with the fame, status and money he has dreamed of. Oscar relies on lies to make himself a pseudo-hero. Reggae, like Oscar, has a strong desire to be identified, and rather than feel insecure about their heroic identities, they have chosen to maintain the lies they have made and place themselves in the public's good graces. Although Oscar and regal cheat the public at the beginning, they still rationally help the public to solve the crisis when the danger comes. Their heroic actions have solved the moral defects and become the real heroes.

Basically in the traditional sense of the hero is the embodiment of kindness, justice and courage, but in the modern society, due to their own desires, too much anxiety, lack of life goals, the hero image was gradually abandoned, in animation film began to appear a lot of negative image, these roles are often inversion along with the development of the story gradually become heroes. There are also many ways to shape the anti-hero image. In the American animated films, the anti-hero image identified by the other, the anti-hero image created by his own desire and the anti-hero image repressed by his growing environment are the main three kinds of anti-hero images. The anti-hero images identified by others are often limited by objective conditions and unable to choose their own roles. They have certain passivity when doing bad things and have to appear as negative images. As in the 2012 animated film "invincible king of destruction of alpha, he is the opposite of a others recognized hero characters, such as film again the MaiKeMai super big, bad, he is also the opposite of a recognized role in the film, initially MaiKeMai also wanted to be in a group hard to become a normal person, but failure, he began to lose hope, feel now that can't be approved to become a hero, then try not to become a neglected the bad guys. McMai finally realizes the transformation from villain to hero because of the heroine's love. The anti-hero images created by their own desires are quite representative in American animated films, such as Caroline in 2009's "mother monster", igel in 2008's "frankie" and Michael and drew in "golden city". They are not heroes in themselves, but when the moral bottom line is challenged, they finally make the right choice and become heroes to save the world. The classic anti-hero who was repressed by his upbringing is despicable me, which was released by universal in 2010. It tells the story of a super villain, gru, who plans to steal the moon. The film is a typical villains as leading role animation, global is a super villain is not due to childhood mother recognition, although in order to attract the world's recognized global became a villain, but he is not kind of loss of nature, at the time of their actions may endanger others he revised in time, in the end in order to save three little girls, global transformation into a real hero.

Heroes are the embodiment of human ideals. They have obvious common human culture and unique cultural characteristics of specific historical periods. Through the theme and image of "hero", American animated films create a cultural value of mass heroes. From the perspective of the development and changes of American society, history and culture, this paper analyzes the changes of hero images in American animations in different stages of development, so that we can have a deeper understanding of the national characteristics and cultural forms of the United States.

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