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Assignment代写:Design aesthetic

2018-09-01 来源: 51due教员组 类别: 更多范文

下面为大家整理一篇优秀的assignment代写范文- Design aesthetic,供大家参考学习,这篇论文讨论了设计美学设计美学是一门具有综合性、交叉性和边缘性的学科,也是设计科学包含领域的一部分。设计美学也是对整个设计过程进行分析与,为各设计领域提供理论支持,对正确认识设计与人、物之间的关系起着重要的作用。设计最大的作用不是创造商业价值,也不是包装和风格的竞争,而是一种适应社会变革过程中的元素。

Design aesthetic,设计美学,assignment代写,paper代写,美国作业代写

Nowadays, with the rapid development of market economy, consumption culture guides people's consumption aesthetics and consumption behavior. The public is immersed in consumption, and the design of products in China mostly lacks the uniqueness and aesthetic psychology of its national art. The waste commodities produced by unrestrained consumption are the waste of current resources and the destruction of the environment. Facing these two problems, designers need to rethink their social responsibility under the guidance of design aesthetics and create green design products with national style and sustainable development.

Design aesthetics is a young subject with comprehensiveness, crossing and marginality. It analyzes and studies the entire design process, provides theoretical support for various design fields, and plays an important role in correctly guiding design practice, improving designers' cultivation, and correctly understanding the relationship between design and people and things.

Design aesthetics develops with the progress of society, the change of times and the development of culture. Human beings have gone through a long process from the early spontaneous state of design aesthetics to having clear consciousness. In primitive times, when humans will only use the rough stone or stick as a tool, but with the continuous development of production technology, production tools skill gradually improve, people aware for many forms of fundamental law, improve the rough forging tool, and can according to the prior assumptions to make tools, this is the earliest prototype design aesthetics. But really put forward that modern design aesthetic is after the industrial revolution, with the emergence of industrialization, standardization and normalization batch products, lead to products cheap and rough, people are eager to both functional and beautiful products, therefore, how to make the aesthetics and the technology to meet the harmonious unification, in order to meet the needs of the people's material life and spiritual life, improve the quality of life and the quality is the main reason for the birth of design aesthetics and valued.

China's reform and opening-up brought about a vigorous economic development, and the design at that time could not meet the needs of the market. The introduction of modern design ideas has brought vitality to the design industry in China, and at the same time it has gradually withdrawn the traditional arts and crafts from our vision. Chinese culture has a long history and is extensive and profound in philosophy, culture, life and other aspects. However, Chinese native design is marginalized in the face of powerful western modern design. How to build up one's own design aesthetics and change the phenomenon of weak design concept culture and design method imitation in our country is the main topic of our time.

The earth we live on is different from each other in terms of geographical environment, cultural tradition and social economy. Today, as the world moves towards economic and cultural globalization, it would be terrible to imagine the world's national styles being unified into one shape. However, the current situation of China's design is that we are holding the foreign design theory as treasures, which leads to the serious lack of uniqueness and aesthetic psychology of the national art in China's design. The fast pace of life in cities, the public enthusiastically follow the trend, stylist is driven by the interests of the eyes, in the form of copying foreign to meet the needs of the society and the traditional culture been overshadowed by popular culture, can calm down and study has few, if any, of the traditional culture, like this, you will only make the "collective amnesia" of people in our country, gradually lead to we both forget himself, also can't fully understand others, we are caught in the middle without attribution. Mr. Lu shengzhong said in his book "getting what you want" that China has a history of 5,000 years. During the tang dynasty, China was the benchmark of all countries in the world.

How to make our design unique in the world, only rooted in the traditional culture of the nation. This kind of root is not a superficial imitation of the style, but a display of the traditional connotation of our country. Since we live in the present, a large amount of information comes into people's eyes through various media every day. Therefore, the design must reflect the spiritual pursuit of modern people. If we want to be connected with the world, we should not build a business behind closed doors. We should learn advanced western concepts and technologies, rather than copy them all. There are two reasons for this. First, the east and the west have very different views on the world. In addition, western countries are influenced by social, cultural, economic, market, scientific and technological factors, and their design concepts and techniques are also different. The design styles of each country have gone through different development periods, and each trend has its own reason, which is in the same line of succession, rather than being created out of nothing. Design aesthetics, on the other hand, studies various design forms in different social forms and different periods from the overall understanding of design culture. It teaches us how to innovate with foreign experience without losing our native style. This is better done by Japan, which first learned advanced design concepts and technologies from the west, and combined with the excellent traditional culture of its own nation for re-creation, so that Japanese design has a place in the world.

This reflects the serious lack of recognition of traditional culture among the younger generation in China. Now most design schools lack education of traditional culture. The courses about traditional culture are mostly optional courses with few class hours. To strengthen the study in this aspect is conducive to the continuation of Chinese social context and excellent thoughts, so that Chinese designers can accurately grasp the humanistic features of local design elements and form a modern aesthetic thought. In this way, we can transform from Chinese production to Chinese design and make our own way.

At present, the extremely rich material goods, continuously improve people's living standard, the market encourages people to consumer, make consumer culture is now a cultural phenomenon of the society, because of the cultural information, quick flow of goods and resources in global rapidly, new things, people, and fast, now people's aesthetic vulgar, shallow, the choose and buy goods, ignore the function, attaches great importance to the visual image of goods. Producers in order to get more benefit, quick update product visual image, people actively involved in the unchecked consumption activity, the consumption demand into a desire, the abolishment of the "planned commodity system" is the face of this phenomenon, but how many people realize soberly, in how much is the real need of consumer, how many are false. Most people rely on consumption to find the sense of existence and the meaning of life. What is more profound is the waste of resources and the pollution of wastes to the environment. The ecological balance of the earth has been greatly damaged.

Although the designer in the production process, is for the producer service. But for our living environment, designers need to return to morality and social responsibility. Therefore, victor babanak, an American design theorist, believes that the greatest role of design is not to create commercial value, nor to compete with packaging and style, but to be an element in the process of adapting to social change, and that the earth's resources should be taken seriously. Therefore, I believe that contemporary designers should give up overly emphasizing the innovation of product appearance in their design, optimize various related factors of products, and focus on creating simple, long service life and recyclable design forms to take the road of sustainable development.

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