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Assignment代写:Russian anti-traditional literature

2018-08-31 来源: 51due教员组 类别: 更多范文

下面为大家整理一篇优秀的assignment代写范文- Russian anti-traditional literature,供大家参考学习,这篇论文讨论了俄罗斯的反传统文学俄罗斯反传统文学,就是脱离传统形式,用新颖的创作手法和形式来创造出一种新的文学形式。俄罗斯反传统文学包括现代派,后现代主义,超现实主义和相对―隐喻性散文等。其中影响力最大的就是后现代主义文学了。苏联解体之后,其文学界思想混乱,唯心主义和神秘主义的影响明显扩大,许多人抛弃了社会主义思想,开始采取玩世不恭的生活态度,这就为后现代主义的流传准备了思想条件和基础。

anti-traditional literature,俄罗斯反传统文学,assignment代写,paper代写,美国作业代写

After the collapse of the Soviet union, great changes took place in the overall ideology and state system of the country, as well as the way of life and thinking of everyone. There is no doubt about the impact on literature. The disillusionment of traditional socialist realist literature and the subversion of traditional values are the great changes in people's thoughts, and no one knows where to go. As writers who can best reflect real life, they use their works to try to find a way out. The twentieth century anti - traditional literature arises at the historic moment. In this paper, based on the writer d piech ChuHe's short story "I and reform" of the brief analysis, to understand the characteristics of the Russian literature from the tradition of simple.

Russian anti-traditional literature is to break away from the traditional form, especially the Soviet model, to create a new form of literature with novel methods and forms. It includes modernism, postmodernism, surrealism and relativistic - metaphorical prose. The most influential is postmodern literature. Chaos after the collapse of the Soviet union literary thought, the effect of idealism and mysticism significantly increased, many people abandoned the socialism, all take negative attitude towards Soviet era, among them doubt all emotions have increased, some people began to take a cynical attitude to life, it's for the spread of postmodern thought condition and the mass base.

The formula of "world as text" is a fundamental and important principle of postmodernism, which denies the basic idea that literature is the reflection of real life. Reversed the formula of "world such as text" the "source" and "flow" of literary creation, the relationship between negative real life is the source of literary creation, cancel the task of literature reflects the reality, it's for the authors from real life provide the basis for a bid to making this up, so that they can be groundlessly and irrelevant to the so-called memorial and lenovo, unbridled ground distort history and uglification historical figures, follow one's inclinationsly simulate various abnormal phenomena and abnormal psychology and communicating. In the post-modernist view, the more bizarre and the more bizarre the invention becomes. This not only denies the objective standard of evaluating literary creation, but also cancels the social responsibility and moral responsibility that the writer should bear to his creation. It should be said that many so-called "external features" and specific techniques of postmodern literary creation are largely determined by this principle. Therefore, the writing characteristic of anti-traditional novels is the weakening of plots. From the core of truth, virtue and beauty to the core of ugliness, from the performance of the objective world to the expression of people's inner real world. The writers believe that the world is ugly, that the truth, good and beauty have left us, and that the real world inside us has only fake ugliness. Works created in this way do not reflect the real world, and often do not conform to the common aesthetic habits.

D vyacheslav alexey has ? piech ChuHe was born in Moscow in 1946. I graduated from Moscow normal university and have been a history teacher in the middle school for ten years. He has published many short stories, such as contemporary lovers, alphabet, me and others, children of the country, etc. Pierchuch is one of the representative writers of the avant-garde satirical literature in experimental literature, as well as one of the representative writers of the absurd school. The values of official literature designed to expose forgeries, to break the myth that anyone in the Soviet era could be the backbone of nation-building, that everyone could be happy. Using confessional writing technique, the author stealthily narrates the plot in a conversational way after the narrator.

"Me and reform" is a short story about a man who is a man of five grades, a man of average means, but who thinks every day that I am going to reform, that I am going to write a great reform plan to change the face of the country. But all he did to write his so-called reform plan was sneak out for drinks on weekends. His wife usually doesn't care about him, but only asks him to stay home on Saturday and Sunday. He used to think of many reasons for his wife to let him go out on weekends, and his wife believed him, but came back drunk every time, so his wife didn't believe him anymore. Finally, he found a way to call a friend who was pretending to be a national ministry official and asked him to come out and discuss his so-called reform plan. But the phone call was so flawed, and his credibility with his wife was so low, that in the end he failed to follow through on his plans, and his plans for reform were shelved. The reform plan was just a tool for him to trick his wife into going out and drinking. The protagonist represents a part of the society, whose thoughts are empty, they have no purpose in life, and they just live and die every day. This fully reveals the myth of happiness, in fact, life is not happy.

All these "postmodernism", "absurdist", "realism" and "new wave writers" are not literary schools in the usual sense, but only some writers who have the same writing. A profound and significant change in the last decade of the 20th century in Russian literature, with its fine traditions and glorious history, is that writers have ceased to act as "mentors" and "soul engineers" to teach, enlighten and tell readers what is right and what is wrong. There is no one to dictate what and how they should write, but to dissolve the classics and the sublime, to seek truth and good, to change the aesthetic structure of the society, to enable the readers to be active and independent. Such works should be alive because they are thinking, searching and creating.

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