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English literature and modern painting

2019-02-12 来源: 51due教员组 类别: Essay范文

下面为大家整理一篇优秀的essay代写范文- English literature and modern painting,供大家参考学习,这篇论文讨论了英国文学与现代绘画。文学与绘画分属两种艺术门类,有着本质上的区别和差异,并且表现形式和手段也各不相同。但正是因为这些差异,为它们的互补提供了可能性。西方美术界也尝试突破传统的绘画规范,提倡绘画对生活的真实表现。一些画家常常在文学作品中寻求素材,赋予绘画情节和诗意。

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Since ancient times, both at home and abroad, literature and art are closely linked. In ancient times, before the appearance of writing, people used rock paintings to record every aspect of their lives. The literariness of paintings is firstly reflected in the artists' love for narrative themes. The early western paintings are mostly based on literary works, including religious stories and poems of Dante, Goethe and others. Painters get endless materials and inspirations from literature. Even in paintings with realistic techniques, there are abundant plots.

In the history of British art, the pre-raphaelite school is a major breakthrough in modern painting. In the middle of the 19th century, the British art circle was dead in the shackles of academic norms. The pre-raphaelites, who wanted to make a difference, proposed to reproduce the real life and break the rules. Their representative, Holman hunter, showed that they advocated the authentic expression of ideas and emphasized the imagination of painting itself. They turned to poetry and religious legends, and poetry was mostly drawn from Keats, Shakespeare and Tennyson.

John Everett miller came from a respectable family and entered the Royal Academy of fine arts at the age of 12. In 1847 he met hunter, and the two hit it off. In 1849, millet exhibited a painting of lorenzo at Isabel, based on the decennial by the Italian writer bocaccio and the long poem Isabel by Keats. Later, another of his paintings, marianna, combined Tennyson's poetic themes and printed Tennyson's poems on the catalog when it was exhibited.

In 1852, his ophelia was a great success. The fresh and bright colors on the picture and the sentimental and melancholy style fully expressed the poetic feeling of Shakespeare. Compared with hunter's work, milly's painting is closer to life itself and gives the picture poetic mood.

Another important figure in the pre-raphaelite school, rossetti, was both a painter and a poet. He had been deeply influenced by medieval literature since he was a child, and he was especially fond of Dante's poetry, including Dante in his own name. In 1847, unwilling to be bound by traditional art, rossetti painted at hunter's door, and the three of them launched the Raphael movement.

Rossetti's paintings are closely related to Dante, including those drawn from Paul and Francesca in Dante's divine comedy. Especially after 1850, he was mostly inspired by poetry. In 1863, in order to express his longing for his dead wife, he created the oil painting beata beatrice. Beatrice is both the woman in Dante's vita vita and the late Elisabeth, the painter's beloved wife.

Arthur hughes was one of rossetti's students. His oil paintings are full of literary flavor and he is good at depicting the character characteristics of the characters. His 1852 ophelia is a far cry from milly's work of the same name. Shakespeare's ophelia, because the lover killed her father, desperately wallow in water. Arthur hughes did not describe this tragic picture, but focused on depicting a lost girl in the woods, the unique Angle of creation highlights the psychological feelings of the characters, the original play has another level of interpretation.

John William waterhouse was another student of rossetti's. His painting style is full of romanticism, and he often looks for creative themes in literary works. His masterpiece charlotte the maiden depicts the characters in Tennyson's poems. Under the protection of magic and bound charlotte yearning for love and freedom, even at the cost of life, rushed out of the castle to protect her. The female characters in John William waterhouse's works are beautiful and touching, which is the sublimation of literary characters by the imaginative painting art.

And only the pursuit of color and form of aestheticism is different. The reproduction of these western literary images under the brush makes the painting art more three-dimensional and can arouse the resonance of the audience, making the painting truly become a poetic artistic language.

The mutual influence of literature and art is not only reflected in the "literariness" of painting. On the contrary, the writing style of many poets and novelists also reflects the artistic elements of painting.

In the late 19th century, under the influence of the western philosophy of "the end of the century", symbolism came into being and was first developed in France in the form of poetry. In 1886, French poet jean morrel published a symbolist declaration. Later, the western painting circle was infected by the wind of poetry, and the rise of symbolism.

"The French poet said that it is no longer necessary to be faithful to the outside world, because the universe is full of" symbols ". This symbol can not be expressed in ordinary language, only the mysterious hint; the painter also said that the realm of painting can be extended to the inner world of people by using artistic images to express people's reverie and symbols to imply the inner feelings of the creator.

In English literature, famous poets and writers influenced by symbolism include wilde and Yeats.

Impressionism, which is closely related to symbolism, was once very popular in the western painting circle and had a profound influence on a large number of literary writers. Typical representatives of English literature include Virginia Woolf, David Herbert Lawrence, and Joseph Conrad. They are good at capturing the impression of the moment to show the character's emotion and personality, rather than directly psychological analysis.

Under the influence of impressionistic painting, impressionistic literature attaches importance to color and light and shade, pays attention to intuition and improvisation, especially emphasizes the change of natural light at different times, and holds the nature and essence of life while abandoning the material appearance. Virginia Woolf's to the lighthouse, Conrad's heart of darkness, and Lawrence's sons and lovers all use impressionism.

In the history of painting and literature, they have collided and merged with each other. But history shows that all kinds of art forms are interrelated and cannot exist in isolation. Both the literariness of painting and the painting elements in literature have valuable reference significance for us to explore the art field in the new era.

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