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北美作业代写:The spiritual difference between Chinese and western art history

2018-07-23 来源: 51due教员组 类别: Essay范文

下面为大家整理一篇优秀的essay代写范文- The spiritual difference between Chinese and western art history,供大家参考学习,这篇论文讨论了中西方艺术史的精神差异。艺术是精神的载体,而由于各种因素的影响,每个人的精神世界千差万别。中西方无论是在历史和社会上,还是在经济上都完全不同,这也就导致中西方文化在表现形式必然有着差异。从中西方的艺术作品风格上不难看出,中国艺术精神展现出的是抽象性的美学,而西方展现的事理性的美学,西方艺术精神在哲学思想上表现的是信仰,而中国则是人伦,这种差异性使中西方在艺术史上一直向着不同的方向发展。

Chinese and western art history,中西方艺术史,essay代写,paper代写,北美作业代写

Art is the carrier of spirit, and due to various factors, everyone's spiritual world is very different. Both China and the west are completely different in history, society and economy, which leads to the inevitable difference in the expression form of Chinese and western culture. This paper will comprehensively analyze the spiritual differences between Chinese and western art history from the spiritual origin, aesthetics, structure and philosophy of Chinese and western art history, hoping to provide reference for the study of Chinese and western art.

Spirit is one of the subjective thought forms of human beings. From the micro level, spirit can be the subjective experience of individuals or groups. At a macro level, the mind can be a social or historical response. The study of the spiritual difference between Chinese and western art history can not only understand the difference between Chinese and western art, but also show the difference between Chinese and western history and society.

Throughout the history of art in the world, there are great differences in the artistic spirit of China and the west in painting, music, sculpture and other art. The first thing to study this difference is to understand its origin. There is no clear explanation on the origin of Chinese art spirit, but Chinese traditional art is deeply influenced by Confucianism, Buddhism and Taoism. In the process of creation, traditional art also integrates the thoughts of the three schools. Therefore, the spirit of Chinese art history originates from the thoughts and propositions of Confucianism, Taoism and Buddhism. Many art works show the cosmological view of "unity of man and nature" and express the artistic spirit of harmonious coexistence between man and nature. It can be said that the western art spirit is completely opposite to China's. Chinese art spirit emphasizes the worship of nature, and highlights the art of nature. The western art spirit emphasizes the opposition between man and nature, and shows the art of man. Ultimately, the reason for this difference is the origin of its artistic spirit. Although the origin of western art is disputed, the mainstream view still holds that western art originated from the two rivers and the Egyptian civilization. With the development of history, feudalism in the west was overthrown, and capitalism in its place became the western ruling system that continues to this day. In capitalism, the ideas of free democracy, commodity trading and nature liberation have exerted an important influence on the western artistic spirit, which is also the fundamental reason for the difference between the western artistic spirit and the Chinese artistic spirit.

It is not hard to see from the western art works that the Chinese art spirit is an abstract aesthetics, while the western one is a rational aesthetics. The spirit of Chinese traditional art is closely related to Confucianism, Taoism and Buddhism. The guiding ideology of western aesthetics is ancient Greek philosophy, among which the representative figures are Aristotle and Plato's philosophical propositions. It is not hard to see from Plato's aesthetics that "beauty is the perceptual manifestation of ideas, and beauty exists in the experience process of the aesthetes" that western art spirit pursues aesthetic ideas. Although there are some differences between Chinese and western art spirit due to the influence of culture, there is still a common feature behind the difference, that is, both Chinese and western culture are essentially responses to a cosmological view, or are influenced by it.

"Warm" is actually a description of Chinese cultural style, and the essential reason for such style is still the influence of Confucianism and Taoism. It can be seen from the traditional Chinese painting style that the essence of the "warmth" of Chinese art is the combination of movement and tranquility. Movement means that Confucianism advocates entering the world and doing something, while silence means that Taoism advocates being born and doing nothing. Together with Confucianism, static and static complement each other, which constitutes the "warmth" of Chinese art. "Warm" undoubtedly shows the spirit of co-existence with nature or integration into groups in Chinese culture.

Western art spirit is the spirit of "sadness", which can be seen from two aspects: dionysian spirit and dionysian spirit. "Dionysus spirit" is the spirit named after Dionysus in ancient Greek mythology. The spirit of the sun god is the spirit named after Apollo. The "sadness" spirit of western art spirit is composed of these two spirits. Just like the spirit of Chinese art, there is also a combination of movement and silence in the west, in which the spirit of dionysian is the one of movement and the spirit of the sun is the one of tranquility, which belongs to the dream-like style. "Dionysian spirit" refers to the classification of nature into individual human beings and advocates the freedom and freedom of human nature. The spirit of the sun god is to save the pain caused by the spirit of the dionysian spirit. The reason why people suffer is the deconstruction of individual consciousness in "dionysian spirit", which causes an impulse in people's life, which needs to be satisfied in "dionysian spirit".

The difference of Chinese and western artistic spirit in philosophy can be seen from western fairy tales. In Chinese and western fairy tales, there is a common view that people are created by god. The difference lies in how to view the relationship between man and god. In western fairy tales, god and man are connected and have the same emotions and desires. At the same time, people can communicate with god and even ask god to participate in wars. But as Christianity became more prevalent, the idea of man and god changed. The west ushered in an era of "monotheism", when people were actually gods and were expelled from the world by god for stealing forbidden fruit. At this time, the status of god was raised infinitely, and the original sin consciousness was formed in Christianity. Only by converting to god could god be redeemed, and then the heaven became the ultimate ideal country for human souls.

In the Chinese fairy tales, people worship the nature, and totem culture, pan gu kaifeng, nu wa create people, etc. show the Chinese people's worship of nature, which is completely different from the gods and gods worshipped in the west. The Chinese are in awe of their ancestors and pay attention to the differences in hierarchy. Even after the disappearance of the differences in hierarchy, China will establish the hierarchy of human relations. To sum up, the "belief" of western art spirit in philosophy and thought, while China is "human ethics". It is this difference that makes China and the west develop in different directions in art history.

From the perspective of the development history and works of Chinese and western art, it is obvious that Chinese and western art are two different directions. By analyzing the differences between the two sides in the origin, aesthetics, structure and philosophy of art spirit, it can be seen that the development of art is connected with society and economy. China and the west have been developing in different directions since ancient times.

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