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北美作业代写:Music style

2018-05-31 来源: 51due教员组 类别: Essay范文

下面为大家整理一篇优秀的essay代写范文- Music style,供大家参考学习,这篇论文讨论了音乐风格。音乐风格指的是在音乐结构方面存在稳定的、系统化的感性特征,它的实质就是通过比较来认识某种音乐的这些特征。作为客观的存在物,音乐风格就是一种本质与现象的基本体现。音乐风格的最终形成就是音乐事象最为本质、深刻体现,因为音乐事象的具体性质很多,所以它所呈现的音乐风格也就包罗万象、无奇不有。

Music style,音乐风格,essay代写,论文代写,代写

Music style refers to the: "in the music structure, systematic perceptual characteristics of stability, its essence is through the comparison to know some kind of music, systematic stability characteristics". It is the external expression of the existence status of an objective thing, and it is also the symbolic style of the existence of this objective thing. Tell us the dialectical relationship between essence and phenomenon of marxism, the essential thing is the most basic fundamental one thing, something is stability and the relation between its elements, and the phenomenon of the nature of the surface of the most things. As an objective entity, music style is a basic manifestation of essence and phenomenon. Music style of the final form is music like the nature, reflecting the most, because music like the specific nature of many, so it shows the music style is all-encompassing, wonders, is finally formed the "schools of thought contend, the flowers".

Back to the development of music, music style problems can be traced back to ancient Greek and Roman society. Music has a long history, diverse and inclusive style. Since the birth of music, music has emerged at the historic moment. According to the writer consult and research, the Chinese and foreign music aesthetics, the paper have been repeated discussions on the issue of the style of music, in their respective theory field of vision, the research direction and to reach an agreement. This is enough to illustrate the richness and importance of music style.

The continuous and stable systematization of the musician in the creation and performance is the artistic personality of the musician, which is different from other artists. Research focus on the artist's unique characteristics of individual style, they are good at using the unique rhythm, melody, character, structure, music texture, mode, tonality and so on some commonly used gimmick, to express themselves as the description and creation about music. The composer's unique aesthetic taste is a personal style. For example, the romantic composer and pianist Chopin, A study of Chopin's music style by Dan zhaoyi commemorates the birth of the great polish composer Chopin 200 years ago Anniversary of ", Yang qin raw Chopin's piano music style characteristics, Yang Fanxing "Chopin's piano music style and spirit is analysed, NieFei theory grasp Chopin's music style, often increases the macro exploration of Chopin's nocturne music style, jade tao" theory of Chopin's music style ", ms ulrich 24 preludes Chopin 5 6 music style and the play to explore, Ms. Cheung "introduction to Chopin Op. 23 music style, ZhangLi Ni introduction to Chopin's music style, xiao-ping wang" on Chopin, liszt, character's influence on the style of music, such as a series of the research of Chopin's style.

The differences between different regions due to the differences in natural geographical environment and the differences between national styles in tonality, rhythm, scale, rhythm and overall structure. A total of 56 nationalities in China, the vast, the geographical landscape environment, even in a city may appear different regional geomorphic style, music for the songs of life tool in people's thoughts, music style is different, in our country, there are many music groups also because of geographical reasons produced different music styles. In the research such as Cao Guangping the writing style of guangdong music style, Du Yaxiong in ancient inhabitants in the xinjiang ethnic characteristics and modern style of folk music, Song Ying agent micro manchu language and music style, li qiang, the sing style of music movement of shaoxing, high field of the theory of tujia music style, jian-hua sun the northeast errenzhuan "double" singing characteristics "of traditional music style, Wang Rongfang" xiangxi exorcising sacrifice music style characteristics, JiPeiPei "suo yet shallow of music style in hebei province", zhang qiong "xiangxi south tiger shape characteristics.provides song mountain flower type and style of music", xiao-yan yi "of tujia people Folk music style and features, and sang "the four most famous folk music style in outline northern Tibet, shao-hua ge in the uygur technique of erhu music style out micro", teng li people in the xinjiang ethnic music style analysis and research of piano works, Tan Jingyuan introduction to guizhou tongren region east exorcising opera music style ", deng jiao xinyang folk style of language and music, Liang Shuqin on shaanxi zheng pie "is given priority to with bitter, bitter huan" style of music ", Liu Xuekai ning pagoda manchu under the multicultural background music style of "description such as regional differences between the articles, It fully shows the cultural characteristics of music and the essential attribute of music style among different regions in China.

A social existence music things like necessarily restricted and influenced by the social political and economic, the specific music phenomenon in everything from the end of production, development, and death and the time background of it is inseparable, era background is music to the soil, so in the specific music things like can see traces of The Times. Therefore, it affects the composer's life attitude, emotional experience, aesthetic taste and ideological consciousness, and then produces different music styles and contents. Some of our revolutionary songs in the Anti-Japanese War, such as xian xinghai's "Yellow River chorus" and "production chorus", have a special music style in a special period. During the cultural revolution, due to the political climate, the vast majority of the people could hear only eight model operas. During the cultural revolution, only three dramas, such as shajiabang and white hair girl, could be performed by the central symphony orchestra. It is all because of the influence and restriction of The Times. So if we want to review the overall value of a work, we need to put it in the corresponding comprehensive investigation and study in the background, so we can relatively objective conclusion or evaluation.

Overall, the research for the problem of the music style is worthy of our learning and praised, special case study about music style, has been sublimated to the practice of theoretical level, for our more profound research provides an important condition and the foundation. However, many people believe that the characteristics of musicians' styles are influenced by The Times, but why are there different music styles among contemporary composers?

The author believes that we need to deal with the above problems from three aspects, namely, the structural characteristics of specific music event images, specific music style characteristics and specific cultural attributes. The existence of each kind of thing has certain structural characteristics, and it has the characteristics of music formed by the interaction of various elements and the overall structure of the specific music event. That is to say, for the composer there are different characteristics in the structure of thinking, in the face of the same objective things produced by the subjective initiative is not the same, although with the background of an era, but the response and action is different, this can make the difference between the music style.

That is to say, the specific music event and the external dependent environment interact to show the national characteristics, local characteristics, and school characteristics, which constitute the style characteristics of music event. Musician's life always need to return to life, on the basis of different countries, different nationalities, different regions, different to the genre of music, the music, of course, also can't be the same, although the contemporary composers in the contemporary context, but the performance of the music style is quite different.

That is, the interaction between music event image and external environment shows the content with specific humanistic meaning, emotion, function and utility direction, etc. The author thinks that this factor is most important, people are cultural belonging animals, have a kind of cultural consciousness, for the composer is particularly important, in fact, from this Angle to understand the composer's thinking is basic has risen to the point of cultural heritage. Every contemporary composer has a certain cultural mark, which is not transferred by human will. It is impossible for us to change the cultural attribute we are born with. Of course, although the composer is very different from the music in the social context.

From what has been discussed above, we can't use linear thinking to treat any specific music style, we want to objective and fair to the basic characteristics of different music, with a comprehensive view of 3 d to dialectical thinking. In the face of the contemporary background, different styles of composers appear, we need to put them into a specific time environment to investigate.

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