Sister Carrie

下面为大家整理一篇优秀的paper代写范文- Sister Carrie，供大家参考学习，这篇论文讨论了小说《嘉莉妹妹》。《嘉莉妹妹》是西塞罗・德莱赛写作的一部小说，它给我们呈现了二十时代初大城市芝加哥的“浮世绘”，小说女主人公的个人经历不仅见证了消费主义的美国社会，也充分表现出其道德观念在大城市的沉浮中不断改变的过程，而这一过程不是一蹴而就的，人物内心由挣扎烦扰到最后的坦然麻木正反映了其道德堕落的不可避免。

In the late 19th century and early 20th century, the United States, commercialization further development, consumerism initiation and growth. Cicero Delley's novel, "Sister Carrie", presents us with the "painting of the World" in Chicago, the great city of the Times, the heroine's personal experience not only bears witness to the American society of consumerism, but also shows the changing process of its moral concept in the ups and downs of big cities, which is not an overnight process, The mind from the struggle to the final calm numbness reflects the inevitable moral depravity. This article will take the moral as the center, unifies the time background, discusses the main character Carrie Sister's moral struggle.

The subject of the story takes place in Chicago, a big city rising. With the great Wheel of industrialization, Chicago, whether it is urbanization, population, or commercial level has been in the United States and the forefront of the world, is a well-deserved metropolis.

Big cities mean more opportunities, so younger sister Carrie's young men poured hope and vision into Chicago. As the story begins, Carrie's brother-in-law, Hanson, says, "This is a big city, you can find something to do within a few days, everyone comes here."

But great opportunities also hide great temptations, and the richness of the big city's material gives Carrie an extraordinary shock and excitement, and Chicago is like an ocean of limitless possibilities. In the face of all this, the fledgling Carrie could fall into the sea of material desires.

Consumption forms the core of urban life. The city's fast-changing goods, a dazzling range of clothing, exquisite luxury restaurants and gorgeous lights are waving to consumers, fashionable and convenient urban life is built on the basis of daily consumption. and commercialization in satisfying people's material needs, but also stimulated more desire, living in the city of people addicted to fame and enjoyment, greedy desire is infinitely magnified. So consumerism quietly arose, the American first thrifty simple Puritanism was replaced by materialism, the pursuit of bright and beautiful, the pursuit of fashion become mainstream. And here more is the conspicuous consumption, fashionable clothing, luxurious house is not only material demand, but also become a symbol of identity and taste.

Consumption has contributed to social stratification. American economist Veblen points out: Different social groups have different consumption patterns, the differences in consumption patterns reflect specific social groups, and the consumption patterns promote the stratification of social groups. The different consumption ability makes consumption this behavior has the class attribute, the upper class extravagant consumption is the lower people completely dare not think. This also unfolds at the beginning of the story, when Carrie, who had just found a job, invited Minnie and her brother-in-law to go to the theatre with a thrill of city life, but they responded coldly, because for them it was the entertainment of the upper class, not theirs. The city opens the door to welcome everyone, but it also builds an invisible "wall of wealth" between people and uses the power to categorize them.

On the whole, Carrie's heart experienced the longing, the confusion, the struggle, and the process of indulging in the pleasures, and the key to her whole life was the stage of her struggle, how to turn from an ignorant little girl into a mistress of dependence and use of others, Carrie was the last to succumb to matter in constant torment of self and moral struggle.

We can see that when Drouet met Carrie for the second time, and "lent" the 10 dollar bill to the unemployed Carrie, Carrie instinctively refused, suggesting that her upbringing and social experience told her that she could not do anything for nothing, and that Drouet understood it, and his intentions were by no means simple, Otherwise, Carrie would not have used the money to buy clothes but did not find a way for her to settle down the serious work, so he used a "borrow" word sly conceal the behavior behind the improper. Carrie, after receiving the money, was still disturbed, ashamed of her refusal to refuse, and returned it the next day, and it was evident that Carrie's heart was at first dominated by morality and reason.

There is a metaphorical meaning to the description of the dream in the book. Carrie's sister Minnie dreamed of a desperate plunge into the bottomless coal mine, and suddenly sank into the water, ignoring her call, in the end of her desperate plunge into Drouet's arms. "In this way, these fanciful dreams change in her weary mind, and scene after scene, the last scene made her cry, for Carrie slipped down from a rock, and her fingers did not grasp, and she watched her slip down. "The images of these dreams are related to the fall, implying that Carrie and her sister are drifting away, and have entered a dangerous situation that cannot be turned back."

After living with Drouet, Carrie lived a life of relative affluence, but still received a conscience torture. "' Look at the people around you! The voice whispered. Look at those decent people who despise what you do. Look at those decent girls, and once they know you're weak, they'll avoid you, and you'll fall down without a fight. At this time, Carrie, while enduring the moral condemnation, envied the richer living conditions, she could say that her moral outlook was already in the swing.

This state of Carrie changed after Hurstwood's appearance. Hurstwood's graceful manner, his charming voice, and his affection for the young and simple Carrie all gave Carrie the illusion of love. "She thinks more realistically about her future and feels more out of it." Hurstwood was the force that took her on the path of honor. Her strength is quite believable, and their recent development is free and without shame. She had no idea what Hurstwood was going to say, and she was only trying to treat his feelings as good things, and to get more beautiful, more generous results. "This is an important shift, Carrie, on the one hand, was a mistress of Drouet, betraying his feelings and Hurstwood, but could think that there was no shame, that Carrie had ceased to struggle, that there was not much weight in her mind, and that she saw more desires.

Henceforth, Carrie's balance of morals and desires had been evidently tilted, and she had been successful in the drama by chance, and she had increasingly despised Drouet, who had helped her in distress, to elope with Hurstwood, and to the story of the later Carrie, who had abandoned Hurstwood for the success of her personal career. Her moral outlook slipped and fell without knowing it. The end of Carrie's reputation, the dream of high life is always unhappy, because she on the road to success to give up too much important things.

Dreiser lived in the formative years of American urbanization, and he was born in a small town in Indiana, when he came to Chicago at the age of 15 to make a living. His own experience has made him deeply aware of the uniqueness of urban life and the advantages and disadvantages. With a grim eye to the commercial backdrop of a surge in desire and a moral landslide, he points out: "When people get used to throwing disposable goods, they mean they can throw away the intrinsic value, the inherent way of life and the stability of human relationships." "The writer is the supervisor of society, always can keenly smell the traces of moral decay." In the United States has just entered the bustling time to detect the moral ills of society, thinking about the meaning of morality. To this end, he discussed in detail the complex concept of "morality" in chapter tenth of Sister Carrie. "Although Spencer and our modern naturalist philosophers have all kinds of analysis, we have only naïve illusions about morality," he said. It is not just a rule of evolution. He is not just in keeping with the world, it is much deeper than we know. The first thing to answer is why does the heart tremble? Then explain the sad melody why can spread everywhere, spread unbeaten. Please explain why the rose can be a red light, whether it rains or not. The fundamental principle of morality is in these things. The author thinks that the morality is connected with the natural feelings of human beings and the beauty of things, emphasizing the complexity and profundity of morality. In the traditional sense, we regard morality as a kind of behavior norm that people in human society follow together, and morality arises from the relationship between people. But here, the Desai did not put the moral in the social environment, but to emphasize the common human mind, we will be moved, will be sad, will appreciate the beauty of things. So-called "Manto, Centon", the moral that Desai wants to express is similar to this "rationale" word. In the common feelings of mankind, this includes the most fundamental judgments of things, not after the analysis of social relations. But at the same time, if we do things blindly to follow the heart without thinking, selfishness and greed at this time will occupy the hearts of the people, therefore, the moral contains the beauty of the ingredients, it should be in line with the feelings of individuals, but also to be able to like the beauty of the beautiful things as the Rose

In the author's opinion, sister Carrie's moral loss is due to her wrong view of money. Scholar Walter Benn Michaels believes that a kind of money view of Desai is to treat money as "a kind of storage power" and therefore must be honestly used to pay, and never be used as a privilege. The demand for honesty in this view of money implies the necessity of morality. Carrie wanted the riches and leisure of the big city, and naively thought that "money itself is power", and that people with large sums of money are happy people. But that's just the material role of money, money itself is worthless, it's just a tool for value exchange, and it can be the basis of this particular tool is to exchange the integrity of both sides. Conversely, the money that is not earned by honest Labor denies the value of money in itself, let alone brings power and happiness.

Through "Sister Carrie", Desai pointed out that consumerism society's moral erosion, from the opposite direction, emphasizing the importance of morality. The full text does not spend too much text to describe the moral noble person, but let a group of people who disregard the morals to tangle with each other, until the end of the closing only Carrie glittering shell and empty heart, thus contrasting the moral value. The characters of the Desai are social representative, they symbolize not only a group of people, but the whole society. Judging from their age, there were young Carrie, young Drouet, and a steady and experienced hurstwood; From a professional perspective, it covers a variety of social divisions, such as factory workers, salespeople, hotel managers, actors, and so on, representing different socioeconomic strata, as well as a holistic picture of society.

The moral struggles of the characters in sister Carrie are the product of the American commercialized Society at the turn of the century, in the big Environment has the imprint of the Times, but Carrie's story is not far from us more than 100 years later, in China's economic take-off in 21st century, we have to take this as a reference to strengthen the construction of social morality, Avoid the tragedies of Carrie and Hurstwood.

The story of the big city of Chicago and now China's Beijing, Shanghai is very similar, with countless opportunities and a variety of fashion, so many young people in order to dream of "North Drift", their survival should also arouse Chinese writers and people's concern and thinking.

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