Russian postmodern literature and art

下面为大家整理一篇优秀的paper代写范文- Russian postmodern literature and art，供大家参考学习，这篇论文讨论了俄罗斯的后现代主义文学艺术。20世纪中期，苏俄文学受政治气候变化影响，多有波折。在这发展过程中，一些作家继续发扬俄罗斯文学传统。而另一些作家开始重新审视作为创作方法的社会主义现实主义，以新的视角和观点，重新评价俄罗斯历史和文化价值。还有些作家有意识地借鉴吸收西方后现代主义理论，开始使用后现代主义美学原则和艺术手法进行创作，以至形成了具有本民族特征的俄罗斯后现代主义文学。

Since the 1950s, Russian literature has been affected by political climate change. During this development, some writers continued to carry forward the Russian literary tradition. Other writers began to re-examine the socialist realism as a creative method, understand the relationship between human beings, society and nature from a new perspective, and re-evaluate the historical and cultural value of Russia. Some writers drew on the western postmodernism theory consciously and began to use the postmodernism esthetics principle and artistic technique to create, and even formed the Russian postmodernism literature with its own national characteristics.

The development of Russian postmodernist literature is divided into three stages: formation period, establishment period and "legalization" period.

The first stage is the formation stage. At this time, Russian postmodernist literature was still in the state of "underground writing". Representative works include: In this period, the author used new language means to reconstruct the characters and deconstructed the single rigid ideology and culture of the Soviet union by means of satirical simulation.

The second stage is the establishment period of Russian postmodernism literature. In this period, postmodern writers keep emerging, showing the characteristic of popularization. At the same time, the literary schools of postmodernism are abundant and diverse, such as Moscow's concept school, Leningrad's "michigy" group, yuan metaphor poetry school, psychoanalysis school and so on. This period also formed a distinctive branch: the lyric postmodernism and the schizophrenia analysis of postmodernism. The major works of this period are fu? "The thirtieth love of malina" by sorokin, victor? "Life with dementia," by yero fiev and more.

The third stage is the "legalization" period of Russian postmodernism literature, which is also the prosperous period of Russian postmodernism literature. In this period, postmodernist literature became an "open and legal" literary phenomenon in Russian literary life. Famous works include: vladimir putin. "Queuing," by sorokin. "The line of destiny, or the little box of milashevich," and so on.

In view of the Russian postmodernist literature in the three periods, we find that the Russian postmodernist literature has gradually formed the following main features:

The main object of deconstruction and subversion of Russian postmodernist literature is the rigid official dogmatic culture of the Soviet union represented by the so-called socialist realism. Postmodern writers in writing methods completely abandon the so-called socialist realism creation principle, "overdo" advocated "art for art's sake", calls for a "burden", namely remove literature carrying too much administrative tasks, education task, propaganda task, at the same time bold to Russia through deconstruction and reconstruction of classical writers works break the fixed thinking mode and cognitive way, so as to realize go classic and sanctification.

Russian postmodernist literature has a large number of references to texts whose purpose is to break authority and classics, or to reinterpret classics and sanctity. Intertextuality frequently appears in the Russian postmodern literary works and has become a structural element of Russian literature. The text quoted by the author includes the sentences of world classics, the plots or characters in the works of the Soviet union and even the folk language, and then codes them for a second time. In terms of artistic techniques, we use such means as suggestion, metaphor, implied meaning, association, coincidence, enumerating, pasting, leaping and humanizing to create a special "cultural semantic field".

Mixed with language, a series of quotations listed above are quite different from each other in style and style. In addition, the use of language in literary criticism, philosophy, culturology and other disciplines enables writers to express their thoughts freely and vividly in diversified writing. As a result, some works, like both literary theory and fiction, have become a hybrid, free, quasi-prose and scholarly treatise.

With the use of the author's mask, Russian postmodern writers deliberately broke the boundary between the author, characters and narrators. They usually give the subject his or her real name and allow him or her to appear independently. This is different from the traditional narrator, who is usually the incarnation of the writer's thoughts and represents the writer's views and opinions.

Postmodernist literature has passed its most popular period in the west. It should be noted that postmodernism is, after all, a part of the long history of literature, and the survival right of any literary genre depends on whether it has its own unique way of discourse interpretation of current social life. Modern Russian postmodern literature deconstructs the pseudo-noble of the past and subverts the monolitical hegemony of the past with its unique deconstructive discourse. But the national aesthetic habits of the Russian people will not truly identify with the purely subversive discourse. Today, russians who always have a deep sense of depth increasingly expect that Russian contemporary literature can have the courage to reconstruct humanistic spirit, which will be another opportunity and challenge in front of contemporary Russian postmodern writers.

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