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建立人际资源圈作业代写:Multimodal analysis of film discourse
2018-08-20 来源: 51due教员组 类别: Paper范文
下面为大家整理一篇优秀的paper代写范文- Multimodal analysis of film discourse,供大家参考学习,这篇论文讨论了电影语篇的多模态分析。电影是集视觉、综合、叙事和大众艺术于一体的表达形式,这增加了把电影作为语篇进行分析的难度。而运用多模态分析电影,不仅可以看到语言系统在意义交换过程中所发挥的作用,而且可以看到其他符号系统在这个过程中所产生的效果,从而使话语意义的解读更加全面和准确,进而发现人类如何综合使用多种模态达到社会交际的目的。

Film is an expression form integrating visual art, comprehensive art, narrative art and popular art, which makes it more difficult to analyze film as a discourse. Use of multimodal discourse analysis can not only see movie language system in significance role in the process of exchange, and you can see other symbols such as images, music, color system, the effect produced in the process of making the more comprehensive, more accurate interpretation of the discourse and found that the human how to use a variety of integrated mode to achieve the goal of social communication.
About the concept of the classical theorists make movies. M terry believes: film images both "is the role of material through the lens of refraction and reflection on the film of autologous retrieval", and "is a reality of the structure, a form of", in the image of the narrative level, the film become language, and in the poetic images of level, the film becomes visual language art.
Modern film theorist Christian metz argues that the prescriptive nature of the way images are combined makes the film a system of symbols, that is, "language" -- "film is certainly not a language We can think of it as a language, because it also has to arrange the ideographic elements in a regular arrangement that is different from our language, and it is not a facsimile of the whole of the feeling that reality gives us."
To sum up, film is an art loaded with social and cultural meanings, and a symbol system, a system that carries information with moving pictures and finally achieves communication. The system can be viewed in the following ways.
Movies are the art of pictures, and sound plays a supporting role. The picture screen is limited, but the picture screen is specific, vivid and clear. The picture needs to indicate the space outside the picture by sound or express the idea, emotion and mood directly by sound.
As a visual art film, it is easy to show action and image, easy to tell a specific clear, intuitive and vivid story. As Bella barazi once pointed out, "all kinds of films have a common foundation, that is, a film is a sound performance, a picture of activity, that is, an action in front of us on the spot. So instead of showing 'a house or a tree,' the movie shows' a particular house 'or' a particular tree. '"
Film excavation, the fusion of the arts, derive the skillful narrative literature, the rhythm of music relaxation dance, painting, distinctive modelling, lyrical sense of style, sculpture, the details of the vitality, the depth of the simple sense, visual arts such as characteristics of drama, the space and time, images, sound, plane and three-dimensional artistic elements such as trying to extending depth will be as much as possible of the visual and auditory information, reappear in the full of tension of dynamic images.
The film absorbs the narrative function of literary proficiency, narrates a story which is vivid and reasonable in accordance with the public aesthetic entertainment demand with moving pictures, and narrates it vividly with rhythm with appropriate form. Truth, goodness and beauty are the theme of a film, and motion picture is the expression of this theme. Therefore, the action of the characters in the film should conform to the situation, reflect the development of character and the beneficial connotation derived from character. The film takes the motion picture as the medium, and the narration is based on the development process of the character and the contradictory points of the character, carefully designed, decomposed and combined action paragraphs, so as to form the narrative chain and reflect the theme of the narrative.
The film needs to be accepted by the audience, and at the same time, it should satisfy the audience's aesthetic pleasure as much as possible.
The audience is not only the recipient, but also the creator. As a medium of communication, film art should accomplish the communication between subject and object. A film that can achieve good communication between the director, the work and the audience is a success, otherwise it is a failure. This requires the film to grasp the mass culture mentality and understand the public psychological needs when creating.
Multimodal discourse analysis refers to that linguists should not only study the effect of each mode itself on the generation of discourse meaning, but also study how all modes involved interact with each other, so as to make discourse more meaningful. In multimodal discourse analysis, each mode is an independent meaning-generating resource, and the meaning expressed by the combination of various modes is greater than the sum of the meanings expressed by a single mode.
The main theoretical basis of multimodal discourse analysis is systemic-functional linguistics. According to halliday, language is a social symbol and the potential of meaning, and other symbolic systems besides language also have the function of expressing meaning, such as silence, although silent, conveys a certain meaning.
In recent years, multimodal analysis has been widely used in various fields such as semiotics, philosophy, sociology, anthropology, politics, journalism, psychology, law, aesthetics and medicine, and the research object has also expanded from language to music, picture, image, web design and other social symbol systems. In film discourse, we should analyze several important modes and their comprehensive application.
As a visual art, the film focuses on motion pictures. The picture can analyze the information distribution of multimodal discourse according to the specific situation of the relative position between different components or between different images in the same image, confirm the knowledge and new information, confirm the information starting point of multimodal discourse and the information intended to be transmitted by multimodal discourse. Kress&Leeuwen, on image and subtitle processing, believes that image and text are related, but do not rely on text because it is both organized and structured.
Motion picture in a dominant position, the film full play to the motion picture art expressive force, while the voice control in a proper way, words in the picture is temperance and refined, the director can't because of words narration and ideographic function and weaken its motor side, "music and dialog, while strengthening the picture image role, but in the overall structure of the film is really just a minor aspect."
As an element of film art, music plays an important role in the establishment and change of film time and space, the creation and transformation of psychological time and space, as well as the communication of background information. O. Mr Copson has pointed out that the film music "creates a convincing atmosphere of time and place". For example, in the picture of traditional Chinese wedding, without the sound of suona and drum, the festive atmosphere in this particular time and space cannot be fully conveyed. Therefore, in order to create the atmosphere of film time and space, in addition to the performance of the picture, it also needs the cooperation of film music. The music footage in and out of the film gives the audience a sense of the time and space of the story.
Color is another important means of artistic expression in movies, and the modeling function of movie colors is highlighted in the collocation and harmony between colors. In the picture, the matching relation between proportion, position and area of different colors is used to create different visual feelings such as concentration and light, brightness and darkness, warmth and cold, richness and simplicity, etc., which plays a role in modeling. Film and television pictures are motion pictures. Films can make artistic effects through the combination and changes of colors by virtue of the internal connection between colors and people's emotions. For example, the film "red sorghum" adopts the theme of red promotion to make the audience feel the hard-working, pragmatic and enterprising people in the north and the indomitable Chinese in the face of the invaders.
"The space in the film is closely intertwined with the film's unique time." Film space-time can be divided into physical space-time and psychological space-time. Physical spacetime can be clearly perceived, but psychological spacetime is a direct, comprehensive combination and can be transformed into each other.
According to franck beevor, "time can be lengthened or shortened by adding or removing visual space when shooting and editing a film," mainly referring to the use of montage. All aspects of the material field are realized through the representativeness, vitality and richness of the picture, but it still needs to use sound to indicate the space outside the picture or use sound to directly express thoughts, feelings, moods and so on.
The significance of multimodal discourse analysis of film discourse lies in that it can integrate language and other relevant meaning resources, and imply a fifth space on the screen of two-dimensional plane, which is an intuitive synthesis based on the audience's psychological completion consciousness. It not only can see language system in significance role in the process of exchange, and you can see other symbols such as images, music, color system, the effect produced in the process of making the more comprehensive, more accurate interpretation of the discourse and found that the human how to use a variety of integrated mode to achieve the goal of social communication. It can be said that this kind of discourse analysis can not only promote our study of linguistic multi-modal discourse, but also deepen our understanding of semiotics.
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