Japanese prose movies

下面为大家整理一篇优秀的assignment代写范文- Japanese prose movies，供大家参考学习，这篇论文讨论了日本的散文式电影。日本拥有悠久的历史和自身民族文化特点，日本的散文电影用平淡的生活为题材，将唯美主义风格展现出来，虽然平淡，但值得细细品味。日本的散文式电影一般都没有惊心动魄的故事情节，却制造出影片的独特魅力，导演用简单的方式，细腻感性的镜头语言交代日常生活，让人领悟到生活少不了春夏秋冬，简单、平淡最是真。

Hollywood studios create a stylistic system that establishes narrative space and time. However, some films do not use this principle, such as Japanese prose films. Japanese directors such as katsuichi mori, hirokazu izueda and yasujiro ozu tried to dilute the plot, presenting simple and understated plot to the audience, instead, they created the unique charm of the film and made films that were completely different from classic films.

"Komori is a corner of a village in northeastern Japan. There are no shops here. City son began to ride a car prologue, with the car through the mountains, fields, with such an opening introduced the komori, city son ordinary day began.

This is a flat prose film, different from the conflicts of Hollywood blockbusters, the story is closely related to the heartstrings, but with three meals a day, spring sowing winter hide such simple life, lukewarm fire will tell the story: in high school, my mother after finishing a winter flower miso sauce quietly left, leaving the city son own life. She makes food according to the daily weather or the fruits and vegetables in season. The two films record four seasons and each cook seven dishes. From rediscovering my mother's taste to creating new food, the place where my mother used to linger in the kitchen has now become a city. Can not understand the beginning of her mother's practice, the little things in life can let her think of her mother, then use letters to communicate with her mother, doing their favorite things, she gradually understand, just like she loved komori, mother to find their own komori. City son learned to be independent, strong, she found herself, also slowly understand her mother.

The theme of the film is life, the audience is easy to produce a sense of substitution. In komori, the ever-changing food materials in each season are the gift of nature. She went to the mountains to pick the Chinese toon sprouts on the tree tips, looking for golden lacquer leaves, pod ferns, fishing, picking chestnuts, making persimmon, storage food and so on, which is the epitome of harmony between human beings and nature. Not just her, but all komori's neighbors: they love nature and respect and protect it. They are very harmonious, the next door neighbor's field always have their shadow, together to discuss the farm, share the food. In his spare time, Mr. Moizhi tried to cook sugar chestnuts, and people who came by occasionally learned to share them with each other. This is life. The film is very healing and makes the audience yearn for komori's life. The water vapor in the mountains mixed with smoke and warm sharing, giving and harvest in the old Japanese house. South Korea remade "little forest" in 2018. It is conceivable that excellent films can impress people even under different nationalities and cross-cultural communication.

In such a natural environment, the color processing is very nice, simple composition, the picture is clean, delicate and beautiful. Panoramic account of komori, the middle scene describes the relationship between nature and human beings, close-up highlights the delicious food. The film not only has a natural objective lens narration, but also subjective lens description: in addition to what tomiko's eyes see, occasionally the subjective lens of animals is added to add drama: butterflies stumbling in the field flying, cats jumping from the attic, trout flying when being lifted. City children imagine when weeds overgrown with weeds body also is very humor, such as its composition, color, light and shadow in the film, the present, JingBie flexible use, light music, insipid commentary to let a person feel better, the perfect combination of visual and auditory make the film's narrative more fluent, complete, nature, character, food all petty daily use film to narration and expression style and image, has a special writing style.

Japan has a long history and its own national cultural characteristics, Japanese prose film with plain life as the theme, aesthetic style will show, although plain, but it is worth careful taste. sen junyi director and is branch yu and director have similar: in the "diary of the sea street", xiangtian three sisters lucky, good is and thousands of good living in the old house outside the mother-in-law's home, the elder sister lucky kind, forbearing, is the master of the family, hard work to take care of his sister, his father abandoned his wife feel resentment. The second sister, jia, was frank and passionate, and tried to pursue what she liked. The old three thousand good personality alternative, hear their father and love fishing also have a curiosity and small happy. One day they received news of the death of their father, who had withdrawn from their life more than 10 years ago. When they went to the funeral, they met ling, their half-sister. Ling is a kind and sensible child, and when her sisters leave, they invite her to live with them in kamakura. Ling since childhood and father feeling is very good, she cherish that memory, but for his mother inserted into the sisters hurt feel ashamed, they experienced different family pain, so cherish each other more. Wayan's resentment towards her father is relieved at the end of the film: although she is a terrible father, she should be a gentle and considerate person, because she left us such a good sister.

First, the three marriages of fathers represented the status of Japanese men, and both films featured women as narrative protagonists. In Japanese films, female characters are becoming more and more common as narrative subjects, representing the rising status of women in the society and family. Such prose films are more narrated through women.

Second, the shooting of "diary of kaijie" also lasted one year. The four seasons of kamakura were fully displayed in the film. Cherry blossom in spring, plum rain season, purple sunflowers, heavy rain in summer, persimmon in autumn and snow in winter were intermingled in the story, making the audience feel the light and shadow of the four seasons in Japan. The plums in the courtyard are mature, and the sisters happily pick plums and make plums wine together. The light and shadow are scattered through the halo of the yellow wine, as if the time has stopped, which is the same as "little forest". The dialogue between man and nature is expressed through the lens language, which is so delicate and arouses the audience's resonance.

Neither of the two films has a thrilling plot, but creates the unique charm of the film. The director explains daily life in a simple way with exquisite and perceptual lens language, making people realize that life is indispensable for spring, summer, autumn and winter. Simple and plain is the most true.

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