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Lu Shih-Ping: A Key to Open the Secrets of Thunderstorm

2021-07-07 来源: 51Due教员组 类别: Essay范文

51Due教员组今天给各位留学生带来一篇纯原创代写范文,讲的是《雷雨》这部名剧,希望这篇可以帮助到各位留学生,同时需要代写也可以直接联系我们51Due客服vx(vx:Jenny_dynh)进行咨询。 

Lu Shih-Ping: A Key to Open the Secrets of Thunderstorm

Thunderstorm is a famous drama written by Cao Yu. As his masterpiece, it has a niche in the history of contemporary Chinese literature which based on the thirty-years-long personal grudges between the Chou family and the Lu family.

The drama portrays eight vivid characters such as the hypocritical parents and the pure youth.The climax is that the secrets of the family and life experience are thoroughly exposed in the thunderstorm night. The guilty person goes to destruction with the innocent. Thunderstorm is the cornerstone of Chinese realistic drama.

As for the central figure of the drama, it is necessary to introduce every figure briefly.

Chou Pu-Yuan, aged 55, is a man of bossy selfishness and cruel hypocrisy. In the family life, he acts like an authoritarian tyrant who is responsible for all the tragedies.

Chou Fan-Yi, aged 35, is depressive, passionate and extremely sharp. Because of having an affair with her stepson, when Chou Ping decides to get rid of her, she is hysterical and crazy to save her love by says “Take me with you away from this place!”(Act Four, P153)

Chou Ping, aged 28, is a humble coward in low spirits. In the face of his father’s tyranny, he was obedient. He is afraid of taking his own responsibility. When he knows that Ssu-feng is his half sister, he has broken down and ends his life with a gun.

Chou Chung, aged 17, is a pure boy full of romantic ideas. In order to make Ssu-Feng happy, he willingly lets her go.

Lu Kuei, aged 48, is a vulgar man who curries favour with the powerful and seeks nothing but profit. He looks on his daughter as his source of income.There is only money in his eyes by using his own words, “Money’s the only real thing.”(Act Three, P 119)

Lu Ta-Hai, aged 27, is a straightforward, clear-headed, and courageous miner. He is the representative of a new generation of workers and dares to resist all inequalities.

LU Ssu-Feng, aged 18, is a maid at the Chous’. Full of enthusiasm for the future, she is a person with youth and vitality. However, a series of blows make her life withered.

The last figure is Lu Shih-Ping who can be regraded as the central figure of the drama. Therefore it is necessary to introduce her in detail. Aged 47, she is employed as a servant in a school.Thirty years ago, Chou Pu-Yuan cruelly deserted her and forced her to commit suicide with her newly-born son. Fortunately she has been rescued and married twice. Her life seems to be cursed by fate because her daughter Ssu-Feng falls in love with her own half brother. She has the dignity of tearing up Chou Pu-Yuan’s cheque (Act Two, P93). But at the same time she has the helplessness not to identify her son. After suffering from the death of her children, she finally becomes crazy.

Compared with other figures, Lu Shih-Ping is an ordinary middle-aged woman apparently. As a parent, she does not treat her children with cold heart and tough attitude; as a poor person, she is not interested only in material gains; as a woman, she does not grasp love like a crazy people; as a person depressed by unfair worldly rules, she does not have the courage to fight all inequalities, just like she says “Tears? I’ve cried my eyes dry long ago. No, I’ve got no grievance.”(Act Two, P89) In a word, she is only a loving mother with dignity and integrity and kindness.

But she has an important role that other figures cannot attain. This role can be proved as follows:

Firstly, Lu Shih-Ping is the only bond between the Chou family and the Lu family. Without her, the two families do not have so many grudges. Although she is not the creator of the tragedies, all the complicated relations among the figures originate from her. In a word, she is only the victim of the merciful fate.

Secondly, she is a key to open the secrets unwillingly just like she says “Fate! Unjust fate brought me here!”(Act Two, P89) In fact, the contradictions in this family are activated by Lu Shih-Ping’s visit to the Chou family. As a key which opens the truths layer by layer, she is always in a passive state because she is unconscious and unwilling to see all truths revealed. Only she knows that they are half brother and half sister, but in order to protect her daughter she abandons all ethical obstacles and wants to stop the tragedies from happening.  Unexpectedly, with the emergence of Chou Pu-Yuan, the irreparable tragedies have finally arrived in spite of Lu Shih-Ping’s all efforts. Lu Shih-Ping is the most tragic figure in the drama. Because she is the closest figure to the “thunderstorm” that represents fate, she is the first to know the truths about all tragedies. She cannot overcome her destiny. As a failed hero, her character has shown an astonishing and fearless power. With great love, she breaks through all the limitations of humanity. Without Lu Shih-Ping’s appearance, all the tragedies may not happen which means the symbolic thunderstorm has not the chance to come into being.

To put it in a nutshell, Lu Shih-Ping is the central figure. Every time when she makes a decision, a desperate spirit dominates her. In the last act, she agrees that her son and daughter are going to elope by saying “all this trouble was caused by me in the first place.”(Act Four, P171) From the perspective of the layout, she is the key to all the secrets and opens the tragic box which vents the repressed resentment and defames the dark side of Chinese families and society. In this sense, it is not exaggerating to say that Thunderstorm is a milestone in the modern Chinese drama.


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