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The ceramic jewelry

2019-09-21 来源: 51Due教员组 类别: Paper范文

下面为大家整理一篇优秀的paper代写范文- The ceramic jewelry,供大家参考学习,这篇论文讨论了陶瓷首饰。陶瓷首饰起源于法国,是由名为贝尔纳多的著名陶艺工艺师进行创意设计的,国外的陶瓷首饰拥有强烈的国家品牌特点,德国陶瓷首饰设计最大特色就是拥有强烈的现代设计感,浓重的工业设计气息。意大利的陶瓷首飾比较注重材料方面的设计表现,以品牌宝格丽为代表的经典黑白色戒指,很受消费者欢迎。亚洲国家主要追求的产品造型及设计文化,韩国的陶瓷首饰关注款式的时尚性,陶瓷色彩的设计表达。日本的陶瓷首饰设计细腻淳朴,与日本关注设计细节的传统密不可分。

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With the development of creative economy, ceramics, as a creative symbol, have been applied in more and more fields. It is no longer limited to catering utensils, cultural gifts, family decoration, collection and appreciation, and can be used as a part of body decoration, namely ceramic jewelry. Its symbolic value and cultural value can be further manifested.

Ceramic jewelry originated in France, is by the name of bernardo famous ceramic craft for creative design, foreign ceramic jewelry has a strong national brand characteristics, German ceramic jewelry design is the biggest feature of a strong sense of modern design, strong industrial design atmosphere. Italian ceramic jewelry pays more attention to the design expression of material respect, the classical black and white ring that is represented with brand bulgari, get consumer welcome very much. Asian countries mainly pursue product modeling and design culture, Korean ceramic jewelry focus on fashion style, ceramic color design expression. The exquisite and simple design of Japanese ceramic jewelry is inseparable from the Japanese tradition of paying attention to design details. Is ceramic power in our country, the meaning of English in a foreign country in China is the porcelain, Chinese porcelain, disks, etc are some famous reputation in the world, but the development of ceramic jewelry has a lot of problems: first, the ceramic jewelry in China started late, at present did not form scale and the development of the brand, the fewer engaged in ceramic jewelry designer; Secondly, China's ceramic jewelry design focuses on glaze design, which is only surface color design, and does not apply China's excellent traditional culture and ceramic culture to ceramic jewelry design. Finally, our people's consumption concept of ceramic jewelry has not been formed, do not understand the design culture of ceramic jewelry, pay attention to the value of gold and other precious metal materials preservation consumption. These are the problems in the development of China's ceramic jewelry. It can be seen that each country has its own ceramic design style and development plan, and each has its own characteristics, which lays an opportunity and challenge for the world exchange and development of ceramic jewelry.

The innovative development of drawing technology is to draw exquisite patterns on the ceramic accessories of jewelry. For example, traditional designs can be drawn or modern designs can be added to make ceramic jewelry more artistic. On the porcelain plate or porcelain beads to draw a good design, can also use modern design illustration, stick figure painting, graphic design, traditional Chinese painting and other forms of expression to express abstract, realistic, exaggerated deformation and other various art forms. Decoration is also very important for ceramic jewelry design. When people get jewelry, what they see first is the overall design of jewelry and the collocation of colors. However, the design of a new ceramic jewelry, to the overall decorative modeling and appearance texture repeated comparative study, through the use of a variety of colors and modeling collocation to achieve the desired effect.

Ceramic jewelry height and the pursuit of new design to meet the aesthetic demand of consumers nowadays, all need to continuously make improvement on the design, to design a comprehensive consideration, in the process of the product, the development strategy of development cannot leave the detailed in xi "four confidence" put forward by the general secretary, create cultural confidence, we need to make our country produced by the "made in China" into "creation", better realize the goal of "going out" strategy. This needs us to be in when doing specific design, want to establish "brand" strategic consciousness, such ability is beneficial to the better development of ceramic jewelry. Branding strategy is of great significance for establishing the development route of high-end positioning of ceramic jewelry, which requires designers to constantly accumulate more brand cultural knowledge, build the core direction, establish the design theme, form the design style, and develop the design according to China's cultural characteristics.

In the modern popular ceramic jewelry, the use of traditional Chinese elements or very popular. Traditional elements generally refer to all kinds of graphics appearing in the traditional Chinese culture, with distinct regional and national characteristics, such as dragon and phoenix patterns, auspicious clouds patterns, sea water patterns, etc. The application of these elements is not only ancient and elegant, but also has the cultural connotation of the Chinese nation. So in ornaments, the use of auspicious cloud pattern is more extensive. The pattern of auspicious clouds originated from the moire pattern in ancient China, which is a symbol of elevation and wishful thinking. Since ancient times, moire pattern has been deeply loved by people, and has been used in clothing, utensils and buildings. Because ceramic ornaments are generally small in size, so in order to be beautiful, the current handmade producers will combine the shape, color and composition of ceramic ornaments themselves needs, to improve the auspicious cloud decoration, inheritance, reference, development, rather than simply to copy or copy the traditional pattern. Whether hand-painted blue and white auspicious cloud pattern, or hand-carved auspicious cloud shape, in today's ceramic jewelry market is very classic. And the use of Chinese ink painting such as freehand flowers and birds, freehand landscape, freehand figures; For example, the use of plant flowers, such as lotus, peony, plum, chrysanthemum, bamboo, etc. There are Chinese opera elements, the use of Chinese knot and other elements. As long as it has Chinese traditional characteristics, representing the cultural connotation of the Chinese nation, designers will be respected and used.

Ceramic materials themselves have a lot of advantages. When designing and processing jewelry materials, it is necessary to carefully consider the material properties, make good use of the material properties, and combine them with the processing technology of ceramic materials. Ceramic processing technology includes: pile mud, billet, impression die, repair billet, water, painting billet, glaze, kiln, porcelain, repair and so on. Through engraving, hollowing out, embossing and other techniques on the embryo body, and also by means of clay grain technique, direct color collocation can be carried out through the mud, all of which are innovative designs through the processing technology. Ceramic jewelry mainly ceramics and ceramics is the art of mud and fire, the earth has the character such as shrinkage, weight, flexibility as well as the color after a China boast skillful, strength, abound change of texture and it any different characteristics of the material ", especially the enamel liquid, flexibility and its molding with high controllability, strong exploratory and experimental features, etc, on the one hand, the characteristics of ceramic materials has brought jewelry molding bound with difficulty, on the other hand ceramic material rheological property also brings ceramic jewelry forming a natural creativity, impact, and imagination, Or show rough, atmospheric, natural, earthy idiosyncratic, or show pure, lukewarm embellish, exquisite, clever, brought brand-new visual effect and simple sense to people.

Post-modern design elements are developed on the basis of traditional elements and are a disguised inheritance of rational rebellion against traditional elements. Most of the traditional elements are serious and inflexible, which will make people feel boring and bored. For the visual effect that pursues appeal, individual character, human feeling to wait unconventional and unorthodox, people also can combine a few different material to pledge, act the role of photograph of act the role of with pottery and porcelain undertakes adornment. For example hand chain of a string of beads, people can be united in wedlock wood bead, gem, metal products to wait with ceramic photograph union, make act the role of article is more diversiform on material qualitative combination, those who avoided pottery and porcelain is qualitative is onefold. Also have the collocation that combines with minority subject matter photograph, be like with pure manual miao embroidery, miao Yin, with Tibetan style deserve to act the role of such as day bead, bodhi child, sun month implement or all sorts of concise string is acted the role of wait for photograph to combine, these fittings color are gorgeous, have individual character beauty very with contemporary dress collocation and reveal ethical culture.

As the development of the society, all sorts of tide also renovate ceaselessly, the aesthetic appreciation that subsequently consumer also produces change ceaselessly, contemporary pottery and porcelain first adorn article also is able to develop quickly below intense competition, become the cosset of contemporary popularity. Modern ceramic jewelry patterns are mainly handmade, exquisite workmanship, unique personality, integrated with popular, fashionable, creative, traditional handmade, original culture and other characteristics, so that the wearing population is more young, diverse, fashionable and international. Therefore, modern ceramic jewelry is not only jewelry, but also a piece of craftsmanship arts and crafts, each piece of ceramic jewelry is a unique handmade art. With the development of the market, the development situation of modern ceramic jewelry pattern design is also unstoppable. The popular innovation of jewelry pattern is the inevitable product of the development of the new era to a certain stage. I believe that the development prospect of ceramic jewelry in the future will be better and better.

In a word, with the continuous spread and development of ceramic jewelry nowadays, designers of ceramic jewelry are also constantly pushing through the old and bringing forth the new, constantly seeking a balance between tradition and future, and embracing both classicism and modernity. Believe in not get in the future, ceramic act the role ofing will obtain bigger development space, more and more develop toward the direction of nationalization.

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