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Baroque piano music

2019-08-23 来源: 51Due教员组 类别: Paper范文

下面为大家整理一篇优秀的paper代写范文- Baroque piano music,供大家参考学习,这篇论文讨论了巴洛克时期的钢琴音乐。巴洛克时期的钢琴音乐是承接文艺复兴音乐的重要流派,也是在社会急剧变化的情况下,欧洲音乐不断进行创新与发展的主要表现,其确立了现代钢琴艺术创作的表达方式。在演奏巴洛克时期的钢琴音乐时,演奏者既要准确把握巴洛克钢琴曲的宫廷、宗教属性,又要对弹奏的触键、音色与声部以及弹奏的速度、力度与装饰音等有很深的了解,才能做到钢琴曲低声部坚实浑厚、高声部干净透亮的艺术效果。

Baroque piano music,巴洛克时期的钢琴音乐,essay代写,paper代写,作业代写

Baroque piano, music, is usually composed mainly of classical palace themes, similar to keyboard instruments such as organ in timbre and tone expression.

In the baroque period, music mainly used a barnyard piano to play music about the theme of church, court or city citizens. Compared the piano works of Renaissance, the baroque piano music melody richer jumping, phrase length, play speed is differ, staccato and legato alternates, plus appoggiatura, tremolo, Boeing, echo, such as grace note, make a baroque piano luxuriant, solemn and clever features, fully show the baroque period the breath of life in urban areas.

In the 17th century, the bourbon dynasty of France continued to colonize, plunder and expand its territory. Influenced by the idea of imperial power, music and other art fields created a series of baroque music to show the life of the court. Among them, baroque piano music takes palace life, religion and historical legends as the main themes, and creates the tonal system of 24 major minor tones, and applies rich chords, harmonies or grace notes to the creation of baroque piano music. Through the integration of mode, tonality, harmony and multi-part music space, baroque piano music presents the characteristics of complex structure and magnificent music.

The magnificent performance of the piano music in the baroque period was mainly attributed to the rapid development of European science and art, and the Renaissance brought the emancipation of artists' thoughts and creations. In the creation of piano music, Bach, Handel and rameh also began to use a large number of 12-equal rhythm and polyphony techniques. They not only paid attention to the performance of multi-line and multi-layer music of each piano touch tone, but also paid more attention to the singing characteristics of harmonic polyphony. Usually, when baroque piano music is played, legato is used in the step and staccato is used in the tone above the third degree. The performer can control the soft and slow speed of the keys under his fingers, and strengthen the strong and weak contrast between different sections, so as to make the changes of music volume and tone more gorgeous. In addition, baroque piano music also adds complex grace notes, absorbs music styles and playing forms from different parts of Europe, and carries out a variety of weird music elements, so as to form a rich philosophical, logical, gorgeous yet rigorous performance of music.

The most important feature of the baroque piano music lies in its frequent use of grace notes and the ordering of different notes by tonality instead of mode. Firstly, the extensive use of grace notes in piano music greatly increases the three-dimensional and hierarchical sense of music melody, making the expressive force and style of baroque piano music more diversified. Baroque piano music grace notes, including tremolo, Boeing, appoggion, echo, slide and arpeggio, etc. Tremolo refers to the rapid exchange of center notes and adjacent notes during performance. The performer should play these notes evenly. Appogative refers to the grace notes that appear before or after the tonic, including long appogative and short appogative. Boeing, glide and arpeggio are auxiliary notes, and the proper use of grace notes can greatly enrich the expressive force of piano music.

Tonality replaces tonality as another feature of baroque piano music. The creation of music in the early baroque still maintains the creation method of arranging notes around a certain central sound, and selects and presents the music style of piano tunes. However, after the tonal creation of the triads in major and minor, the creation of piano music is more free and varied, and the emotional expression is more abundant and natural.

Fugue, developed from the religious chant in the middle ages, is a polyphonic style with a rigorous structure of parts, which is based on imitation and harmony contrapuntal, and reflects the structural and logical characteristics of piano music. In the creation of piano music, Bach, the baroque composer, often creates fugue in double counterpoint according to a certain theme. Bach not only made the double counterpoint melody go on simultaneously in the fugue creation, but also kept the correlation between the original two-part counterpoint structure after many melodies entered. Through the use of fugue structure to develop the piano creation, and in which the composer's personal feelings are integrated, so as to harmonize and unify the complex and changeable melodies, to form a kind of music auditory effect, which rises up and falls in succession.

Piano sonata is originated from the music form of cantata, which mainly consists of single movement, multi-instrumental movement and so on, appearing in the prelude or middle part of instrumental performance. Piano sonatas in the baroque period are usually divided into church sonatas and indoor sonatas. Sonatas have no fixed order of arrangement and organization in multiple movements, and indoor sonatas can also include music content such as dance music. Therefore, the piano sonata style is serious and free in arrangement. The speed between different movements is arranged as slow, fast, slow and fast. Therefore, baroque piano sonatas are created with music as the theme of court and church, which are more loosely organized in different movements and forms. Piano sonatas are usually played together with instrumental music such as violin and flute, so as to show the magnificent atmosphere of the court.

Concerto in baroque period is a music genre with rich timbre changes formed through the combination of different solo instruments, mainly including grand concerto, band concerto and solo concerto. When composing a piano concerto, a composer usually combines piano instruments and orchestral instruments, such as piano, violin, cello or woodwind instruments, or makes use of keyboard instruments to run through the whole suite, thus enhancing the timbre of gorgeous instruments such as piano and contrasting with ensemble instruments. Different instruments are responsible for the performance of different parts of the concerto, to complete the piano composition of multiple movements.

When studying the performance style of music piano in baroque period, this paper selects tokata and fugue in d minor by Bach, the composer, to carry out the analysis of piano touch, tone color, part, grace note and playing speed. As the greatest composer of the baroque period, Bach has made outstanding contributions in the aspects of twelve-tone equalization, polyphonic music or fugue, which promoted the advent of polyphonic music and represented the highest level of European piano creation in the 16th and 17th centuries. Tokata and fugue in d minor is composed by music with tokata and fugue divertimento as the theme. The whole piano music is divided into tokata, fugue and tokata. The style of the music is free and grand, and the rhythm of the music is arranged in a tight and flexible way, showing Bach's solitary and difficult life.

"Touch the keys" means the priority of contact with the keys. When playing the piano music tokata and fugue in d minor, only by grasping the music style of different sections can the piano timbre and tone be accurately produced. In the process of touching the keys in tokata and fugue in d minor, the player must first touch the keys with his fingers, and the movements should be swift and precise, so as to effectively reduce the useless stay of the fingers in the air. Then the performer needs to lower the arm, and the arm strength should be applied to the fingertips as much as possible, so as to ensure the accuracy of each timbre. In terms of the tone expression of baroque piano music, the performer needs to control the tone of the low voice, middle voice and high voice according to the strength changes of the music score, and the finger touch strength needs to be smooth and powerful.

Finally, after the control of key touch, timbre and other musical content, it is necessary to pay attention to the performance skills such as multi-melody and part polyphony in Bach's tokata and fugue in d minor. When different parts are independent and integrated within a short period of time, the performer should analyze the tonic and music theme of each part. Only by making clear the structure of multi-part polyphony music, can the piano music playing style of adagio, allegro and urgent board be presented.

There are two kinds of grace notes in tokata and fugue in d minor: appoggion and tremolo. By adding grace notes to piano works, the emotional expression of the music can be more vivid and full. In d minor toccata and fugue "in the use of vibrato, Bach usually add vibrato to the emotional movement part, this part of vibrato playing music cannot too uniform, to accurately grasp the priorities of each note, middle passages to flexible fingers playing fast, to enhance the vitality of the whole process of music and clever. In the performance of the appoach in tokata and fugue in d minor, the emphasis should be placed on the tonic, and the key should be quickly slid away, so as to end the playing of the short appoach in a short time. Therefore, the grace notes played by the baroque piano music should be accurate, fast and rich.

In the works of baroque piano music, the composer hardly marks the strength of each note in the score, but there are indeed differences in the speed and strength of different piano works. In d minor toccata and fugue, for example, the music play the strength of the strength between p - f, which is both very weak, also has the strength and the volume is very strong, play the strength of the players want to moderate, by clever arrangement different passages of play speed, strength, to keep every movement of the volume is relatively stable.

Baroque piano music is an important school that inherits the Renaissance music, and it is also the main manifestation of the continuous innovation and development of European music in the context of rapid social changes, which establishes the expression mode of modern piano art creation. Playing Bach, Handel baroque period when the composer of piano music, players should accurately grasp the baroque palace, religious property of piano music and to play, sound and voice and touch the keys play speed, strength and grace note, then can attain the piano solid deep bass, loudly clean bright artistic effect.

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