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Interactive public art

2019-01-16 来源: 51due教员组 类别: Paper范文

下面为大家整理一篇优秀的paper代写范文- Interactive public art,供大家参考学习,这篇论文讨论了互动式公共艺术。公共艺术一词最早源于西方,它特指在公共领域开展的艺术形式,涵括所有视觉艺术、设计艺术和表演艺术的范畴,并强调其中的空间属性。互动式公共艺术,这种直接介入社会的艺术形式,与人们的生活产生了互动关系,区别于传统意义上的公共艺术,给人们带来了前所未有的艺术体验,同时也引起媒体自发的争相报导。这种对于新生事物的关注在无形之中形成了有利于人际传播的良性循环。

Interactive public art,互动式公共艺术,essay代写,paper代写,作业代写

The term "public art" originated from the west. In its early days, it referred to sculpture, murals and other art types. With the changes of The Times, its meaning has been expanded and evolved into a concept that has not been accurately defined in the context of contemporary art. It refers to the art form developed in the public domain, including all visual art, design art and performance art categories, and emphasizes the spatial attributes. It is a way of thinking that enables the art existing in public space to have relations with the public in the contemporary cultural sense. It is also a spirit and attitude that reflects the democracy, openness, communication and sharing of public space.

"The real fictional cinema" is the brainchild of the Basel, Switzerland, curator Klaus schweitzer. Leitman and the Dutch conceptual artist jeb? A public art project co-created by krivi and designed by LOST architects in Switzerland. The entire art installation is a container with interior decoration similar to ordinary cinema. The screen is an open view-finding window. The scene is equipped with music selected by the artist. On the other side of the screen, the urban landscape, passing pedestrians and vehicles, and the communication inside and outside the cinema, are all part of this work. The project has been exhibited in Zurich, Bonn, Basel, tignor, ricarno film festival and the Swiss Alps since 2011. After nearly a year of preparation, the "real fictional movie theater -- lingnan image" hosted by lingnan art museum on March 18, 2015 was exhibited for three months in dongcheng, dongcheng and nancheng, respectively, in places with dense daily flows of people, attracting 20? F. The audience will come to watch the exhibition and it will be selected as the excellent exhibition project of national art museum in 2015 by the ministry of culture. Subsequently, it was exhibited in Shanghai in September 2016 under the auspices of the Shanghai museum of contemporary art.

Lingnan art gallery as a city directly under the nonprofit cultural institutions, to a more flexible than traditional art project operation way of bringing this new art form dongguan landing, is based on project feasibility, all kinds of possible problems in the process of implementation, the project implementation after the effect of the comprehensive evaluation, with strict working attitude and method to implement performance, the concrete can be summarized as the following three points:

In 2015, opinions on accelerating the construction of a modern public cultural service system pointed out that the construction of public cultural services should adhere to the basic principle of government-led, and encourage and guide the participation of social forces. Implementation of the project displayed in the urban public space, the administrative sense related to culture, different departments such as public security, urban management, the jurisdiction of lingnan art gallery as a government led to participate in public welfare of public cultural services unit, through the way of power purchase of public services to the society, the preliminary selection in line with the mainstream values of planning project, the comprehensive consideration of dongguan city culture, the structure of the audience, tolerance and other factors, the background of the special insert elements of lingnan music and Chinese films in their familiar music, modifying a display. With resource replacement of government finance project, one of the major exhibition of budget kick-started the nearly 7 times the capital investment of enterprise, on the one hand is to share the government's fiscal financial pressure to the temporary large public cultural project, on the other hand, bound for corporate advertising, derivative product development, promote the development of peripheral industries.

"Real fiction cinema" in formally adopted crossover technique, new media design and build the entire unit build an isolated from inside and outside space for viewing, but through the empty screen, viewers are tightly linked together with the daily life, every passing pedestrians in front of the screen inadvertently became part of the work. As a project introduced from abroad, the expression of values conforms to the mainstream ideology advocated by the state. What the organizer values is the meeting point between the poetic and objective expression of life embodied in the installation and the inclusive urban spirit of dongguan. This art form directly involved in the society has an interactive relationship with the life of citizens, which is different from the public art in the traditional sense. It brings unprecedented artistic experience to the citizens, and at the same time, it also causes spontaneous reports by the media. This kind of attention to new things has formed a virtuous circle conducive to interpersonal communication.

Public art itself is open and compatible. In the form of expression, public art is often reflected as a process of social events and public activities. In the face of this new art form, in order to avoid possible misalignment in public understanding and spread positive social effects, the first step is to adopt the positive guidance method, edit and print the publicity leaflet in advance and send it to the audience on site, so as to help the public to understand the connotation of this art installation. Secondly, hold mass activities with different themes on a regular basis, such as photography contest, student experience writing contest, live interview lottery, etc., to meet the differentiated needs of the audience with diversified extension activities; Thirdly, put an end to the emergence of negative phenomena, stop uncivilized behaviors in time, and formulate a series of emergency plans to deal with sudden security incidents and public opinion guidance. Through the above three measures, it is ensured to create an elegant artistic atmosphere during the exhibition, highlight the value of public art in realizing the equalization of public cultural services, and feed back the aesthetic consciousness of the public, so as to form a circular supply and demand relationship between public art and citizens.

The public art discussed here is different from the traditional form of landscape and permanent display. Based on the new characteristics of public art, factors such as government, economy, talent, technology, public demand and tolerance should be considered in the implementation process. Through practice, the author also found the obstacles to the promotion of interactive public art under the current social system:

At present, the development of interactive public art is still in the initial stage in China. Both the government departments and the public generally have a low understanding of it, so it is inevitable that there will be some concerns and resistance in the process of promoting it. Work conception, design and production process, not only involving multiple artistic media, also need in the field of history, anthropology, sociology, psychology and other theoretical penetration, often does not only depend on a single category, an artist can do, but need to be composed of experts in the field of each team or arouse extensive social resources to complete. In addition, the production cost of the works is high, so is the display cost. It is difficult to collect and preserve the works. It may be a drop in the ocean to rely solely on the financial expenditure of the government. ? B it can be seen from the above reasons that the promotion of the sustainable development of public art needs the dynamic mechanism of society, including the experienced authoritative leading institutions, basic financial guarantee and predetermined goals. Following the practice of Tate modern and serpentine gallery in the United Kingdom, different artists are invited to hold temporary public art projects on a regular basis every year to subtly draw public attention to this new art form. In terms of the current domestic situation, public art should be included in the overall planning of the construction of the government's public cultural service system, to effectively ensure the supply of public resources, encourage the public to get involved, and at the same time make it a positive factor to create a harmonious social and cultural atmosphere, urban cultural construction and sustainable development.

Earlier, the media reported on a lawsuit over copyright in public art: a Swedish website created a cartographic database of text and images of many public art works in Sweden, sparking a debate about whether the dissemination of images of public art violates copyright laws. In fact, similar copyright problems also happen to appear in other kinds of art exhibition or collection process. Due to the wide range of public art and the diversity of its forms, the problem has become more complicated, which is mainly reflected in the current copyright law of China, which has a narrow standard for the concept of artistic works and is limited to concrete objects.

Copyright law has always been a controversial issue in the public sphere, and some seemingly taken for granted phenomena may become a time bomb. On the one hand, relevant laws and regulations need to be updated and improved; On the other hand, relying on the consciousness of participants, respecting the fruits of the original author's labor, and by means of publicity, guidance, restraint and supervision, the interests of all parties shall be well coordinated and effective protection shall be provided.

As a local public cultural service institution, we tried to introduce this public art project by applying the general project model, or crossing the river by feeling the stones and forming ideas while doing it. The lack of social evaluation mechanism not only exists in the field of public art, but also in the construction of other public cultural services. Liu wenpei from Shanghai university discussed relevant issues in detail in his research on the operation mechanism of public art: the management and evaluation mechanism mainly comes from the guidance of three different groups: the management side, the operation side and the beneficiary side.

The three are not only permeating and promoting relations, but also mutually restricting. The performance evaluation system in the current cultural system focuses on the output of administrative management, while the public art should emphasize the feedback from the gainer to the manager and the operator. Social evaluation, as an important part of public art, plays a decisive role in the direction of public art in order to obtain objective and real basis on such issues as how to identify the art that meets the needs of the city image and the public, how to evaluate the effectiveness, and how to achieve an organic balance between "public" and "art". By studying and analyzing the expectations, reactions and opinions of each audience group on public art, the public participation can be further strengthened and the public art's influence on cities and citizens can be effectively improved.

In fact, all the issues of public art promotion are ultimately the power and right issues in the construction of public culture. The answers to these questions should not be theoretical, but practical. As a rare precedent in China, "real and fictional movie theaters" were successfully held in dongguan and Shanghai, bringing new inspiration to the development of grassroots cultural services. We should constantly summarize the experience, improve the thinking, explore superior practice, and promote the construction of public cultural service system.

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