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English romantic literature

2018-10-12 来源: 51due教员组 类别: Paper范文

下面为大家整理一篇优秀的paper代写范文- English romantic literature,供大家参考学习,这篇论文讨论了英国浪漫主义文学。英国的浪漫主义文学开始于18世纪中后期,是由18世纪末和19世纪初欧洲的社会政治状况决定的。同时18世纪英国的伤感主义文学、哥特式小说以及德国狂飙突进文学,都推崇主观情感,为浪漫主义文学的出现提供了条件。英国的浪漫主义文学与其他国家相比,有其无可比拟的光彩和风韵,以独特性、多样性和活力性为特征的英国浪漫主义文学对于世界浪漫主义文学的发展有着重要的作用。

English romantic literature,英国浪漫主义文学,essay代写,paper代写,作业代写

Romanticism came from the word Romance in medieval French, from which the word Romance was transliterated. The purpose of romanticism is opposite to "theory", and the main feature focuses on the expression of personal feelings. The form is less restrained and free and unrestrained. As a creation method and style, romanticism emphasizes subjectivity and subjectivity in the form of expression, emphasizes the expression of the ideal world, and puts emotion and imagination at the top of creation. Passionate language, imagination beyond reality and exaggeration are often used to shape the ideal image. Romanticism literature developed on the basis of romanticism has its unique artistic style, and is a shining pearl in the long history of literature.

The most sophisticated, normative, and successful romanticism was in Britain. Compared with other countries, the British romanticism literature has its incomparable splendor and charm. The British romanticism literature featuring uniqueness, diversity and vitality has contributed a lot to the development and progress of the world romantics literature. Modern writers, historians and scholars are keen on the study and exploration of English romantic literature, and have made quite perfect understanding of its development, origin and characteristics.

English romantic literature began in the middle and late 18th century and was determined by the social and political situation in Europe in the late 18th and early 19th centuries. At the same time, the sentimental literature of 18th-century England, gothic fiction and the rush literature of Germany all advocate subjective emotion, providing the conditions for the emergence of romantic literature. The "idealism philosophy" of Kant's philosophy and the "solipsism" of fayhid praised the subjective role of human beings and laid the philosophical foundation for the subjective color and individualism of romantic literature. British romanticism literature in the development of the two highs. Is the first time in 1805 years or so, this period is the lake poets creation peak, is the most important representatives of Wordsworth, ? William Wordsworth is the famous 19th century romantic poet, his position in the history of British literature after Shakespeare and Milton, of all the romantic poet, his poetry of philosophical meditation is the most dense color. He famously defined the poem in the preface he wrote when it was republished in 1802: "good poetry is the natural overflow of strong feelings". The second climax began with the poet byron, whose works were popular in Europe between 1815 and 1825, followed by Shelley and Keats. Byron and Shelley and dhi zi is the "lake school" poets after the second generation of romantic poets of Great Britain, but they and the thought of "lake school" is the opposite, though they also advocate lyric, idealism, but their performance is not negative decadent mood but positive forward, against violent revolution. Their ideal is not to return to nature, to return to the middle ages, but to create a new world in which all people are equal and free from tyranny. After 1848, the romanticism literary movement basically ended, but the romanticism ideological trend did not disappear, continues to develop to today. British romanticism has a long history. It is like a brook with a constant stream. It lasted for 150 years. The major contributions to English romantic literature are Wordsworth, Coleridge, Southey, which is opposed to the active romantics represented by byron, Shelley and Keats.

The British have been known all over the world for adhering to traditions, being reserved and profound, persevering, unsociable and even stubborn. However, in the nature of the British people, there is also a "sentimental nature", which has a special perception of art and nature. They seem to have developed a habit of solitude, a love of the country and a love of nature. Therefore, the western romanticism takes nature as the background, pays attention to the imagination, pays attention to the exaggeration transformation, the scene blends the way and the style also naturally becomes their main reference object. As a literary trend with a special historical background and a special philosophical basis, western romantic literature emphasizes subjective spirit, individualism and critical consciousness.

The writer focuses on the subjective world of performance, does not like to describe the real life truthfully, USES the objective reality or the practice to fetter his thought, raises the emotion and the imagination first.

In terms of art form and expression method, it adopts a genre with strong emotions, applies exaggeration, pursues a strong contrast of beauty and ugliness, and is full of abnormal plots, mysterious colors and exotic exotic emotions.

In artistic creation, the harmony between human and nature is reflected incisively and vividly. From Rousseau's slogan of "returning to nature", we can truly feel the unity between human and nature. Place his mind in the pure and quiet nature, and set off the ugliness of the real society and the beauty of his own understanding.

The reason why English romantic literature has these characteristics occupies such an important position is partly because of the environment of its production and development and partly because of its own performance. From the perspective of the environment, Britain was the first country to experience the first industrial revolution at that time, the largest colonial empire in the world. At home, its government dealt with the mass movement with severe punishment, while the people's struggle was increasingly intensified, finally leading to the subsequent chartist movement and parliamentary reform. Romantic writers, from Blake to Keats, are keenly aware of such an environment, taking on an unprecedented edge in poetry. From its own performance analysis, the British romantic literary works are large in number, and two generations of important representatives of writers have a number of immortal works, in the subject matter and poetic art breakthrough predecessors, breaking through national boundaries, become the European and the world's literary and ideological influence.

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