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北美作业代写:The choice of characters for the "chivalrous rice"

2018-08-01 来源: 51due教员组 类别: Paper范文

下面为大家整理一篇优秀的paper代写范文- The choice of characters for the "chivalrous rice",供大家参考学习,这篇论文讨论了《侠饭》的选角。《侠饭》是日本一档深夜美食剧,在人物塑造和叙事上都很注重分寸。《侠饭》主要人物的选择具有一般性和特殊性,找工作四处碰壁的废柴大学生良太具有一般性,属于观众容易自我带入的角色。但是,黑道大哥柳刃龙一的角色定位又凸显出人物角色设定的特殊性,这种特殊性可以使观众产生神秘感,为影视剧增加看点。

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In the late night food drama of Tokyo TV station, there is always a kind of warm existence. In addition to winning the narration, "xia fan" captures the audience in the display of food and the revelation of life philosophy. Based on the study of food movies and TV dramas, this paper studies the story from the perspectives of narrative mode, narrative environment, character building, narrative plots and spiritual output, and tries to explore the narrative characteristics and success of Japanese food dramas.

Based on the novel of the same name by author fuze tsan, "xia fan" is also directed by masakaki hero and yamaguchi, and starred in the late night food drama starring sheng sease, haben shisheng, liyang ueda and isao takahata. The play tells the story of big brother of the soprano, liu xianlong, who is involved in the gang's struggle, borrows his house in the home of an ordinary college student, liangtai, and moves liangtai with the delicious food of kuai-dao-ren, so that he can regain his confidence in life.

The late night food drama, like the late night dining hall, is a combination of "uncle + food", and some viewers even think that it is a prequel to the late night dining hall. In the late night canteen, the mysterious owner not only presents a variety of delicious food to the audience, but also gives the audience a warm and warm story with the help of delicious food. "Chivalry rice" is to use food to convey a positive attitude and spirit of life.

In "chivalrous man's meal", liu feng-long awakens the confidence of college students with the help of delicious food and spiritual chicken soup after each meal, which is a typical causal narrative mode. At the beginning of the film, liu shilong, the eldest brother of soprano, showed that he did not know when he would die under the knife due to his uncertain career, so he was full of awe for every meal, and every detail of every meal was very careful and serious. "I am eating" must be read before meals to show respect for food and to eat slowly, no matter how hungry. From the ritual sense of dining and respect for food, it is hard not to help but remind people of the "god of sushi" of Mr. Ono. In the face of a chaotic and messy life, liu's "eating rule" is not the elder's harsh judgment on the younger generation, but an attitude towards life.

The narration of this play is based on the story time of life, which has the synchronism and continuity of real time. This kind of time especially exists in some TV dramas closely related to real life, such as historical dramas, family ethics dramas, spy dramas, family dramas and rural dramas. [1] such a narrative approach gives the audience a strong sense of substitution.

The main shooting scene of "xia fan" is at the home of college student liangtai. The first time liu entered liangtai's home, he found himself in a cramped single apartment with everything in a mess. Overnight, it was not only the addition of an "underworld" to the family, but also the improvement of the living environment, the improvement of food appreciation and the change of life attitude. The room was separated from the kitchen by a sliding door that helped liu evade police searches. Simple separation can make the cooking environment relatively independent, and the space to taste the food is separated. In order to store more fresh food materials, liu changed the small refrigerator of liangtai home. In order to prepare every meal, the kitchen utensils and tableware of liangtai house were changed. The original cramped and messy single apartment is transformed into a cozy, cozy, cozy kitchen that is more suitable for cooking. Not only did liu take great care in making food, but he was also full of Japanese simple beauty in setting the table. He could feel the respect for food.

Food in this play is not an important clue to promote the development of the plot, but the soul of the whole play highlights the character characteristics of the characters from the perspective of food cooking and taste, which greatly shapes the character image. Kitchen messy too, and the definition of food just stay on this level to sustain life, he is a general learning, ability general, graduating and nationhood slovenly students in the job interview, his lack of flexible ability, don't understand refused to others, is part of social life at the moment students groups. All day long, he risked his life at any time, but he had an extraordinary respect for food.

Fuchai's disheveled student, liangtai, is characterized mainly by random body movements, exaggerated facial expressions and decadent mental states, while his clutter highlights the characters' character characteristics from another side. It also provides a basis for the sentimentalization of the dragon blade. As fuchai's scruffy college student, hashimoto is particularly ugly, and his twisted facial expressions when he tastes delicious food can have unexpected effects.

The image of big brother liufanglong, who focuses on food, is mainly expressed through action depiction, language expression and costume modeling. Liu has always been dressed in a black suit and cooking at home in a shirt, with meticulous hair, in sharp contrast to the good lady. From the shape of the design and respect for food, it shows that liu fanglong cherishes and loves life.

The main story line of this play is very simple. It tells the story of big brother of soprano, liu xianlong, who rescues a college student, liangtai, who strays into the scene of a gang war, and temporarily lives in his home, to influence him with delicious home-cooked food, so that he can regain his hope of life. At the same time, liu's real identity was revealed at the end of the film. He was an undercover agent who was hiding in the liangtai home to eliminate the gangland community. The show's main line is so clear that each episode sets the stage for a final identity. But in the eyes of more audiences, it is only essential to make clear the event. As a food play, more importantly, food. The classic line of the show is "start cooking! Next comes the gastronomic process. Although each episode lasts only 30 minutes, it does not affect the development of the story or the presentation of the food.

A reasonable combination of ingredients and careful cooking can produce delicious food. This play USES the common food materials and cooking methods in life, not too many difficult cooking skills. Finally, simple and innovative food is made to make the audience feel the urge to try it after watching.

The show's merits go beyond food. For viewers, there are also lessons to be learned, such as "washing rice with pure water and soaking it well before cooking so that the rice will be softer." "Stir-fried rice should be fresh cooked rice, not overnight cold rice, so that the rice grains are fuller, Fried rice will be more delicious." "Cans of beer need to be poured into the glass to create a lot of foam to make it taste good, and the foam can block the air and prevent the beer from oxidizing." Wait for common sense.

Every episode of the meal has food and life lessons, similar to "remember, kid, even the leftovers, depending on how you do them, can be fresh, and everything has its value." The words that come out of uncle soprano's mouth are not just about "eating", but also about "even leftovers can give you a new lease of life depending on what you do". Despite the rejection of interviews, Ms. Liu's words gave her new hope. "In our business, I don't know when I'm going to die, so I just don't want to eat three meals a day." "What is right and what is not right and who gives up without trying will not have a perfect life." "No matter who you are, there is no need to envy others' tastes more than your own food." Liu xianlong explained a lot of life philosophy in cooking delicious food and tasting delicious food. With the help of food, it can directly improve the rationalization of film and television drama narrative.

As a late-night food drama, "xia fan" pays great attention to discretion in character creation and narration. The choice of main characters is general and special, and it belongs to the role that audiences can easily introduce themselves into. However, the character positioning of big brother liu xianlong also highlights the particularity of character setting, which can make the audience feel mysterious and add more points of interest to the film and television drama.

In the narration, the main story is complete and clear, and the additional food production and spiritual output are the highlights of the play. The philosophy of life is exported with food as the carrier, which greatly improves the acceptance of the audience.

Also the trump card of Tokyo TV late-night food drama, "lonely gourmet" has a simpler narrative. It does not explain life philosophy to the audience. If the meal is a bland home-cooked meal, the lonely foodie is a simple dessert.


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