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美国作业代写:The protagonist image of "Shakuntala"

2017-11-27 来源: 51due教员组 类别: Paper范文

下面为大家整理一篇优秀的paper代写范文- The protagonist image of "Shakuntala",供大家参考学习,这篇论文讨论了《沙恭达罗》的主人公形象。七幕剧《沙恭达罗》是古代印度最著名的剧作之一,也是世界戏剧史上的优秀作品。沙恭达罗作为迦梨陀娑笔下的经典形象,是一个集外在美与心灵美于一身的美的典范,她是作家理想女性的书写。她勇于追求爱情自由,拒绝包办婚姻,反对封建婚恋观,具有时代意义与民族特色。

Shakuntala,沙恭达罗,essay代写,paper代写,美国作业代写

The seven drama "Shakuntala" is one of the most famous dramas in ancient India, and also the outstanding works in the history of world drama. "Shakuntala" mainly depicts the ancient Indian pure and beautiful, faithful love. This paper investigates the research of the text in detail by scholars at home and abroad, on the basis of which, the author makes a deep inquiry into the drama by means of literature study, text reading and social historical criticism. The author mainly from the Shakuntala natural beauty, the soul beauty, the ideal beauty and the cultural implication four parts carries on the elaboration, attempts to the protagonist image to make the comprehensive, the systematic analysis, explores its body contains the Oriental cultural connotation.

The ancient Indian dramatist and the poet, Shakuntala, wrote a famous poem, "The Book of the Opera". The importance of "Shakuntala" to the Indian people can be summed up in such a sentence: "In all forms of art, drama is the most beautiful; in all dramas, the Shakuntala is the most beautiful." "The poem has written a wise Shenwu, June Lang young king ―― Bean fan, he went out hunting in a trip, met the life in the net repair of the beautiful girl ―― Shakuntala story." Two people hit, fall in love, desperately in without the premise of the witness, with "Gan da Po" The ancient way of marriage voluntarily. But backfired, as the King's Bean fan back to the palace, Shakuntala but because think June eager and inadvertently offended the immortal rose whirling, up Luo whirling rage, so the king set a curse to show punishment. The King therefore lost his memory, and when he faced his beloved Shakuntala again, he could not remember his experience. Pregnant with the Shakuntala, grief and indignation, and grief, and then was taken to the mountains, and later the King by virtue of the original send UShakuntala tokens ―― a ring, finally broke the curse of the Immortals, restored memories, but also for each other misunderstanding regret unceasingly. Finally, the lovers finally become dependents, two people after a ordeal, reunited and get a son. Shakuntala is the protagonist in the poetic drama, which is the carrier of the author's aesthetic ideal and ancient Indian culture, and also the artistic model with Oriental implication.

Shakuntala not only freely grow in the nature, has the fresh refined, the ultimate moving beautiful appearance, but also has the noble heart, her intrinsic quality can complement the external beauty, she is the inner beauty and external beauty model. Like the Esmejarda in the classic romantic novel "Notre Dame de Paris", she is the embodiment of the ideal beauty.

Truth and Beauty is the value orientation of literature and art and the pursuit of people's value. In the writings of the dramatist and the poet, Shakuntala is not only the representative of "true", "Beauty", but also the embodiment of "good". She is a benevolent, charitable and ungrateful woman. To treat the righteous parents full of tenderness and gentleness, no more than their own children; as a sister, she also cared for the flowers and birds in the forest, and she did not forget the vines, the deer and so on, and entrusted to the friends, whether to the person or to the object she had a deeper feeling.

Shakuntala the goodness and sincerity of the soul is more in love. Before meeting with the king's beloved Bean fan, the wonderful nature of ―― pure forest to its beautiful environment to create the beautiful human nature of Shakuntala, the birth of its boundless longing for good love. So, when she met with her beloved, at first sight it became logical that she devoted all her love to the King Bean fan, in love to the pure to the United States, without any impurities, without any utilitarian. Shakuntala treat love sincere and kind, in her poems to the King, performance is most obvious: "Your heart I guess not, but hard-hearted person Ah!" During the night, love is burning my limbs violently, my heart is only you. "Shakuntala so unreservedly and boldly forthright confession, in the past Indian literature is extremely rare, and in the Oriental literature is extremely rare, it shows her love of sincerity."

Shakuntala Treat family, relatives and friends, love, home, small and weak life, is the natural nature of its natural outpouring, she is like Jiaojiao Moon, gentle and pure.

If the "Shakuntala" whole play as a picture, then this picture not only depicts the beautiful scenery, depicting a beautiful image, while expressing the wonderful human feelings, but also in the creation of artistic conception, to achieve the scene, the perfect realm of my harmony. Shiro Hirota, a famous Japanese scholar, once said: "Ancient Indian culture, neither idealistic, nor materialistic, to the spirit of double beauty as the goal of the developed." "Such a generalization accurate precise, the protagonist Shakuntala is such a spirit flesh unification ideal beauty incarnation."

In the treatment of human and natural issues, Indians from ancient times have their original thinking. They believe that the relationship between nature and people is not antagonistic, there is no one who transform who, who dominate, nature is not the object of human conquest or enjoyment, but can be integrated with the human, similar to the Chinese Confucian said "heaven and Man". Nature can be another "ego", Can Do "Van me in One". Therefore, in the unique cultural background of India, as a natural representative of the "net repair forest", it contains all, people or things, in the writer's pen is not only the object of reality, but also the object of description. Shakuntala parting is the most beautiful scene of the whole play, in the play, people can see, such as the Lotus-like sun, such as glorious youth, the lonely bleak moon, such as lovelorn girl, jasmine and mango in a fanatical love, and beautiful Shakuntala how hope to have ivy to embrace her body! Later, when Shakuntala is about to leave the forest, people wish the pine and cypress to cover the sun for her along the way, please gently the wind to cool her delicate face.

The beautiful Shakuntala will leave her affectionate attachment to the net, the companion and her inseparable, Father Gan Po is more grief, even animals and vegetation is full of her boundless feelings, peacocks also hanging wings, ducks also no longer eat, deer also stay motionless, the mouth of grass also forget to chew, still long holding her dress, The leaves also quietly fell down, which was streaming in tears. In the works, everything in the net is full of vigor and vitality, full of spirituality and movement. Animals and birds, flowers and trees as people are generally full of sense of life, with a person's emotional state, there is a person's spiritual expression, people and nature in harmony, people and nature in harmony, and not just as the protagonist in the poetic drama of the foil appeared. The thought mode of "the Oneness of Van and Me" has created the unique human and natural writing in Indian literature, and the "harmonious beauty" is the universal pursuit in Indian literature, which is full of touching and warmth. My relationship is the Indian's goal. Indian literature pays attention to the inner harmony between man and nature, because both of them are the incarnation of "Van", and they are intimate with each other in nature.

One of the important aspects of literature is the understanding and understanding of the "human" itself, so there is no lack of exploration on the "spirit and meat" of the people in Chinese and Western literary works. In the Indian environment, the influence of Indian traditional culture on the mandala is self-evident. Therefore, we can see a phenomenon, that is, the portrayal of love in the sentiment is very Indian "brilliant", which is closely related to the traditional culture of ancient India. The love that is depicted in the mandala is full of sensual temptations, full of loving expression. For example, the poem plays on the protagonist Shakuntala's appearance and physical characteristics of the narrative, the author put the focus on the heroine's sexy part ―― buttocks and breasts, respectively, using the "fat heavy" and "plump" such as such a daydream vocabulary. More in the text in the open field to express: "Round legs of the girl" "slender waist of beauty", the description of these sexy characteristics caused by the King reverie.

The description of these feminine features is very sensual. Love contains seductive desires of the ingredients, there is carnal, but can not be equated with lust, the reason for people is in the higher spiritual level, full of spirituality, to harmonize carnal desires, to achieve the unity of spiritual flesh. This kind of love is worth affirming, such "person" is perfect. In "Shakuntala", the author tries to depict fanatical love, but under the influence of Hindu religion, it is more about divinity and spiritual sublimation. Therefore, when the King Bean fan in the poem plays with the lover Shakuntala the first time the forest meets, although the Bean fan has been deeply attracted, full of fanatical love, but no hasty expression of love, or by virtue of their own power to forcibly occupy each other; but blindly observe, such as gentleman General, slowly approached the heroine, Talk on an equal footing to inquire about the truth, and finally Cailiangmin identity. It can be seen that the author certainly carnal, but more sure of emotion, more emphasis on the combination of spirit and meat, which is the ideal human nature. Protagonist Shakuntala is also a combination of spirit and meat model, she not only has a sexy external, but also has a noble soul. This is evident from her fight against the Bean fan's desertion, and the quest for equal love.

For thousands of years, the academic community generally believe that the story of "Shakuntala" is traditional, the theme is ordinary, but has the eternal artistic charm, the work not only maps the ancient Indian society The Life condition, the religious thought consciousness and the good vision, also causes the reader and the audience to understand the Indian culture in the magnificent literature reading, the appreciation, Feel the beauty of Oriental women, in the perceptual, rational and divine mapping to complete the spiritual transcendence.

As the classic image of the Shakuntala, it is an example of beauty in beauty and soul, and she is the writer of Ideal woman. She has the courage to pursue love freedom, to refuse arranged marriages, to oppose the feudal concept of marriage, with the times and national characteristics. Her father and daughter, in the process of dealing with social ethic and moral emotion, such as brotherhood, husband and wife, and so on, she hardness herself, pursues and maintains harmony, and she is a typical Indian writer in the dimension of human nature, and she is the representative of ancient oriental women who live vivid and full of flesh and blood. "Shakuntala" after thousands of years is still sparkling, it lies in the poet using the brushwork of Romanticism, in a very poetic language, to create Shakuntala this ideal flawless oriental female image, fully expressed the ancient Indian people for the pursuit of ideal love and yearning. "Shakuntala" is a century-old oriental art Palace built in accordance with the laws of the United States, the ideals of beauty and the emotions of beauty, and its aesthetic significance is very unique and cannot be underestimated.

The love story of Shakuntala and Bean fan is not the sad route of walking, but the comedy ending of "The lover ends up as a family", which embodies the aesthetic ideal of the ancient Indian nation to a great extent. As we all know, the Indus, the Ganges River has bred the Indian civilization, the Indian nation along the two major basins gradually produced and developed. The two factors of nature and religion, like two upright pillars, support the building of ancient Indian spiritual civilization. Influenced by these two factors, the Indians ' thoughts are close to the nature and the gods, full of optimism and faith. They are more willing to believe that in the real world everything is perfect, and its aesthetic is increasingly pursuing perfection. Influenced by this thought, the dramatic endings of Indian writers often ended in comedy.

In a word, the Indian playwright always tries hard to avoid the tragic conflict between the irreconcilable characters and the society, and the idea that things must be reconciled in contradiction has become the pursuit of their tireless universality. The poetic drama of "Shakuntala" aptly shows the dramatic structure of "manage, the perfect finish", with the traditional features of India. On the basis of real social life, the playwright of the Shakuntala of the ancient legends of the fantasy, the writer's personal imagination skillfully into it, the overall interpretation of the protagonist's perfect character and noble sentiments. In the poetic drama, the writer achieves the blending of the reality of life and the ideal of art, the intersection of story legends and Real society. The author will "Truth is and together, any one aspect can not constitute the truth of things alone" such an aesthetic ideal, the use of the expression of literary image imperceptibly conveyed. Literature is the art of the Master feeling, whose aim is to guide people to transcend reality and realize the eternal pursuit of beauty and goodness.

To sum up, the "Shakuntala" written by the Mandala is the world's literary classics: on the one hand stems from the aesthetic characteristics of the play itself, and the other side stems from its Indian social background and the Indian cultural nutrients that it absorbs. The Indian epic is the theme source of the seven drama "Shakuntala", and the Indian classical aesthetics theory is the ideological source of the seven drama "Shakuntala". The truth, goodness and beauty of the protagonist in the play constitute the beauty of the "Shakuntala". Shakuntala the external is plump sexy, with the characteristics of Indian women, while implicit introverted, natural gentle and not lack of strong independent, docile and sincere naïve, very oriental feminine charm. In addition, the harmony between nature and people, the unity of spirit and meat, so that the whole poetry drama has a fusion of the United States. In addition to beauty itself, Shakuntala's literary image reflects the author's yearning and Pursuit, reposing the ancient Indian aesthetic ideals.

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