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留学生作业代写:The Mask

2017-10-28 来源: 51due教员组 类别: Paper范文

下面为大家整理一篇优秀的paper代写范文- The Mask,供大家参考学习,这篇论文讨论了电影《变相怪杰》。《变相怪杰》是一部深受世界观众欢迎的充满魔幻色彩的美国喜剧电影。该片运用一个具有神奇魔力的面具作为道具,将懦弱无能的银行职员斯丹利变身为一个无所不能,勇于与恶势力抗争,并且最终拯救了城市和自己心爱的姑娘蒂娜的超级英雄。

The Mask,变相怪杰,essay代写,paper代写,美国作业代写

The Mask is a magical American comedy film that is popular with audiences around the world. The film in a humorous way to actively warn sentient beings can not easily drive evil thoughts, people's identity will not be a mask and completely change, even if the mask will eventually have a reduction of self day. So we can only cultivate morality and enhance ourselves in connotation, so that we can gain the same self-confidence as wearing masks.

The "The Mask", adapted from the comic book of the same name, is an American magic comedy film released in 1994. The film uses a magical magic mask as a prop to turn the cowardly and incompetent bank clerk Stanley into a super hero who fights with the evil forces and finally saves the city and his beloved girl Tina. Male protagonist Carrey with its bold creative, exaggerated, comedy-like performance and a good voice to make the film shine, become the most prominent Hollywood stars of a comedy star, and won the Golden Globe Award nomination. Actress Cameron Diaz's stunning screen debut also made all the viewers shine. The film in the United States to cause a sensation, became one of the 1994 three big box office, and was nominated for the 67th Annual Academy Award for Best Visual effect, by the majority of the audience's favorite. The commentary is usually willing to analyze the comedy elements of this film, to explore the film as a popular reason for comedy. This paper takes Greimas's narrative grammar theory as the guide to interpret it, analyzes the film's surface structure and deep structure, and deeply digs the theme thought of the work.

Greimas is one of the most important representatives of literary narratology, and his theoretical contribution to the development of semiotics, especially his narrative grammar, provides new ideas for analyzing and interpreting literary texts, and has a methodological significance that can not be neglected. Inspired by Plop's study of folk tales, greimas that literary narration can be analysed in the same way as linguistic sentences, a narrative text can be regarded as an extended sentence. Although narrative works vary widely, they have a common, or common, syntax in terms of structure. For the first time, Greimas in the 1966 's "structural semantics" proposed a model that includes six action places. In his view, there are six basic actions in the narrative, namely, the subject, the object, the creator, the bear, the assistant and the opponent. By constructing the function of the basic relation between each action position, he puts forward the narrative mode, and then puts forward the semantic square of interpreting the meaning structure of narrative text. Greimas's narrative grammar divides the text analysis into two levels: the surface structure and the deep structure.

The Greimas model is proposed in the study of surface structure. The mode of action is divided into four parts: desire, ability, achievement of goals and rewards. These four phases are logically interlinked and tightly linked, with the goal being the core. The surface analysis phase four of the Mask is as follows:

Desire: Desire is the motivation of the three stages, the desire to have a series of actions to achieve the goal, the goal of the production needs to have the mover. In the film, Stanley is a cowardly, useless, without dignity of the bank staff, he was pursued by the woman to be fooled by his boss and landlady at random, and even the car repair shop shop assistants dared to bully him. When Tina, who was drenched with blond hair, appeared in front of Stanley, she was stunned by the almost soul out of her body and at first sight of Tina. Through further conversation, Tina's teasing of Stanley showed him to be flustered and clumsy in the presence of a woman in his right place. After a friend Charlie's matchmaking and a chance encounter with Tina at the nightclub, Stanley has a strong affection for Tina and hopes to see her again in a dignified manner. The emergence of the main desire for the appearance of masks and the use of masks has made a strong foreshadowing.

Ability: In order to achieve the goal, the action subject must have a certain ability, or to find the means to achieve the goal. The incarnation of the Norse god of mischief-the appearance of the Mask Lodge made Stanley a "masked warrior" with a strange green mask and a super power in a flash. The masked warrior used his body's sudden, super function to retaliate against those who had rudely bullied him, bullied passers-by with mischief, and taught the street punks. When he realizes his ability in the body, he decides to use the ability to approach Tina. At first he robbed the bank in order to get the money to chase the girl, finally he put on a mask to risk escaping and punishing the villains when her beloved girl was in danger. Regardless of the motive to use the mask, the mask is an important prop that gives the subject the necessary ability.

To achieve a goal: a behavior that transforms the state of an action body. There are two types of achievement goals, from owning to losing or from not owning. In these four phases, the "achieve goals" phase is the core. In this love-light comedy, it is clear that the type of goal is not to have, and that a good goal can be achieved. For example, Stanley finally successful heroes to save the United States and defeated the bad guys Dorian, but also through their heroic actions to save the charity party, eventually his own bail by the mayor.

Get rewards: At this stage to make a judgment on the final state, the relationship between the subject and object to confirm, determine the outcome of the final. In the film, Stanley finally won the beauty of the Heart, won the first longing for the good love, at the same time he also won the dignity, is no longer the yes-ren bully "Little Man", became a prudent person. At this stage, the action subject fully realizes its desire in the first stage and completes the transformation of love and dignity from scratch.

The analysis of the surface structure of the movie text makes us clearly see the general law of the action pattern on the level of the pheromone layer, which gives us a preliminary understanding of the original intention and the realization of the final goal.

Greimas introduces the concept of "semiotic matrix" in describing deep structure, namely "Greimas matrix Diagram". The matrix is the organizational form of the signifier structure with the logical-semantic features. The six actions proposed in the structural semantics are three groups of two-element oppositions: The subject/object, the sending/bearing person, the assistant/opponent. The matrix diagram is as follows:

Greimas believes that the first two groups of opposites are the most basic semantic structure, and they are antagonistic and interrelated, which can form the basic structure pattern of story narration. In a simple story, a character can be both a subject and a creator, and another character can be both an object and a bear. But in a relatively complex story, the two groups of opposites are differentiated by the sharing of different roles. The third group of opposing relations plays a role in helping or obstructing hope and purpose in narration.

Although the English film name is called "Mask", in the narrative structure the mask is neither the subject nor the object pursued. The subject is the man who wears the mask, namely "the Mask", the object is the spiritual wealth of the love and dignity pursued by Stanley. The mask in the narrative structure only occupies the position of assistants, or it is the subject to complete the object of the pursuit of a prop.

From the above relationship matrix we can see clearly that Tina is both an assistant and an adversary, seemingly a paradox. Tina, the film's first appearance in front of Stanley, was actually a bad guy, Dorian, who had been sent to rob a bank to distract the bank's staff and spy on the bank. At this time as Dorian's girlfriend Tina is undoubtedly standing on the side of Dorian, become the main opponent of Stanley. With the development of the plot, Tina was the kindness and pure love of Stanley, the two have a relationship between each other. At this time she was ready to leave Dorian, and told Stanley of the bad things that Dorian had to do beforehand. At the end of the charity evening at the Dorian Showdown, Tina's design helped Stanley regain the mask and provide a favorable condition for Stanley's eventual victory. So in this matrix, Tina's role can coexist as an assistant and an opponent.

In the main group of Stanley's assistants, landlady and detective Kellevi seem to have been fighting against the main Stanley, but why are they still classified as assistants? The landlord's wife, because of the cowardly incompetence and economic weakness of Stanley, was cynical and sarcastic. Detective Kellevi, who suspected that Stanley was the "masked man" who robbed the bank, was stalking him and even put him in jail after verifying that Stanley had robbed the bank. Two of them seemed to be against Stanley, but the vitriol of the landlady aroused Stanley's desire for self-esteem, which made him think of changing the status quo. Detective Kellevi finally passively helped Stanley leave the prison, and moved to Stanley's lone crime, and acquiesced in the opportunity to save Tina and the charity party. These two people from the subjective wishes that have not stopped the subject of the pursuit of the object, but to a certain extent to help the subject of thought and action, so they are all in Stanley Assistant camp elements.

Through the analysis of the film's surface structure and deep structure, it is not difficult to find that the "mask" is an important prop not only in promoting the development of plot, but also an important metaphor.

In this magical comedy movie, "Mask" is the embodiment of the Nordic mischief-God Lodge. Anyone or even an animal, with this magical mask, will have supernatural powers and be able to achieve what they think. A total of three people in the film wear masks: Stanley, Dorian and Little dog Miro. For Stanley, the mask brings him the courage to pursue a happy life, which is an important means to realize his dream. With this mask, he can bravely express his love to Tina, do something that he never dared to do, such as revenge on the landlady, punishing the street punks and robbing the bank, he even dares to fool the police and challenge the underworld. For Dorian, the mask is an excellent tool for fulfilling his personal ambitions and satisfying his greed. With this mask, he can rob and kill as he pleases and become the new boss of the underworld. For a faithful puppy Miro, wearing a mask is the only way to understand how to save your own master. With the mask of the puppy's loyalty to the master of the cartoon-like exaggerated form, absolutely no slightest selfish evil thoughts and excessive behavior.

Thus, the mask brings the super ability itself is not good and evil points, the generation of the use of the mask is the desire of the human drive is good, in other words, the mask is the embodiment of the desire of people's hearts. On the face of it, masks can conceal a person's true appearance and give a new identity. From the depths, the mask is the source of one's desires. Those who wear this mask can do good deeds when they are in good faith, beware of Huaiguitai, those who wear masks will make destructive moves, bring disaster to others, and will eventually bring them punishment. The moral of the film is that everyone wears a mask because everyone has desires in their hearts. At the end of the film, the puppy Miro grabbed the mask that Stanley had left behind, implying that Stanley could never get rid of the mask because his own desires could not leave him. Only when people drive their desires in good faith can they get the happiness of hope, otherwise they will only go to ruin.

Using Greimas narrative Grammar, we can analyze the surface structure and the deep structure of the film "The Mask" as we analyze the discourse text. According to the author, the film is not as reflected in some of the film critics say that people to the real life of the escape, but with a witty magic to actively warn sentient beings can not easily drive evil thoughts. People's identity will not be completely changed by a mask, even with a mask will eventually have a reduction of the day, so can only cultivate morality, from the connotation of ascension, we can get the same self-confidence with the mask.

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