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Assignment代写:Creativity and visual presentation

2018-08-30 来源: 51due教员组 类别: 更多范文

下面为大家整理一篇优秀的assignment代写范文- Creativity and visual presentation,供大家参考学习,这篇论文讨论了创意与视觉表现。设计,可以理解为是一种有目的的创造活动,不同的设计本质上均是通过在设计中通过不同的手段使创意在我们的周边环境中得以实现的过程。但通常来讲,好的创意并不等同于好的设计,空间的最终效果很大程度上对空间的内涵起到了制约作用,而视觉效果无疑是一个提高空间亲和力的途径和手段。

Creativity,创意与视觉表现,assignment代写,paper代写,美国作业代写

A well-designed space if only has a reasonable function is not enough, the design of one of the main goal is to give users with comfortable feeling, if through the space of the external morphological characteristics cannot give a person with vision wallop and pleasing to the eye, unable to arouse people's life interest and value, so the idea won't get the wide recognition of the world. To sum up, how to make space has affinity, visual effect is a reasonable way and means undoubtedly.

Design can be understood as a kind of purposeful creation activity. Different professional design is in essence the process of making creativity in our surrounding environment through different means in design. But generally speaking, good creativity is not equal to good design, and the final effect of space largely restricts the connotation of space. Then, how to properly express the content of space is the real foothold of creativity.

When it comes to creativity, it is an essential component of artistic design. So what exactly is creativity? Specifically, creativity is a rebellion against tradition and a reaction against conventionality. Its philosophical connotation is to break away from conventions and represent a new general trend in design. In short, creativity is the idea of novelty and creativity.

Over the past century, creativity has been applied more as a commercial factor in the production of goods. From those successful design cases, we can fully understand creativity as the regulating agent in art design, which not only speeds up the overall development pace of the art industry, but also defines the design direction for the art market to a certain extent, and promotes the renewal of space through design to meet the needs of social life. More importantly, by incorporating a lot of creativity into the design, designers can create higher design added value and further improve the cultural connotation and artistic taste of the landscape.

With the continuous improvement of international design system, creativity has occupied an important position in the field of art design. Since the goal of design is directed to the future, if the design from design to construction and production depends only on the existing market demand and people's inherent thinking pattern, then the whole design system may become permanently passive as time passes. Therefore, we need to make a comprehensive consideration at the beginning of the design. While catering to people's current aesthetic taste, we should make reasonable expectations for the future through creativity and improve the predictability and initiative of the design work.

The essence of space design is the combination of technology and art, that is, the aesthetic characteristics of design constitute the essence of art. Through the grasp of the aesthetic to achieve the creation of form, thus emotional expression and the display of meaning. Generally, we require the aesthetic expression of the space to revolve around its functional connotation and coordinate with the purpose of use and application place, so that the product can realize its value in the unification of appearance and use performance as well as the unity of effectiveness and performance. Its core is to make functional beauty, rather than formal beauty, become the center of gravity of spatial form design.

On the other hand, as the core of artistic creation is the generation of image, we can not actually leave behind the psychological representation and discuss the aesthetic concept alone. If there is no psychological analysis and judgment of people, there will be no use groups in space, let alone design. Attention to human psychology and adaptability on human scale are the most reasonable interpretation of the principle of supremacy of function. That is to say, in fact, there is no single aesthetic symbol, no clear aesthetic process, and the display of aesthetic effect is just based on the grasp of users' psychological needs, to realize their feelings of function and understanding of meaning.

So in general, in a space of all involve the issue of aesthetic creation in the design process, we should adhere to function as the guidance of the principle, purpose is to make the space of the spiritual value recognition, to contribute to the whole design and originality of the realization of the purpose and practical function, we also need through the design process the cold material make broad designers will give the function of the warm and comfortable feeling, will need to become aesthetic demand.

A well-designed space if only has a reasonable function is not enough, the design of one of the main goal is to give users with comfortable feeling, if through the space of the external morphological characteristics cannot give a person with vision wallop and pleasing to the eye, unable to arouse people's life interest and value, so this design will not be widely recognized around the world. To sum up, how to make space has affinity, visual effect is a reasonable way and means undoubtedly.

It needs to be made clear here, that is, whether designers or users, the understanding of space design is not only expressed in the explicit consciousness with clear images, but also hidden in its subconscious. This deep psychological differentiation will generally lead to an implicit perception pattern, involving people's desire, emotion, concept and other subliminal areas. Through the direct influence on people's psychology, the basic cognition of people is realized, and then people's rich aesthetic perception ability and perfect visual experience are formed.

Therefore, as consumers, if we want to realize a functional space, we need to evaluate the visual impression of the existing space. This visual impression is inseparable from the image features of space and beauty. Therefore, if we want to make the beauty of space the functional undertaker of promoting commodity circulation, we should make it an effective display of space use value. So in terms of design, creative overall design is not enough, but also need to have detailed design operation. Human needs are constantly changing, and aesthetic needs are constantly changing, which requires designers to not ignore their visual effects when designing space, and create visual impact through continuous aesthetic creation, so as to make the space adapt to people's pursuit of various tastes and freshness.

The space usually designed by designers is the organic combination of technology and art, where the form makes the space obtain the final appearance. Here, the form factor of space directly ACTS on human's sense organ, making the appearance of space cooperate with its constituent elements to realize a certain function. This requires the consideration of the interaction mode between human and space, which is related to human psychology, physiology, cognition and unconscious behavior, which directly forces us to clearly grasp the formal freedom of space design and how to convey information through its symbolic function. It is interesting to note that many design cases we see in daily life have the cognitive function of space, which is often an aesthetic function. This impetuous design phenomenon is actually highlighting a design trend: at least in the eyes of ordinary people, the appearance of space is beautiful. I can't help asking myself the question: how to appreciate beauty without knowing it?

According to maslow, aesthetic needs are higher than cognitive needs. Therefore, cognition is the priority of human needs to be met. Cognition, by definition, refers to the process of human cognition, which is the input and summary of external information and the premise of realizing spatial utility and aesthetic function. In this case, the space modeling symbols derived from the cognition will not impede the stylization and personalization of the space. At the same time, if the spatial function cannot be correctly identified and recognized, its aesthetic function is like a castle in the air, which is not only tasteless, but also a pity to abandon.

If we start from the origin of design semantics, we can learn from saussure's semiotics. When interpreting symbols, saussure tends to understand language as a systematic abstract system, which is not subject to human will. In other words, any living environment should provide sufficient information for people and facilitate their cognitive activities through adequate design language. All kinds of Spaces should not only use symbols to increase their recognizability, but also the amount of symbol information must exceed the amount required for general cognition, so that different information receivers can guarantee enough information to identify, without too much thinking and judgment.

To sum up, the success of a space design in addition to the production process into the designer's ideas, more important is through various means and practical function of aggrandizement space and visual effect, users can generally formed unique aesthetic perception of space, finally on the premise of not affect use appropriate strengthen its identification, in this way, the space with the foundation of success. However, there is a point that cannot be ignored. In fact, we can see that different creative factors play a key role in how to design, produce and market the space. So far, how to properly balance the relationship between creativity and visual expression is still a long-term problem for different design fields in the future, and the design itself still has a long way to go.

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