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Assignment代写:The aesthetic conception of photography art

2018-08-09 来源: 51due教员组 类别: 更多范文

下面为大家整理一篇优秀的assignment代写范文- The aesthetic conception of photography art,供大家参考学习,这篇论文讨论了摄影艺术的审美意境。摄影艺术可以给人带来美的享受,但要想达到摄影艺术审美的高峰,摄影作品必须有自己独特的意境,也就是摄影师将自己的情感融入到摄影作品的画面内容中,做到情景交融才能够引起欣赏者的共鸣。

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Photography brings beauty to people. In order to reach the peak of photography art aesthetics, photography must have its own unique artistic conception, that is, the photographer should integrate his emotions into the picture content of the photography works, and only when the scene is integrated can it arouse the audience's resonance. The core of the aesthetic artistic conception of photography is scene integration, which is the soul of photography works, permeating Chinese traditional culture and creating a multi-dimensional space for appreciation.

Artistic conception is a unique concept in Chinese traditional aesthetics. The meaning of artistic conception has always been different, but in general there are two aspects: "feeling" and "scene". Emotion is subjective, and it is the author's thoughts and feelings, life perception, aesthetic ideal, artistic experience, etc. The scene is objective, the image of the scene being photographed in objective reality. The feeling and the scene blend each other in the work, produced certain artistic conception.

The aesthetic artistic conception of photography refers to the photographer who, through creative work, integrates the real natural scenery and social phenomenon into the limited picture space through composition, light, and tone, and imparts the photographer's rich emotions in the picture content, so as to create a spiritual state of integration of scenes and artistic appeal.

The "feeling" and "scene" in the aesthetic conception of photography art are integrated and natural. The "scene" of photography works is the spatial form of the picture, which comes from reality and is the reflection and recognition of real life. The photographer reposes his "feelings" on the picture content. Scene is the foundation. If there is no scene, the author's emotional ideal has no foundation. The feeling is the soul, has the scene to be heartless, then the photography work becomes the simple record, must be tasteless, weak and tasteless. Only the combination of subjective feeling and objective reflection of the world can jointly constitute the aesthetic conception of photography art. Bresson, the famous master of photography in the history of photography, made a similar argument: the lines, tone and structure of pictures should be able to express our thoughts and feelings. The technology is good, but no thought, no content, just like a plate of fish bones without meat, can't make people get the real thing. Scene blending is the core of artistic conception.

Mr. Chen fuli, a famous photographer in China, integrated his love and love for the nature of the motherland into the objective reality, and the flowers and mountains and rivers he photographed are full of unique charm and rhythm. Its work or quiet quietly elegant, or magnificent, all infuse magnificent, magnificent artistic conception beauty. It was Chen fuli who captured the poetic beauty of nature, integrated emotions into the scene, and communicated emotions with the scene, making these natural images have strong subjective emotions. The photography works create the artistic impressiveness with the picture form and the picture content together, achieves the scene blend, the false and the actual union, produces the lingering charm which has not been exhausted, enables the appreciator to comprehend the infinite artistic implication from the limited artistic image.

Liu bannon, who laid the theoretical foundation of photography in China, once stated in his book "on shadow in the half of agriculture" that "artistic conception is different for everyone, and it is different at any time and place. But if you want to show it, you have to show it. What is sent is dead; But when the author submits it, it becomes alive.

The "feeling" in the artistic conception has two meanings: one is the photographer's own aesthetic taste and inner cultivation, the emotion he wants to express when he creates the photography, and the other is the emotion of the characters in the photography works. The two emotions interact and interact. Only when the photographer integrates his infinite love thoughts into the limited photographic images and makes the scene blend, can he inject soul into the photography works and make the photography works beyond the limited square inch have more profound connotation. The viewer is first infected by the subject in the picture, and then through his own emotional experience, finally feel the "feeling" in the image of the photographer.

This is the simplest portrait of a young Afghan girl, as captured in "Afghan girl" by famed war photographer carrey. But the girl's eyes are deep and scared out of her age. Knowing the background of the picture, we can feel the most direct and painful injury to human beings brought by the war through these eyes, which made this young girl who was still at the age of flowers to live a wandering life and endure the pain of bereavement. The photographer's intention was obvious: to oppose the war and call for peace. In this way, the feelings and sceneries of the photographs blend with each other. The artistic conception created by them not only infuses the soul of the work, but also shakes our hearts.

In Chinese traditional aesthetics, the origin of artistic conception is very deep. Zhang yanyuan, a painter in the tang dynasty, said, "a husband's image must be in shape". Gu kaizhi, a painter in the eastern jin dynasty, first proposed "writing god in shape". The artistic conception emphasizes the unity of heaven and man, the combination of god and form, the integration of scenes, the creation of the real and the real, the static and dynamic unity. It can be seen that Chinese painting theory put forward the incisive theory of "combination of form and spirit" very early. "Shape and god" correspond to "feeling and scene", pay attention to both shape and spirit, and give priority to god.

The photography art is deeply influenced by the traditional Chinese aesthetics. The early photography art inherits the early painting theory. The photography should be similar in shape and spirit, and the photographer's imagination and inspiration should be expressed through the picture content and "artistic conception". In terms of photography art, it is lang jingshan, an early photographic forerunner, who can bring the artistic conception in the sense of traditional aesthetics to the extreme. Mr. Lang is deeply influenced by traditional Chinese landscape painting, and his photographic works contain strong "Chinese style". For example, his masterpiece "xiao ji qing river", the picture shows the distant mountains looming, the river is rippling on the surface, the lightsome farm girl carries the wooden bucket that just filled with water home, a few branches and leaves are sparse nearby, the whole picture is like a fairyland. Distant mountains, clear rivers, branches, women carrying water constitute a unique Chinese ink painting. At the same time, the author's love for life, labor, landscape and traditional art of the motherland is deeply permeated in the photos, reaching the artistic realm of scene, scene and scene integration.

The artistic conception expressed by photographers in their works not only shows their subjective attitude towards social life, but also reflects their thinking of The Times, national emotions and even their deep understanding of the whole society and human beings. When appreciating photography works, the appreciators will give full play to their imagination and inspiration, combine their own aesthetic taste and cultivation, and communicate with the works to produce spiritual resonance, ideological and emotional exchanges, and finally produce the feeling of beauty. The artistic conception expressed by excellent photography will nourish the connoisseur's heart and make the connoisseur's heart moved. Touched including a variety of psychological feelings: happy, happy, sad, progressive........ Finally, the connoisseur experiences a variety of thoughts and feelings in the process of appreciation, and completes the spiritual sublimation.

For example, she won the first prize of art single picture in the 54th world press photography competition, "she is practicing playing cello". In the picture, there is a shabby market street, where people are dressed in ordinary clothes in a hurry. The street is full of scraps of paper and vegetable leaves. On the left side of the picture is an area surrounded by a blue plastic sheet. On the upper side is a trash can. There is some waste left on the ground. But down below, a woman sitting on a cheap plastic chair, looking at the cello on the instrument spectrum, reveling in her music world, as if she were playing a famous song for those who love music in Vienna's music hall, instead of a messy bazaar and secular crowd. Although material conditions are not very rich, this does not prevent women from pursuing music. However, in today's impetuous society, how valuable it is to be alone immersed in music in downtown area and to pursue and persist in the ideal.

Although photography reproduces content with images, photography is not a mechanical reproduction of objective things, but a combination of the photographer's subjective interest and aesthetic value, creating a multi-dimensional space through creative work. Multi-dimensional space not only includes the two-dimensional plane of photographic images and the three-dimensional space of real life, but also integrates the author's thoughts, feelings and subjective thoughts on society and life. In this way, various factors construct the multi-dimensional space of the photographic works.

For example, in Ernest Hemingway by youssef, the literary works of Hemingway often take the "tough man" as the main character, and he is also inspired by the spirit of "undefeated". When shooting Hemingway, karsh read a lot of information about Hemingway, and understood the characters' characters in detail. Cash managed to capture "the essential elements that made him great." Cash's choice of a headshot of Hemingway, with deep furrows on his forehead, a white beard and a closed lips, reveals a tough guy, but there is a hint of tenderness in his firm, powerful eyes. It was this tenderness cash found that made Hemingway "a great man." Hemingway's own achievement, life experience, euston's exploration of Hemingway's own construction of photography works of multi-dimensional space.

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