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Assignment代写:The narrative strategy of Memento

2018-06-22 来源: 51due教员组 类别: 更多范文

下面为大家整理一篇优秀的assignment代写范文- The narrative strategy of Memento,供大家参考学习,这篇论文讨论了《记忆碎片》的叙事策略。在电影《记忆碎片》中,诺兰导演运用了蒙太奇的电影手法,加以剪辑的镜头语言,还有黑白画面和彩色画面相互交错,给观众带给了一种前所未有的视觉效果和体验。在叙事结构上,正叙和倒叙两种叙事手法的结合,联系了45段记忆碎片,并让其成为一个完整的故事。

Memento,记忆碎片,assignment代写,paper代写,美国作业代写

Movie rzhetsky fully utilizing the film montage technique, to cut the lens language, there are black and white images and color images mutual crisscross gave the film viewer an unprecedented visual effects and visual experience. On the narrative structure, Syria and flashback the combination of the two kinds of narrative, contacted the 45 pieces of memory, and let it become a complete story, although the story before seems not very easy to understand by the public, but also can't stop the public to appreciate and understand the story of deep thinking.

The film Memento interweaves a one-line story with two different clues of time evolution through postmodern representation. Story in general can be summarized as follows: wife and larry just married beauty in the bathroom had been infiltrated evil ACTS brutally raped and murdered, larry in to rescue them killed one of the criminals, is another evil ACTS with sticks to hit back, and so who suffers from a rare short-term memory - you can only remember what happened before ten minutes. And these just leary of brain "facts", the real situation is: larry's wife, not to be killed by the two bad men, but larry's wife, because of the unbearable larry has only ten minutes memory, through the doctor said, larry's condition may improve, larry wife wants at the expense of their own design let larry restore memory, but only with larry on the injected too much insulin and caused the death. Larry can't accept the fact that to kill his wife, let oneself live in own build of the unreal, he told the police about the "rape homicide" inaction, unhappy, that have not been punished by the real criminals, wanted to kill themselves all sinners "killing" his wife. Teddy, the police officer who handled the case, knew about larry's condition and planned to use him to kill a drug dealer. The drug trafficker's girlfriend, lisa, knew about the incident and then went on to induce larry to kill the cop.

Since larry suffers from short-term amnesia, he can't remember things for too long and only has a ten-minute memory, so he can only remember things by taking a quick photo and tattooing. Larry every do one thing with instant camera filmed scene at that time, and some content in the annotate on the picture, in order to remind myself that if you have some very important clues will be in the same way that a tattoo, the text in the prominent position. Through these clues, larry fulfilled one plan after another, but he did not know that he was being used and guided by others.

Any movie will have its own techniques and methods for telling a story. The writers and directors of Memento go out of their way to construct every detail of the play, set the logic to deduce the development of the story, and make the entire story unfold to the public without missing anything. Compared with the novel, the film can visually present the whole story to the audience, which can not only show a lot of life, but also be full of artistic atmosphere. The montage technique is often used by film directors. In order to express the feeling of dream, many images that can only be imagined in the human brain, such as memory, imagination and dream, can be represented by montage. And rzhetsky is will these show incisively and vividly, the memory of the hero can only keep ten minutes or so, the director is combined with the feature, countless times using montage lens language switch, highlights the hero of inner struggle and determination of "revenge".

The film has excellent narrative skills. The film has two main narrative lines, which are positive narration and reverse narration. These two main lines, black and white film and color film respectively represent two different narrative clues. In this way, the director arranges the story development in order to combine the narrative clues of flashback and narration through the method of "time reversal". At the end of the film, when larry kills kimi, the black and white images slowly turn into color images, which really connect the two and form a whole.

Black and white film images is presented in a hotel room, the hero who is stay in this room and someone calls, seems to be telling someone that something, the clue is gradually push back over time, is given. The director cut the black and white film into 22 parts, and the audience could only see the events depicted by the narration method if the 22 parts were all connected.

Color film to show to the audience is numerous scenes, contains clues have also become more time, including in the hotel, in na lisa's house and broken house, etc., this time the order is made to move forward after is a flashback. In the same way, the director divides the color film into 23 parts, which requires the audience to observe carefully and connect them together to see the main narrative.

Narration is usually used to better introduce the development of the story. Narration is not limited by time clues and can be inserted into the developing story anytime and anywhere. The film interleave is inspiration, it is embedded in the black and white images, images of interleave is: larry tell us about the while he was on the phone when insurance investigators for a case, a short-term amnesic patients, patient's wife has been suffering from the disease, she finally took advantage of the patient's condition, let the patient to his too much insulin. The narration seems to have nothing to do with this story, but it tells the truth of the whole story. Unable to accept the fact that he had killed his wife, leary imagined the story as a case he had handled to avoid it and perpetuate hatred.

Both novels and films, there is no contradiction, will not be able to form a "start, development, climax, ending" the story of the complete structure, so the contradiction is the real driving force of the development of story continues. In Memento, the main contradiction is that in larry's heart, his wife was injured and died, and revenge became the motivation to live. The whole story is driven by his desire to revenge.

Riley's fragmented memory and his struggle to avenge his wife are a set of contradictions that contribute to the plot. Each period of time in the state of progress will always appear vague. When larry to somewhere, or from some other place to wake up, will be lost to the memory of the past, it is because the loss of memory, so he didn't want to investigate what every one and said really to be trusted. In this way, every fork in the road will have a choice, and the choice will be followed by the next fork in the road, step by step pushed forward.

At the end of the film, larry's psychological changes reveal the deep contradictions in the film. When flashbacks and flashbacks are combined, larry knows he was used by teddy to kill the drug dealer kimi, and that kimi wasn't the real killer who killed his wife. As the film progresses, larry's struggles and contradictions emerge in his face when he writes "don't believe this person" in his teddy photo. He had always been the only one who believed in his wife's revenge to survive, and without that faith, his life would be meaningless. In its fragmentary memory, only vengeance is remembered. At the end of the film, the narrator warns, "close your eyes, the world is still there." Says the leary about inner struggle: choose a cover-up, continue to live in their own revenge again and again of metempsychosis, or opened his "eyes", to accept the fact that killed his wife? This conflict of choice directly foreshadows the subsequent development of the story and lays a foundation for the flashback of color film.

Larry's inner conflict of choice is at the heart of the story. Larry looks for the files of criminals in order to revenge himself. When he finishes his revenge, he will burn his photos one by one. It is larry's deliberate choice to make teddy the target of the next action. He chose to escape from the fact that killed his wife, use the "target" to make up for what they committed a fault, but also to reduce larry on your guilt, set up one after another to live for yourself. Like narrator at the end of the film said, "believe that the world is not what we imagine, believe in what we do is meaningful, we all need memories to determine their own identity". This kind of self-identification value is given to every audience in the film. The film also raises several questions for the audience to think about: what is the real value of living? What kind of choices and choices can we call a life without waste?

The writer and director of the film chose to put the struggle of larry's inner choice at the end of the story for two purposes. One is to keep the narrative structure of the story is complete, will be looking forward to the results of the audience in the end, let the audience at the end of the film has a sobering satisfaction, to meet the demand of the audience; The second is to show the main meaning of the scriptwriter's creation of this work, to promote the public's thinking on the philosophy of living in the world, and to immerse the public in their own thinking.

The film Memento gives the audience two narrative perspectives, the "man in the game" and the "outsider's perspective." Under "players perspective", the audience's thinking is controlled by the director and screenwriter, under normal circumstances, most of the audience can accept normal of telling the story, from some flashbacks and interleave the plot can be understood. This film breaks away from this conventional method, telling the whole story to the audience in reverse, and the audience's perspective of "the characters in the game" will appear to have no initiative and be led away. The audience can't think about the whole story in small pieces, only according to riley's point of view. As a result, the audience is unable to grasp more clues and expect larry's performance to lead them out of the story fog.

As a film, it will give the audience a certain substitution mechanism, let the audience themselves to leading role of vision to look at the development of the plot, they become a part of the film, this is a narrative film need to face is bound to happen. As rzhetsky the film, the audience will become one himself into "larry," imagine yourself suffering from temporary amnesia, imagine what you need to do, imagine how to look for to kill yourself "wife" criminals and the future is what will happen, and so on, a sense of pain and confusion with larry.

But is this really the case? Not at all. Inspector tried to swallow the money use to kill his drug dealer, the drug dealer's wife use he killed his enemy, and many more die under the guns of the protagonist John G. When the hero know G already dead, John knew his wife was not actually died of rape criminals, he chose to forget, pay attention to, is to choose. For there must be a reason to live, and there must be a meaning to live. He will puzzling details on the body, be others about the suspect John G "truth", starting a new round of fierce and revenge, and that a new round of revenge is a story told us film. Although only film tells the story of a kill John G, but before that allows us to want to see for a long time and long after this many killed John G story, perhaps this is called the film tension. I don't know what the word "tension" means. Said philosophical afraid is more straightforward, and it is this: life is meaningless cycle, to live, we reject the truth, we have to be self-deception, for himself one goal after another, one after another meaning...

The second perspective of the audience is its original identity -- the "bystander perspective". They come to see the film and are the recipients of the director's stories. They use their own ideas to appreciate the film, watch larry role acting, and at the same time, look at the general plot of the fog, racking their brains geographical clear the relationship between the characters, understand that positive and negative position, grab a few little detail to infer the characters reveal the true and false. In this way, the audience understands the development of the story on the basis of objective conditions. It can easily cause the emotions of the audience to fluctuate, so as to drive their inner changes and promote the development of the story.

Rzhetsky fully utilizing the film montage technique, to cut the lens language, there are black and white images and color images mutual crisscross gave the film viewer an unprecedented visual effects and visual experience. There are also, of course, strange stories and the deep philosophical reflections that arise from them about living in the world. On the narrative structure, Syria and flashback the combination of the two kinds of narrative, contacted the 45 pieces of memory, and let it become a complete story, although the story before seems not very easy to understand by the public, but also can't stop the public to appreciate and understand the story of deep thinking. Driver from the narrative perspective, the writer will be shallow and deep contradictions show inner conflict and leading role fully, and to achieve the primary and secondary order, the secondary contradictions also shinning, but does not affect the main contradiction of larry's inner and panic spread out. In the aspect of narrative point of view is extended, the director gave the film viewer double identity, namely "players perspective" and "bystander perspective", let the film viewer, between the two experience their own feelings change, so as to achieve the Angle of deep mining of the story.

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