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assignment代写:Flight Simulator

2018-03-21 来源: 51due教员组 类别: 更多范文

下面为大家整理一篇优秀的assignment代写范文- Flight Simulator,供大家参考学习,这篇论文讨论了如何用OpenGL制作飞行仿真器。

Flight Simulator,OpenGL,assignment代写,cs代写,作业代写

(i) Basic Scene

In this part, you will create a frame of reference.

Draw 3 lines that represent the positive unit vectors in the X, Y, and Z directions, with line width = 5. Make the lines colored red, green and blue, respectively. Draw a small white ball at the origin.

Construct a grid of GL_QUADS on the X-Z plane centered at the origin. The size of the grid should be set as a global C constant (which you could change later). Set the grid size to be 100×100 vertices.

Use perspective projection. Handle a window re-size properly.

The user can toggle between wireframe and solid rendering by pressing the ‘w’ key. The user can switch between full-screen mode and windowed mode by pressing the ‘f’ key. Pressing ‘q’ quits from the application. Your scene should look like this (wireframe and solid):

(ii) Twin Engine Plane

You will need to read the mesh data of the plan from a txt file. The file format is very similar to obj files. The new feature in our file is that the lines that begin with ‘g’ indicate a new sub-object. You should use different colors for different sub-objects. By breaking the object up into sub-objects, it allows us to color the plane properly:

(iii) Camera Control

Allow the user to control the direction of the camera/airplane movement with keyboard keys and the mouse. The page-up and page-down keys increase and decrease the speed of the camera/airplane movement in the direction that the camera is currently pointing:

GLUT_KEY_PAGE_UP : increase speed

GLUT_KEY_PAGE_DOWN : decrease speed

But, limit the speed so that it is always greater than zero. The up and down arrow keys control the vertical position of the camera/airplane:

GLUT_KEY_ UP : moves the camera up

GLUT_KEY_ DOWN : moves the camera down

Moving the camera/airplane up and down does not alter the direction that the camera/airplane is pointing. The user can hold down a key to continuously move in a direction, so you might want to use glutKeyboardUpFunc (which tells you when the user has released a key) as well as glutKeyboardFunc (which tells you when a key has been pressed).

Moving left and right is significantly different. It is controlled by the mouse and actually changes the direction that camera/airplane moves (not just its position). This means that you can turn around and go in the opposite direction. When the mouse is to the right of center or the left of center:

mouse to the right : rotates the direction the camera is pointing/moving to right

mouse to the left : rotates the direction the camera is pointing/moving to left

The more the mouse is to the left or the right of center, the greater is the change of camera direction. When the mouse is in the center, there is no change of direction, but you will still be moving forward at some speed. The mouse button does not need to be down for this to work.

Use perspective projection with gluPerspective and gluLookAt to position the camera.

You DO need to tilt the airplane when the mouse is to the left or right.

(iv) Lighting

Use openGL’s lighting model. Use at least one directional light source, with appropriate ambient, specular and diffuse levels. Position the light source so that it is similar to sunlight.

You need to set appropriate shininess, ambient, specular and diffuse material properties for each object. You will have set the normal for each vertex in the plane/propeller and the grid.

Part B: Sea, Sky and Land

(v) Sea & Sky

In this section, you will replace the grid floor (and origin lines) from Part A with a texture mapped disk, and a texture mapped cylinder. The disk lies on the ground and is texture mapped with a water image. The cylinder stands upright and encloses the ‘world’. The cylinder is texture mapped with a sky image.

Your scene should look like this (wireframe and solid):

The disk should be slightly bigger than the cylinder. The cylinder should sit slightly lower than the disk. This will prevent any gaps. Make sure the cylinder is large enough so that you cannot see the top of it but not so high that the texture is overly stretched vertically.

You can either write your own functions for constructing the cylinder and the disk, or you can use the OpenGL functions that construct them for you. If you use the OpenGL functions, you will need gluNewQuadric, gluQuadricTexture, gluCylinder and gluDisk.

Make sure that the textures appear in a similar fashion to the example program that is given. The texture on the cylinder should wrap around like a label on a soup can. The disk is textured as if a round cookie cutter was used on the water image.

Use a high emissive term for the lighting of both the sky and the sea so that they are both evenly lit.

Turn texture mapping on only for texture mapped objects. Use texture mipmapping.

(vi) Fog

Add fog to the sea. Use the built-in OpenGL functions to achieve this. Make the fog a very transparent pink so that the sea blends in slightly with the sky at a distance. Use an exponential fog function. Give the fog a very low density. Make it look like the example program. Fog should only affect the sea. Turn the fog on before drawing the sea and off

Fog should only affect the sea. Turn the fog on before drawing the sea and off afterward. The fog is toggled on and off with the ‘b’ key.

(vii) Land

Create islands in the sea. The construction of the islands follows a fractal landscape stochastic algorithm.

You should generate the mountain only once and store it in an array, don’t construct it each time you draw it. The mountain should be constructed with 5 or 6 levels, whatever looks best. The mesh resolution for the islands should be a changeable constant. Set it to a size of at least 40×40. The mountains are toggled on and off with the ‘m’ key.

You will need to color the mountain as well. Make the color at each vertex be a function of the height (y value) of that vertex. Make it go from gray to white near the top and dark green to the light green below the white. Also, add some randomness so that it doesn’t look too uniform.

Your islands should look like this (wireframe, solid and textured mode):

You must make at least 3 mountains, with a different randomness. You can try explicitly setting the value you pass to srand if you want to keep particular mountain shapes. Each should be scaled differently in X, Y, Z. This you can do with glScale. You can use the same texture and coloring function for all three mountains.

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