留学生作业代写：The realism

下面为大家整理一篇优秀的essay代写范文- The realism，供大家参考学习，这篇论文讨论了现实主义。现实主义这一远源流长的文艺思潮，早在18世纪英国就已经处于萌芽时期。现实主义文学创作立足于现实生活，强调内容的真实性与客观性，力求通过作品中的典型环境中的典型人物，来反映作者对于现实生活的关注和对理想正义的追求。后来在后现代的语境下，现实主义没有被排斥到一个无人注意的角落里，而是以其强大的包容性和对现实生活的人文关怀，在当今后西方现代主义时期，显示出勃勃生机。

Realism, a long source of literary thought, was already in its infancy in the 18th century. Realistic literary creation is based on the real life, emphasizes the authenticity and objectivity of the content, and tries to reflect the author's attention to the real life and the pursuit of the ideal justice through the typical characters in the typical environment of the works. Daniel, Defoe and Samuel, Richardson, an important novelist in the history of English literature, has made a great deal of discussion on the authenticity of the novel and its moral instructive function in the preface of his novel, and his works are popular. In the 19th century critical realism period, realism literature creation reached a climax. During this period, a large number of great realism writers emerged, such as Dickens of England, Balzac of France, Tolstoy of Russia and so on. Their works mainly through the tragic conflict between people and society to show the character, situation and fate, and to reveal the society to the oppression of human beings, express the author's criticism of social injustice. The 20th century is a time when the trend of Western literature is more and more colorful. Expressionism, symbolism and other modern stream of consciousness novels show more of the characters ' inner life in front of the readers, but the social life of the characters is a chaotic, mixed piece. Readers must arouse their imagination in order to get a relatively clear picture of the social life of the characters. However, this modernist novel is not separated from realism, it only focuses on the internal psychological world to reflect the external reality of the world. In this regard, Lukacs, a famous Hungarian philosopher and critic of literature, has made a good interpretation of this, and he has not interpreted realism as a purely objective description of the real world, which excludes any subjective factors, namely, "the literature reflecting social reality as a still mirror, but affirming the importance of subjective understanding, Emphasize the unity of objectivity and subjectivity, the unity of external world and inner world. However, with the rise of postmodern literary trend of thought, some extreme postmodern writers and their works have brought great impact on realism literature, whose works are full of skepticism and nihilism, all content and all forms have disintegrated, thus can not achieve the real reflection of the whole reality.

The postmodern literary trend of thought arose from the 1850s to 60. This trend began as an experimental creation of postwar American novels and poems. Postmodern novels have various aliases, such as Surfiction, Antifiction, metafiction, etc. The prefixes of these aliases have the meaning of "transcendence", so "transcendence" is the nature of postmodern fiction. From its source, postmodernism is a transcendence and revolt against modernism. The two World War has made people see the absurdity of the universe, but when the postmodernism novel reveals this absurdity, it is not as much as the modernist novel, but it uses the way of farce. Their way of writing is meant to show that the world itself is absurd. In the writing skill, the postmodernism novel inherits the modernist novel creation method, the stream of consciousness, various narration angle, the parody, the collage and so on can see in the postmodernism novel. But the postmodern novel has greatly surpassed the modernist novel in the above writing skill, namely is more radical than the modernism, its intention lies in emphasizes the break, tries to reflect. Since postmodern is not an isolated phenomenon of literature, echoing the 60 's civil rights movement, the feminist movement and the anti-cultural movement of American youth after the Second World War, they fought the capitalist society with cultural revolt, so, although many postmodern works are keen on novel writing skills, deliberately pursue "the new day, the article strange" ⑵, There are a lot of works with the help of postmodern writing skills to reflect the absurdity and injustice of the real society. The postmodern works, with its absurdity of plot and the game of language, aim at dispelling the authority and canceling the classic and Subversion center. It completely destroys the author's intention and a single interpretation of the text, making all texts equal. Shoho, known as the "Asian American Literary Bandit", in his work "The Road of Gangadin", he made full use of the intertextuality and parody techniques of postmodernism novels to attack the stereotype of racial prejudice and discrimination imposed on Chinese Americans by white racism, and the phenomenon of self-orientalism in Chinese ethnic groups, In order to safeguard the dignity and rights of Chinese. Therefore, this article will combine its postmodern novel to explore the reality and development of realism in the postmodern context.

In the postmodern context, realism has not been excluded to a corner of unnoticed, but with its strong inclusiveness and humanistic care for the real life, in today's Western modernism period, showing vitality. Because of the background of writing and the need of the aesthetic of the Times, the realism works add magic and absurdity to make it more mysterious and ironic. As in Shoho's novel The Road of Gangadin, the works have four parts: creation, World, Underworld, and home. We can clearly see that it and the Chinese myth "Pangu Open Heaven" and "Nu wa made People" These two stories of the intertextuality relationship. "Pangu Open Heaven" and "Nu wa made People" These two stories are about the origin of the Chinese nation's human world myths and legends, so it has a strong national color. In the road of Gangadin, the author transplanted this myth into the world of Chinese Americans to reflect the difficult entrepreneurial process of ethnic Chinese in the American white supremacy Racial Discrimination society. As Shoho in his book The author notes: "In heaven and Earth, the giant Pangu and the mother of Man Nu WA created in this world, every hero is an orphan, a landed scholar, a outlaws, a society of abandoned people, an exile, they trudged in full danger, ignorance, The path of life of deception and enlightenment. " Therefore, intertextuality is not just a pure text of the game, the composition of any works, not just some concepts, the intention of the simple repetition of borrowing, as well as allusions, themes, characters and so on. These are more from history and real life. The ultimate point of intertextuality is culture, and the work is the accumulation of culture.

Under the influence of the western hegemonic discourse, the mainstream society of the United States has the stereotype of ethnic Chinese with racial discrimination, the Chan in the book is the representative, he lacks the masculine spirit, is always submissive in front of the white man, speaks the non-standard English, in order to obtain the comic effect and fabricate Confucius's words. Chan is an albino "model" yellow man, pictured by a white director, who represents a stereotype of Chinese descent accepted by a white mainstream society. In the imagination of the mainstream American society, the Chinese world should be Chan-style. In order to subvert this western hegemonic discourse, Zhao borrowed the Chinese myth of "Pan gu Kai tian" and "Nu wa made people" to imitate the ideal Chinese world in the western imagination. In the first part of the book "Genesis," Guan Rongman in a round of marijuana smoke, "thought seemed to float in the shadow of running out of the television," he heard Spencer on American television, "said Tracy," when the last Chan swallow his last breath, his breath will become the wind and cloud over the Chinese-American air, His voice will turn to thunder. Chan's left eye will become the Chinese American sun, his right eye will become the moon ... Every hair, every eyelash, every beard of Chan will be a shining star in the sky above Hollywood, praising his name. Realism emphasizes the involvement of the writer's feelings in the narrative process, because any writer belongs to a certain era and a certain class, the author of "Pangu Open Heaven" nu the myth of the intertextuality rewriting, in order to this metaphorical way to reveal the mainstream of American society to the Chinese world stereotype of the absurd. In the face of the American Hollywood film on the stereotype of ethnic Chinese racial stereotypes and hype, the protagonist Ulysses, Guan often in their own imagination to conceive "My film", to build the heroic image of Chinese, in order to subvert the American hegemony discourse. This is full of romantic color.

The realism works are different from the simple postmodern works, which lie in the humanistic solicitude of the realistic works to the real life, then the modern works discard the pursuit of the ultimate meaning and emphasize the game of language. Then realism in modern context will be compatible with both. In the road of Gangadin, the author draws on the writing skills of the postmodern collage and mixes the words of different positions with the text collage. In order to demonstrate the complexity and necessity of the ethnic minority cultural identity in today's pluralistic society and the struggle of American Chinese to build their own consciousness and dignity and equal ethnic identity.

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