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留学生作业代写:An interpretation of McEwen's Atonement

2017-12-27 来源: 51due教员组 类别: Essay范文

下面为大家整理一篇优秀的essay代写范文- An interpretation of McEwen's Atonement,供大家参考学习,这篇论文讨论了麦克尤恩的《赎罪》。《赎罪》是当代英国小说家伊恩·麦克尤恩的长篇小说,探讨了在大资产阶级历史背景下各阶层的人性与道德、心灵的创伤与救赎。小说讲述了一个关于爱情、罪恶和战争的故事。主人公布里奥妮幼年时因一次误会导致姐姐塞西莉娅与恋人罗比分离至死,自此花费一生时间创作小说《赎罪》,以求为自己早年的错误赎罪。

Atonement,赎罪,essay代写,paper代写,美国作业代写

In the narrative background, McEwan's work, atonement, spanned the British bourgeoisie from the World War II battlefield for 46 years. The novel takes a rape case as a turning point, and probes into the human nature and morals, the soul's trauma and redemption under the bourgeoisie historical background. This article will explore the traumatic experiences of the characters in the novel of Atonement and analyze them with the perspective of trauma theory. To show readers the phenomenon of trauma and the analysis of trauma recovery, the purpose of the novel from a new perspective on the detailed explanation.

The work "Atonement" was created by McEwan in 2001, and the novel was widely acclaimed when it was published, and was nominated for the Booker Prize of the Year, and was brought to the cinema screen in 2006. The work covers a number of topics: guilt and punishment, cruelty to war, the ups and downs of love, and the decay of morals. Critics interpret the works "Atonement" from multiple perspectives such as meta Fiction, historical compilation, textual and intertextuality. But it is easy to be overlooked by the reader is the protagonist's psychological growth is also an important theme: the heroine Brioni for the young ignorant of their own stupid mistakes to pay the end of his life penance and atonement.

"Atonement" mainly tells the story of a rich family living in the British manor, the hostess announced that she is in the threshold of puberty, like literary creation, all new things especially curious, eager to independence, but do not understand the adult world. Brioni's sister Cecilia and the Butler's son Robbie Childhood, alternate feelings, they come back from Cambridge University summer vacation. But young Brioni not understand their ambiguous feelings, in a string of misunderstandings after Brioni then arbitrarily define Robbie as a hypocrite. When the manor rape case that night, Brioni without hesitation to the police accused Robbie as criminals, the murderer fled, Robbie with the prison, a good love at this moment, all the development of the relevant characters have undergone Earth-shaking changes. Five years later, Brioni realized the sins of his time, and when she wanted to begin atonement, she learned that Cecilia and Robbie had died tragically in World War II, and that the old Brioni still could not release the shackles of the mind, and that she could only confide in her works to her readers.

Kessi Carus, an American critic of trauma criticism, will "have a disastrous, unexpected and evasive experience." "As a definition of trauma. He argues that "traumatic events are often uncontrollable in the response to the victims, and traumatic memories often invade the brain of the creator in the form of dreams or hallucinations, making it impossible for the injured person to overcome the trauma and continue to suffer the effects of the traumatic events." This definition is widely used in trauma theory.

The fictional characters ' fear of traumatic events and trauma has become a lingering haze for the creators, and they have been around for a lifetime as a label of identity. The memory is now constantly reminding the creators of the scenes and painful memories, so that the creators of the brain in a fresh and bloody review of all the past, the physical and mental trauma is once again torn open to show the reader.

Traumatic narration "is a fictional narrative method which is used to dissect personal and public trauma and help readers to contact traumatic experiences." "Is the creator's process of reconstructing the scene and the moment of history by recalling, remembering, and simulating the trauma scene." Has the following three characteristics:

The inconsistency of text narration is usually caused by the rupture and repetition of traumatic memory, which can increase the readers ' difficulty in reading, and the reader's task is to find out the meaning of the narrative break. In McEwen's work, "Atonement," the narrator shows the story to the reader in a very secretive way, implicitly expressing the trauma between the different characters in a fictional text.

In Trauma: Exploring Memory, Kessi Carus the "trauma structure as a historical or temporal interruption" and points out: "The moment of trauma is not the response of the creator, but the continuity and intrusion of time." "The unease and contradictions behind the restatement of traumatic events and traumatic events are revealed by the trauma narrator, and the traumatic narrative in the traumatic experience has the narrative features that have never been seen in other literary works."

A link between a potential sexual or intimate relationship in a fictional character. We call it "the scar of the character", and the scar of the character can not only arouse the sympathy of others but also feel the pain of the characters in the novel. "Scars" are often used by novelists as a tool to present the reader with a figurative experience unimaginable to the creator, which is a kind of image and testimony of trauma.

In the novel Atonement, we have a clear understanding of McEwen's belief that if man is born with sin, then whether we can redeem it for the rest of our lives is just as difficult as the Bible when one goes out of the Garden of Eden to go back. The author tells us the answer, and he thinks, "there is no one in this world, not even any entity or higher form that she can call on or forgive her." There was nothing outside her. In her imagination, she delineated all boundaries and set out conditions and order. Neither God nor the novelist is free to atone, even if they are atheists. This is always a task that cannot be completed. "Atonement" in the work of the three heroes suffered varying degrees of trauma experience:

Robbie and Cecilia as childhood friends, but the identity is very disparity, one is the housekeeper's son, one is the daughter of the manor. Robbie was unfortunately the scapegoat for the whole rape case. Simply because of the naïve imagination and arbitrary speculation of the young Brioni, Robbie was falsely accused of being a rapist. As we all know, Robbie's nature is kind and upright, he loves Cecilia dearly, and Cecilia loves Robbie, but he doesn't pierce the hazy paper. Robbie is hopeful about the future, plans to study medicine after graduating from Cambridge, but in a manor rape case was no reason to be Brioni to identify the rape of the crime of imprisonment, Robbie's life has been a blockbuster reversal. All this upheaval was a lie to the police for Brioni's misunderstanding of Robbie.

In addition, Robbie suffers from the collective trauma of social reality. "Trauma is the product of society, not innate. "Robbie is at the bottom of the social strata of the era, with a collective traumatic memory shared by this class." Despite the goodness of Robbie's nature, he studied at Cambridge University, with his talent can have a successful future, but in the manor except Cecilia will give Robbie the normal eye, others seem to look at Robbie with hidden glasses, so the barrier between Robbie and the Cecilia can not cross the obstacle is the great disparity between the class, This explains why Robbie loves Cecilia clearly, but is not guilty of being misunderstood and accused of being a rapist, and the imprint of class rank is deeply corroborated by Robbie. The collective trauma memory is deeply rooted, and Robbie inherited from his father's identity, after being accused of rape by Brioni, Robbie suffered a double whammy of individual trauma and collective trauma, and his life could not escape the shadow of collective trauma, making him unable to defend himself. In order to wash away the disgrace and escape from prison, Robbie would venture to France for the Second World War. Robbie's nerves were constantly stimulated by the tragic scenes of the battlefield. In addition, he swore to himself, "he will not wipe out her anger." He will never forgive her for a lifetime, it is a permanent injury to me. "It's a pity that when Robbie didn't get out of his hate for Brionni, he stayed on the battlefield for the last night of the evacuation of Dunkirk because of sepsis," he said.

In Atonement, Brioni as the initiator of the whole incident also suffered a great deal of trauma. Gradually grew up she slowly learned about the dim feelings between her sister Cecilia and Robbie, and realized that he had committed an unforgivable mistake and was deeply remorse. She also tried to tell the truth to the police, but because the evidence was not collected, the victim did not dare to correct the crime and could not be freed for Robbie. The growing Brioni gave up the opportunity to go to Cambridge University, and she wanted to atone for the sins she had committed, so she came to a hospital where Cecilia once worked as a postwar nurse for the war fighters. She made this choice on the one hand to escape the memory of the past, on the one hand for the heart of Atonement. But even so, she has been plagued by traumatic memories: "They are only fragments of late-night and dawn memories that have not caused her much trouble in the years that followed." Out of guilt, she tortured herself, and strung the details into a never-ending ring, a string of beads that needed a lifetime to fiddle with. This may be a way for her to punish herself, and also to atone for her sins. She kept working hard to suppress traumatic memories, and she regarded the wounded as Robbie and cared for. But traumatic memories are constantly flashing back and forth in the Brioni brain. Especially when she learned that the victim of Laura and the year of the rapist Marshall marriage, helpless Brioni know the truth will never be known to the world, and Robbie will always bear the notoriety can not be released, once the traumatic memories are stirred again and again. From morning till night, from the ward to the corridor, Brioni felt that the familiar guilt of the years before had chased her with a new, capable, tearing force. ”

When Robbie was taken to prison, Cecilia began a life of atonement, and she was redeeming her family for the class she was in. Only Cecilia in this House believes Robbie is innocent. After Robbie's imprisonment, she immediately abandoned all her family and moved elsewhere as a nurse for St. Abbey. What Cecilia did was to make atonement for her family and the class in silence. Has Cecilia's sins been redeemed? No! If redeemed, then she will not be in the situation has not been able to wait until the lover's return, if redeemed, then she will not die alone in the flood.

The disillusionment of love, the loss of affection, the sacrifice of ideals, the bondage of the freedom of the mind, have failed to allow Robbie, Cecilia and Brioni to complete their respective atonement and find the Eden of the mind.

The protagonist Brioni through the observation of different characters to gradually restore the true nature of events, the use of literary theory to relive the occurrence of events and the occurrence of time, so that the heart of remorse and remorse finally get a trace of release and relief. It is impossible to atone for the death of Robbie, but "to try is everything". Brioni that Cecilia and Robbie were unable to reunite in the Second World War, she deliberately arranged the happy ending of Cecilia and Robbie in her novel. In the process of healing wounds, the inevitable ethical introspection not only embodies the Brioni of the injured soul through the form of literary creation, but also has a deeper understanding of self, society and humanity.

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